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Instead of adhering to the norms of their South Central neighborhood, a group of skater boys opt to bus into Hollywood and Beverly Hills, where they attract local rich girls - and plenty of... See full summary »
In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
Disturbing, dark, low-budget independent film about teen-agers in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted. Written by
Allison L. Venezio <YankeeSNL01@aol.com>
The film was given an NC-17 rating in the United States, which caused controversy at Miramax Films, whose parent company is The Walt Disney Company. Disney forbids the release of films rated NC-17. Alarmed by this, Miramax heads Bob Weinstein and Harvey Weinstein came up with a simple solution: they made a one-off independent distribution company, Shining Excalibur Pictures, which handled the films distribution. (The film was later released in the United States without a rating.) A similar situation happened with the Weinsteins for the release of the film Fahrenheit 9/11 (2004). See more »
When the kids hit the hoodlum with a skateboard, he turns his head as if being hit by it despite it not even being in the shot. See more »
Virgins. I love 'em. No diseases, no loose as a goose pussy, no skank. No nothin. Just pure pleasure.
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This is not a super super film, but it stays with you, which was sort of the point - especially if you saw it at the time it was released, before the onslaught of "dark" teen movies over the decade following. This was the granddaddy of the genre and remains one of the darkest and grittiest of them all, in both subject and style. Perhaps in part because the subjects were an urban group of kids, rather than the angsty suburban set we've grown accustomed to seeing, there is a rare and truthful ferocity to the characterizations. The emotive mechanism isn't their redemption as mere children, but their total fallibility as young adults. Though obviously this represents a small sample of teenagers in the united states, it will make you think twice about how much earlier we seem to lose our childhood these days. Great ensemble cast with very believable performances. Its attempt to approximate the reality of a documentary is a unique success. In addition to stong dialogue and direction, credit should be given to the cast for that; obviously, chloe sevigny was a standout here. A really important subject for its time and a very credible portrayal.
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