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A day in the life of a group of teens as they travel around New York City skating, drinking, smoking, and deflowering virgins.

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1,131 ( 75)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sarah Henderson ...
Girl #1
Justin Pierce ...
Joseph Chan ...
Deli Owner
Johnathan Staci Kim ...
Korean Guy (as Johnathan S. Kim)
Adriane Brown ...
Little Girl
Sajan Bhagat ...
Billy Valdes ...
Billy Waldeman ...
Javier Nunez ...
Luis Núñez ...
Luis (as Luis Nunez)
Christian Bruna ...
Alex Glen ...
...
Jennie (as Chloe Sevigny)
...
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Storyline

Disturbing, dark, low-budget independent film about teen-agers in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted. Written by Allison L. Venezio <YankeeSNL01@aol.com>

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

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Release Date:

1 September 1995 (USA)  »

Also Known As:

Delikventi  »

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Box Office

Budget:

$1,500,000 (estimated)

Gross:

$7,417,210 (USA)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

For his role as Casper, Justin Pierce won an Independent Spirit Award for best debut performance. Korine was nominated for best first screenplay, but he lost out to Paul Auster for Smoke (1995). See more »

Goofs

When Jennie and Ruby are talking while waiting in the clinic for their test results, Ruby's lips do not match the audio in one of the shots. See more »

Quotes

Telly: But like, if you deflower a girl man, man, you're the man. No one can ever do that again. You're the only one. No one, no one, has the power to do that again.
Casper: Right. The way I see it. My outlook on the situation. It's like getting fame, you know what I'm saying? Say you was to die tomorrow right, fifty years from now all the virgins you ever fucked are gonna remember you. Right? They gonna tell their grandkids about that shit.
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Connections

References What's Love Got to Do with It (1993) See more »

Soundtracks

Danny Boy
Written by Frederick Edward Weatherly (as Frederick Weatherly)
Published by Boosey & Hawkes, Inc.
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Frequently Asked Questions

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User Reviews

 
Clark's brilliant and hauntingly accurate portrait of the bad side of humanity in our younger generation grips you by the throat and never lets go.
6 November 2010 | by (United States) – See all my reviews

There are two highly, and deservedly, controversial movies dealing with the issues of drug and alcohol abuse, underage sex, lack of control, and the preteen and teenage minority of urban America. One of them is "Kids" and the other is "Bully." The former is a haunting work of art; the latter is a clunk of garbage. Both were directed by the same man, Larry Clark. I saw "Bully" first about a year ago and I was blown out of my mind by how offensive and atrociously cruel that movie was and how it redeemed itself in no way. I initially condemned Mr. Clark as a director and vowed never to see another movie of his again.

Then I happened to see the Siskel & Ebert review for his first movie "Kids" and after much deliberation, decided to give this controversial filmmaker a second chance. I am so glad that I did.

In many respects, "Kids" and "Bully" are much the same movie. They're both frighteningly brutal, appalling in their explicit content and vulgar dialogue, and they expose the nasty undercurrents in the younger generations of today, especially in urban cities where parental control (or control of any kind) seems all but present. So why is "Kids" a great movie and "Bully" an awful one? Because while "Bully" only pretended to have a purpose, "Kids" *has* a purpose and it never once dumbs down on that. It's a sick and disgusting picture, but it's also somewhat of a wake-up call. And I can fairly say now that as a reviewer and film-goer, I can forgive Mr. Clark.

"Kids" is set in the drug-riddled streets of New York. We see very little of parents, or adults for that matter, and focus on a group of rambunctious, vulgarity-spitting, lecherous teenagers who are devoted to getting drunk, abusing drugs, and giving away their virginity. The most sickening of them is Telly (Leo Fitzpatrick). Not because he can charm young girls enough to seduce them into deflowering them, but because he's simultaneously signing their death warrants with the HIV virus. One of his victims (Chloe Sevigny) discovers she has AIDS because of her one-night stand with him and as she slowly suffers, searches the city to confront him. Meanwhile, Telly is trying to seduce his next victim while he and a group of other nasty individuals roam unsupervised through a place as horrific as any drug underworld. More shocking is that this is just a day in the life for them.

Even more shocking is the daunting realization that this is one hundred percent accurate and we must commend Mr. Clark and screenwriter Harmony Korine, the latter in particular. His screenplay is the core of why this picture is so powerful. He writes his dialogue without any apparent flow or structure, as if the behavior of his characters are not even up to him. The actions of the characters are unpredictable, as they would be. I also really commend him for his choice to not close up with an obligating-style ending, but to choose a really haunting, crusher of one instead. And Mr. Clark shoots his film in a strong, visual-focused documentary approach with long takes from his camera swinging back and forth between the gossiping teenagers. He also pays good attention to their surroundings, showing the conditions and lack of concern from their peers and elders that resulted in their being this way. Because he has a screenplay that is focused and sharp ("Bully" did not) his movie has a purpose and even his seemingly pornographic shots have a purpose as well.

The content is oftentimes appalling, but it also has a purpose. This time I must appreciate Mr. Clark's boldness and reluctance to be contrived. Whereas I got the sense he was indulging the drug use and sex in "Bully," here he clearly defines his intentions of turning our stomachs. These particular kids are scum and they are a product of their scummy environment. He wants to show us that. So the scenes of underage sex are jaw-dropping. They do not turn on the audience; they appall. Furthermore, he does not flood the screen with images of naked teenage bodies and relies on our imagination at crucial moments to exploit the real horror. He balances the explicit and implicit with professional craftsmanship.

"Kids" is a very tough movie to watch and tough to enjoy, but I must confess that it is, to my mind, a truly great film. As I sat there watching it, I was appalled and disgusting and flabbergasted, but at the same time, I was drawn in. Mr. Clark's brilliant portrait of the bad side of humanity in our younger generation grips you by the throat and he never lets go. Not once. He's also got some very strong performances from his cast which include Leo Fitzpatrick, a very young Rosario Dawson, Chloe Sevingy, and the late Justin Pierce whose brilliant performance reminds me so much of the scumbags that I had the displeasure to know in my adolescent years. I personally managed to avoid their paths of life and now looking at "Kids," I am even more thankful that I did.


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Recent Posts
DIFFERENT VERSIONS Jade-30
Well done, must-see masterpiece, but...how is it legal? cdc482
Will dislike of Chloe Sevigny ruin this for me? thepixinator
This film was not shocking in any sense bamf28
Darcy's mom peterthemeehan
HIV positive in a week? lightville-1
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