| Photos (See all 19 | slideshow) | Videos (see all 3) |
| Josh Hamilton | ... | Grover | |
| Samuel Gould | ... | Pete (as Sam Gould) | |
| Catherine Kellner | ... | Gail | |
| Jonathan Baumbach | ... | Professor | |
| John Lehr | ... | Louis | |
| Olivia d'Abo | ... | Jane | |
| Peter Czernin | ... | Lester | |
| Carlos Jacott | ... | Otis | |
| Chris Eigeman | ... | Max | |
| Eric Stoltz | ... | Chet | |
| Eliza Roberts | ... | Josselyn | |
| Jason Wiles | ... | Skippy | |
| Parker Posey | ... | Miami | |
| Christopher Reed | ... | Friedrich (as Chris Reed) | |
| Noah Baumbach | ... | Danny | |
| Jason S. Kassin | ... | Freddy | |
| Cara Buono | ... | Kate | |
| David DeLuise | ... | Bouncer (as David Deluise) | |
| Thea Goodman | ... | Friedrich's Date | |
| Lauren Katz | ... | Stephanie | |
| Alexia Landeau | ... | Nose Ring Girl (as Alexia Landau) | |
| Perrey Reeves | ... | Amy | |
| Tony Giglio | ... | Singing Freshman #1 (as Anthony Giglio Jr.) | |
| Richard Tacchino | ... | Singing Freshman #2 | |
| Nico Baumbach | ... | Random Freshman | |
| José Ignacio Álvarez | ... | Stunt Knight #1 (as Jose Ignacio Alvarez) | |
| Solier Fagundez | ... | Stunt Knight #2 | |
| Dave Kirsch | ... | Ike | |
| Matthew Kaplan | ... | Omar | |
| Dean Cameron | ... | Zach | |
| Elliott Gould | ... | Grover's Dad | |
| Marissa Ribisi | ... | Charlotte | |
| Kaela Dobkin | ... | Audra | |
| Sal Viscuso | ... | Bar Teacher | |
| Jessica Hecht | ... | Ticket Woman | |
| Nora Perricone | ... | Door Person | |
| Melanie Koch | ... | Girl at Bar | |
| rest of cast listed alphabetically: | |||
| Paul Speaks | ... | The Bow Hunter (uncredited) | |
Directed by | |||
| Noah Baumbach | |||
Writing credits | ||
| Noah Baumbach | (story) & | |
| Oliver Berkman | (story) | |
| Noah Baumbach | (written by) | |
Produced by | |||
| Mark Amin | .... | executive producer | |
| Carol Baum | .... | executive producer | |
| Jason Blum | .... | associate producer | |
| Sandy Gallin | .... | executive producer | |
| Rana Joy Glickman | .... | line producer | |
| Phillip B. Goldfine | .... | co-producer | |
| Erin Gorman | .... | associate producer | |
| Andrew Hersh | .... | co-producer | |
| Joel Kastelberg | .... | producer (as Joel Castleberg) | |
| Jeremy Kramer | .... | associate producer | |
Original Music by | |||
| Phil Marshall | |||
Cinematography by | |||
| Steven Bernstein | (director of photography) | ||
Film Editing by | |||
| J. Kathleen Gibson | |||
Casting by | |||
| Ellie Kanner | |||
Production Design by | |||
| Dan Whifler | |||
Set Decoration by | |||
| Gail Bennett | |||
Costume Design by | |||
| Mary Jane Fort | |||
Makeup Department | |||
| Suzanne Diaz | .... | key makeup artist | |
| Karen Scherer | .... | hair stylist assistant | |
| Karen Scherer | .... | makeup artist assistant | |
| Barbara Wilder | .... | key hair stylist | |
Art Department | |||
| Shiuvaun Egan | .... | swing | |
| Max Ghalioungui | .... | property assistant | |
| Charlotte Gimfalk | .... | scenic artist (as Charlotte Gimfack) | |
| Jamie Hammons | .... | property assistant | |
| Inga Helgesson | .... | lead scenic artist | |
| Gordon E. Holmes | .... | carpenter (as Gordon Holmes) | |
| Riley 'Sean' Jones | .... | property master | |
| Susan King | .... | set dresser | |
| Sally Reed | .... | set dresser | |
| David Rimer | .... | on-set dresser | |
| Brian Rooney | .... | lead man | |
| Cynthia Anne Slagter | .... | on-set dresser (as Cynthia Slagter) | |
| Tom Wages | .... | carpenter | |
Sound Department | |||
| Ken Ahern | .... | second boom operator | |
| Ken Ahern | .... | utility sound | |
| Dana Austin | .... | adr recordist: Los Angeles (as Dana A. Johnson-Porter) | |
| Dana Austin | .... | foley recordist (as Dana A. Johnson-Porter) | |
| Bryan Bowen | .... | sound effects editor (as Brian Bowen) | |
| Bob Bowman | .... | sound assistant | |
| Matt Breedlove | .... | adr mixer: Austin | |
| Zane D. Bruce | .... | foley walker (as Zane Bruce) | |
| Michael P. Cook | .... | dialogue editor (as Mike Cook) | |
| Stuart Copely | .... | dialogue editor (as Stuart Copley) | |
| Robert Deschaine | .... | adr mixer: Los Angeles | |
| Robert Deschaine | .... | foley mixer | |
| Tim Drury | .... | boom operator | |
| Dawn Fintor | .... | foley walker | |
| Kenton Jakub | .... | adr supervisor: New York | |
| Dave McMoyler | .... | sound supervisor | |
| Charlie Meister | .... | sound producer | |
| Douglas Murray | .... | adr recordist: New York (as Doug Murray) | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Michael A. Reagan | .... | sound effects editor (as Mike Reagan) | |
| Joseph T. Sabella | .... | foley walker (as Joseph Sabella) | |
| Kim Waugh | .... | additional sound | |
| Caron Weidner | .... | foley editor | |
| Ed White | .... | production sound mixer | |
| Paul J. Zydel | .... | adr mixer: New York (as Paul Zydel) | |
Stunts | |||
| Solier Fagundez | .... | stunts (uncredited) | |
| José Ignacio Álvarez | .... | stunt coordinator (uncredited) | |
| José Ignacio Álvarez | .... | stunts (uncredited) | |
Casting Department | |||
| Lorna Johnson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karla Stevens | .... | costume supervisor | |
| Marilyn Van Winkle | .... | first assistant wardrobe | |
Editorial Department | |||
| Douglas Crise | .... | first assistant editor (as Doug Crise) | |
| Saul Escobedo | .... | color timer | |
| Robaire W. Estel | .... | second assistant editor | |
| Robert Hoffman | .... | additional post-production | |
| Richard Jordan | .... | director of post-production | |
| Amber Pfeiffer | .... | second assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Peter Coquillard | .... | executive music producer: Windswept Pacific Entertainment Co. | |
| Stephen Lotwis | .... | music editor: Pacific Music Editors Inc. | |
| Phil Marshall | .... | musician: score | |
| Joe McGrath | .... | score recordist | |
| Joe McGrath | .... | scoring mixer | |
| Lonnie Sill | .... | executive music producer: Windswept Music Entertainment Co. | |
Transportation Department | |||
| Mitchell Bergman | .... | transportation captain | |
| Norman Josephson | .... | driver (as Norman 'D'Arthagnao' Josephson) | |
| Dale Lee | .... | transportation coordinator | |
| Robert 'Schno' Mozingo | .... | driver (as Schnow Mozingo) | |
| Richard Webb | .... | driver | |
Other crew | |||
| Bill Alacon | .... | production office assistant (as Bill Alarcon) | |
| Elizabeth Algieri | .... | assistant to director | |
| Gregory Bartlett | .... | production coordinator (as Greg Bartlett) | |
| Steven Belgard | .... | unit publicist (as Steve Belgard) | |
| Peter A. Block | .... | representative: Trimark Pictures | |
| Oliver Cary | .... | production office assistant | |
| Mick Collins | .... | assistant to accountant | |
| Louise Demetre | .... | script supervisor (as Louise Kobrak) | |
| Jennifer Duclos | .... | first assistant craft service | |
| Bruce David Eisen | .... | representative: Trimark Pictures | |
| Tony Giglio | .... | set production assistant (as Anthony Giglio Jr.) | |
| Gean Hunter | .... | second assistant caterer | |
| Rowena Hutchinson | .... | production office assistant | |
| Sheri Jeffrey | .... | legal services | |
| Krys Karns | .... | production office intern (as Krystine Karns) | |
| Sarah Kelly | .... | extras coordinator | |
| Dave Kirsch | .... | production office assistant (as David Kirsch) | |
| John Krasno | .... | representative: Panavision | |
| Maeve Mannion | .... | production accountant | |
| Cynthia H. Margulis | .... | location manager (as Cynthia Margulis) | |
| Lisa Martin | .... | representative: Panavision | |
| Carole J. Meyer | .... | production controller | |
| Richard Middleton | .... | continuity (as Richard C. Middleton) | |
| Richard Naimy | .... | production office intern | |
| Peter E. Nunnery | .... | assistant production coordinator (as Peter Nunnery) | |
| Monique Reymond | .... | production office assistant | |
| David Rimer | .... | additional location scout | |
| Teri Ritzer | .... | publicist: Dennis Davidson Associates | |
| Stephen A. Sanders | .... | production office assistant | |
| Kaye Scholer Fierman | .... | legal services | |
| Rick St. John | .... | director of catering (as Ric St. John) | |
| Will Stubenberg | .... | first assistant caterer | |
| Paul Ulbrich | .... | assistant to producers | |
| Meltem Vogler | .... | accountant: post-production | |
| Joshua Zeman | .... | key set production assistant (as Josh Zeman) | |
| Mark S. Bassett | .... | assistant: Andrew Hersh (uncredited) | |
Thanks | |||
| Pamela Cederquist | .... | special thanks: consultant | |
| Lisa Harp | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This film is amazing, in my humble opinion.
When I first discovered it, it cost 2 quid in an ex rental knock off shop. I don't know what supreme being possessed me to purchase it, I'd never been aware of its existence before, but it really was lucky.
I think that it is very subjective. This film was very suited to me, especially at that time of my life. It captures a moment in the characters' lives so well, so effortlessly, that it really is very familiar, you almost feel like they're your mates up on screen. It is one of the better and more original 'coming-of-age' flicks out there. I was blown away by it. Forget Dazed and Confused or American Graffiti (both of which I like), this one is more intelligent, more engaging and really interesting. The story is good, the script is good, the acting is good too, it's an all-rounder.
However, there are major problems with it. The script is sometimes a little too....scripty? It's far too contrived and although the actors do their best, at times it does wonder into what we all know now as The Dawson's Creek Syndrome - writing a script with a Thessaurus in one hand, wearing a beret and looking at yourself in the mirror. But for the most part it's completely natural. It does also take a lot of concentration to recognise who's who and what's going on and keep up with the dialogue. However it is worth it. It's also not a film you can drift in and out of, it requires undivided attention to 'get it', and for a film where 'nothing happens', that is a lot to ask of most people.
Despite all this it is one of the best character films (you know, those movies you watch just for the characters and their little interactions on screen) that I know of and well worth a viewing, even if you do have to pull out the phone, disconnect the doorbell, displace your housemates/loved ones and black out the windows.
A very good, well made and very underrated/underexposed film.