8 items from 2017
Netflix may be in massive debt, but that hasn’t changed much for the streaming giant, which announced a robust list of new additions today. Todd Haynes’ “Carol” is heading to Netflix, as well as two other masterpieces from provocative auteurs: Quentin Tarantino’s “Pulp Fiction” and Darren Aronofsky’s “Requiem for a Dream.” As the summer movie season winds down, Netflix has plenty of gems to carry you into fall.
Other titles heading to the streaming service include the entire “Jaws” franchise, Martin Scorsese’s Daniel Day Lewis vehicle “Gangs of New York,” and Noah Baumbach’s “The Squid and the Whale.” Check out the complete list of all the new films joining Netflix in September, 2017 below, including our 7 must-see choices.
Read More:tv Imports: The Best Foreign Netflix Shows to Binge, Part 3 “Amores Perros” (September 1)
- Jude Dry
When a major artist finally makes it into the Cannes competition slate, despite consistently producing excellent work, the question becomes: what changed? Is it simply belated recognition? Or is the artist somehow pushing themselves in unprecedented ways, creating work deserving of a larger spotlight? Those are questions that one could ask regarding Noah Baumbach, who makes his first appearance at the Cannes Film Festival with The Meyerowitz Stories (New and Selected), despite a filmography that goes back to 1995 with Kicking and Screaming. Oddly enough, the new film—a quiet New York-set drama on various members of the Meyerowitz clan—finds the Manhattan-based director in perfectly comfortable territory, far closer in spirit to his older work than his recent, more adventurous projects with Greta Gerwig. But familiar need not necessarily mean bad. And although it lacks the ambition that one typically associates with a Cannes Competition title (however much or little »
This is the latest installment of a series exploring significant films from the careers of directors showing new work at the 2017 Cannes Film Festival.
Noah Baumbach characters are almost always enduring growing pains, even if they stopped growing years ago. One of his most defining characteristics as a filmmaker is his ability to create coming-of-age stories for any age group.
“The Meyerowitz Stories,” Baumbach’s first film to screen at the Cannes Film Festival, sounds Baumbachian enough: It centers on an estranged family that convenes in New York for an event celebrating the artistic work of their father. The film stars Adam Sandler, Ben Stiller, Dustin Hoffman, and Emma Thompson.
Soured relationships and artistic achievement are recurring themes in Baumbach’s work, and are often directly related to the painful transitions that take his »
- Graham Winfrey
The Tribeca Film Festival has long boasted hot-ticket events under their “Tribeca Talks” banner, and last night’s hour-long discussion between filmmaker Noah Baumbach and his newly-minted star Dustin Hoffman (who leads the star-studded cast of Baumbach’s next film, the Cannes competitor “The Meyerowitz Stories”) was another insightful entry into one of their best series.
The pair took the stage at New York City’s own Bmcc Tribeca Performing Arts Center to chat about Baumbach’s life and work, and the surprising ways in which he’s changed and evolved as a filmmaker during his two-decade-long career. Her are the best bits (not including a small, but hilarious aside about how Baumbach initially bonded with fellow filmmaker Wes Anderson because they had the same notebook, the kind of detail even those two couldn’t make up).
- Kate Erbland
Potential awards contender produced by Scott Rudin will get day-and-date theatrical release and worldwide streaming launch in late 2017.
Netflix has pulled off the kind of prestige buy more commonly associated with its streaming rival Amazon Studios, swooping on worldwide rights to Noah Baumbach’s The Meyerowitz Stories (New and Selected).
The plot centres on adult siblings dealing with the influence of their aging father. A producer roster of Scott Rudin, Baumbach, Lila Yacoub and Eli Bush further bolsters the film’s prestige credentials and a day-and-date theatrical and worldwide streaming launch has been earmarked for late 2017.
“Noah Baumbach is an important voice in American filmmaking and his films are always highly anticipated around the world,” Netflix Chief Content Officer Ted Sarandos, whose team brokered the deal with Iac Films, said.
- firstname.lastname@example.org (Jeremy Kay)
The movie, which was shot last year in New York City, centers on adult brothers and sisters dealing with their father. Baumbach directed from his own script and produced along with Scott Rudin, Lila Yacoub, and Eli Bush.
“Noah Baumbach is an important voice in American filmmaking and his films are always highly anticipated around the world,” said Netflix chief content officer Ted Sarandos in a statement. “Noah is among the filmmakers that we were eager to work with, and I know that film enthusiasts everywhere will be as moved by this film as we were. We’re thrilled to be the avenue in which global audiences »
- Dave McNary
A cinematic guide to confronting postgrad malaise.Fox Searchlight Pictures
It’s getting to be that time of year where if you listen closely, you can hear millions of parents asking soon-to-be graduates about their plans for the future. Transitioning out of an academic setting can be tricky. And with it comes a very specific kind of funk; a strange and aimless limbo aggravated by the dreaded…so — now what?
I’ve heard that millennials are adult babies and back in the day dinosaurs walked uphill both ways and payed for their entire tuition with the quarters they earned selling lemonade during the summer. Which is to say: the financial and social pressures shouldered by recent graduates are very real existential threats. Thankfully, small comfort though it may be, the disenchanted former student has more than a few cinematic role models to choose from. The postgrad film, older sibling to the high school coming-of-age-movie, concerns »
- Meg Shields
One week a month, Watch This offers movie recommendations inspired by the week’s new releases or premieres. This week: With Sundance in full swing, we’re looking back at some of the best directorial debuts that premiered at the festival.
Walking And Talking (1996)
In the mid-’90s there was a boomlet of independent movies about young-ish, usually urban-dwelling neurotic types making small talk, cracking wise, and often making pop-culture references. Two of the very best of this batch had the misfortune to come out within about a year of each other with extremely similar titles: Noah Baumbach’s Kicking And Screaming and Nicole Holofcener’s Walking And Talking. Holofcener’s first film premiered at the 1996 Sundance Film Festival, in a terrific class that included Welcome To The Dollhouse, Citizen Ruth, and Big Night.
Holofcener, a smart and perceptive writer, would go on to tell more complex stories ...
- Jesse Hassenger
8 items from 2017
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