| Photos (See all 37 | slideshow) |
Directed by | |||
| Christopher Ashley | |||
Writing credits(WGA) | ||
| Paul Rudnick | (play) | |
| Paul Rudnick | (screenplay) | |
Produced by | |||
| Mark Balsam | .... | producer | |
| Barbara Epstein | .... | associate producer | |
| Harry Knapp | .... | line producer | |
| Dan Markely | .... | co-executive producer | |
| Dan Markley | .... | co-executive producer | |
| Mitchell Maxwell | .... | producer | |
| Victoria Maxwell | .... | producer | |
| Kevin McCollum | .... | executive producer | |
| Andrea Pines | .... | co-executive producer | |
| Paul Rudnick | .... | co-producer | |
| Mike Skipper | .... | co-executive producer | |
| James D. Stern | .... | associate producer | |
| Dale Chrisman | .... | associate producer (uncredited) | |
Original Music by | |||
| Stephen Endelman | |||
Cinematography by | |||
| Jeffery J. Tufano | |||
Film Editing by | |||
| Cara Silverman | |||
Production Design by | |||
| P. Michael Johnston | (as Michael Johnston) | ||
Set Decoration by | |||
| Andrew Baseman | |||
Makeup Department | |||
| Melissa A. Yonkey | .... | hair stylist | |
| Debbie Zoller | .... | makeup artist | |
Production Management | |||
| Harry Knapp | .... | unit production manager | |
| Diana Schmidt | .... | production supervisor | |
| Judith Zissman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Anderson | .... | second assistant director (as Jennifer Taback) | |
| Bob Knoerl | .... | assistant director | |
| Robert J. Wilson | .... | assistant director (as Bobby Wilson) | |
Art Department | |||
| David Cooney | .... | storyboard artist | |
| Pierre Rovira | .... | construction coordinator | |
| James Yates | .... | scenic artist | |
| Danny Rovira | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Anthony J. Ciccolini III | .... | supervising sound editor | |
| George Leong | .... | boom operator | |
| Lisa J. Levine | .... | supervising adr editor | |
| Yvette Nabel | .... | foley editor | |
| Mathew Price | .... | production sound mixer | |
| Reilly Steele | .... | sound re-recording mixer | |
| Brian Vancho | .... | foley artist | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
Casting Department | |||
| Byron Crystal | .... | extras casting | |
| David H. Kramer | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Neda Pourang | .... | wardrobe assistant | |
Editorial Department | |||
| Glenn Allen | .... | assistant editor | |
| Tom San Martin | .... | negative matcher | |
| Arnold Shuster | .... | negative matcher | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
Music Department | |||
| Shari Johanson | .... | music editor (as Shari Schwartz) | |
Other crew | |||
| Kevin Breslin | .... | location manager | |
| Erin Cassidy | .... | production assistant | |
| Tim Kirkman | .... | production assistant | |
| Jamie A. Marlowe | .... | additional first assistant | |
| Susan D. Schultz | .... | food stylist | |
| Robert T. Striem | .... | location assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I watched "Jeffrey" with my Husband earlier tonight. I had meant to watch it for years, but it was a "gay" film, a genre which I love, but often eschew because these films always make me think--even "La Cage aux Folles" had a deep and abiding lesson or two hidden inside.) The themes often involve intolerance, and the traumatic impact of AIDS on the entire gay community; even if the film is a comedy, I find these themes fill me with empathic pain and frustration. I decided to brave those themes despite my female tear ducts this evening, and I was glad I did.
This film was silly. This film was witty. The dialogue is sparkling. All those things made it wonderful to watch. The characters we meet are intriguing, and though the 2-dimensional stereotypes are made for laughs, we get the feeling that we are laughing at the strange mix of truth and falsehood many of the stereotypes possess; we are laughing not at people who are "flaming" but at characters who are exuberant, joyous people, trying to squeeze every bit of joy and delight that they can out of every moment.
I won't spoil the journey through this story with any specifics, let's just say that Jeffrey doesn't quite get it. It is both painful and joyful at turns watching the character navigate through a turning point in his life. I laughed, I got choked up, and then I laughed again, and again ad infinitum. This is not a "gay" movie. It's a character driven story that we can all identify with, if our minds and hearts are open.