| Photos (See all 17 | slideshow) |
| David Caruso | ... | David Corelli | |
| Linda Fiorentino | ... | Trina Gavin | |
| Chazz Palminteri | ... | Matt Gavin | |
| Richard Crenna | ... | Gov. Lew Edwards | |
| Michael Biehn | ... | Bob Hargrove | |
| Donna Murphy | ... | Karen Heller | |
| Ken King | ... | Petey Vesko | |
| Holt McCallany | ... | Bill Barrett | |
| David Hunt | ... | Pat Callendar | |
| Angie Everhart | ... | Patrice Jacinto | |
| Kevin Tighe | ... | Dist. Atty. Arnold Clifford | |
| Robin Thomas | ... | Mr. Green | |
| Jay Jacobus | ... | Justin Henderson | |
| Victoria Smith | ... | Sandy | |
| Drew Snyder | ... | Executive | |
| Bud Bostwick | ... | Justin Henderson's brother | |
| Darryl Chan | ... | Tommy Joy | |
| Graham Cowley | ... | Deputy Coroner | |
| Nellie Cravens | ... | Governor's secretary | |
| Ron Ulstad | ... | Kyle Medford | |
| Allen Gebhardt | ... | Forensic man | |
| Garrett Griffin | ... | Police officer | |
| Julian Hill | ... | Forensic | |
| Buddy Joe Hooker | ... | Assistant District Attorney | |
| Bobby Bass | ... | Assistant District Attorney | |
| Sandy Berumen | ... | Assistant District Attorney (as Sandra Berumen) | |
| Arthur Johnson | ... | Cop | |
| Paul Schlotfeldt | ... | Cop | |
| Rene Charles LaPrevotte | ... | Cop | |
| John Loftus | ... | Cop | |
| Tom Walsh | ... | Cop | |
| Howard Weathersby | ... | Cop | |
| Kevin Whitfield | ... | Cop | |
| John Wyman | ... | Cop | |
| Mini Mehra | ... | Resident | |
| Nicholas Tarvid | ... | Pilot | |
| Harold Morrison | ... | Co-Pilot | |
| William Piletic | ... | Priest | |
| Olimpia Saravia | ... | Maid | |
| Tina J. Spangler | ... | Secretary | |
| Isaac Spivey | ... | Homeless man | |
| Kenneth Tigar | ... | Corporate man | |
| Bill Tolliver | ... | Medical Examiner | |
| James Edward Veurink | ... | Executive | |
| Victor Wong | ... | Mr. Wong | |
| Ron Yuan | ... | Technician | |
| Peter Duchin | ... | Black & White Ball orchestra leader | |
| rest of cast listed alphabetically: | |||
| Dick Ziker | ... | Assistant District Attorney (as Richard Ziker) | |
| Mary Christina Brown | ... | Young Girl in Chinatown Parade (uncredited) | |
| Bob Dini | ... | Society Dancer (uncredited) | |
| Jeff Scott | ... | Waiter (uncredited) | |
| Victor Talmadge | ... | Lawyer (uncredited) | |
Directed by | |||
| William Friedkin | |||
Writing credits(WGA) | ||
| Joe Eszterhas | (written by) | |
Produced by | |||
| Gary Adelson | .... | producer | |
| Craig Baumgarten | .... | producer | |
| Robert Evans | .... | producer | |
| George Goodman | .... | co-producer | |
| William J. MacDonald | .... | executive producer | |
| Catherine Meyers | .... | field producer: EPK | |
| Joe Eszterhas | .... | executive producer (uncredited) | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Andrzej Bartkowiak | |||
Film Editing by | |||
| Augie Hess | |||
Casting by | |||
| Ronnie Yeskel | |||
Production Design by | |||
| Alex Tavoularis | |||
Art Direction by | |||
| Charles William Breen | (as Charles Breen) | ||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Bruce Barlow | .... | special makeup effects artist | |
| Michael Laudati | .... | makeup artist | |
| Charlotte Parker | .... | hair stylist (as Charlotte Gravenor) | |
| Gail Rowell-Ryan | .... | hair stylist | |
| Robert Ryan | .... | makeup artist | |
| Chris Walas | .... | special makeup effects | |
Production Management | |||
| George Goodman | .... | production manager | |
| Charles Skouras III | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | assistant director | |
| Jay Guerra | .... | dga trainee | |
| Hilbert Hakim | .... | second second assistant director | |
| Eric Jones | .... | second second assistant director | |
| Ron Kinwald | .... | additional second assistant director | |
| Robin R. Oliver | .... | assistant director | |
| Thomas Schellenberg | .... | second second assistant director (as Tom Schellenberg) | |
Art Department | |||
| Kirsten Anderson | .... | construction accountant | |
| Scott M. Anderson | .... | assistant property master | |
| Kristin Argue | .... | drapery | |
| Ashley Burnham | .... | art department coordinator | |
| Christopher Carlson | .... | set dresser | |
| John Chichester | .... | set designer | |
| Dale DeStefani | .... | general foreman | |
| Stephen J. Gardner | .... | props assistant: San Francisco | |
| Robert C. Goldstein | .... | set designer | |
| Bruce Harris | .... | propmaker | |
| Kurt V. Hulett | .... | lead man | |
| Mark Knapton | .... | propmaker | |
| Jeffrey Kushon | .... | lead person | |
| John Lister | .... | set dresser | |
| Doni McMillan | .... | set dresser | |
| Barbara Munch | .... | set decorator: San Francisco | |
| James J. Murakami | .... | assistant art director (as James Murakami) | |
| Scott Newell | .... | carpenter: San Francisco crew | |
| Maureen Osborne | .... | set dresser | |
| Fred Paulsen | .... | set dresser | |
| Tom Southwell | .... | production illustrator | |
| Patrick Tatopoulos | .... | production illustrator | |
| Christopher Woodworth | .... | lead scenic | |
| Stephanie Ziemer | .... | buyer | |
| Stephanie Ziemer | .... | set decorator: Los Angeles | |
Special Effects by | |||
| R. Bruce Steinheimer | .... | special effects coordinator | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
| Michael Wick | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Gregory D. Liegey | .... | visual effects composite artist | |
| Richard Ivan Mann | .... | visual effects producer: Hollywood Digital | |
| James Valentine | .... | rotoscope supervisor | |
Camera and Electrical Department | |||
| Steve Adcock | .... | first assistant camera | |
| Eric Amundsen | .... | assistant camera: San Francisco | |
| Chris Blauvelt | .... | second assistant camera | |
| Jonathan Doff | .... | video assist operator | |
| Joseph Emanuele | .... | electrician | |
| Randy Feemster | .... | camera operator: "b" camera | |
| Patrick Figueroa | .... | grip: San Francisco unit crew | |
| Robin P. Knight | .... | key grip | |
| Jay Laws | .... | lighting technician | |
| Gregory Lundsgaard | .... | Steadicam operator (as Greg Lundsgaard) | |
| Gregory Lundsgaard | .... | additional camera operator (as Greg Lundsgaard) | |
| Michael E. Matteson | .... | key rigging grip | |
| Gary McClendon | .... | lamp operator: San Francisco crew | |
| Vern Nobles | .... | first assistant camera | |
| Michael Scott | .... | camera operator | |
| Terry Sullivan | .... | lamp operator: San Francisco crew | |
| Kevin Thompson | .... | electrician | |
| Paul Wilkowsky | .... | grip | |
| Gregory Collis | .... | rigging grip (uncredited) | |
| J. Michael Davis | .... | pre-rig grip (uncredited) | |
Animation Department | |||
| Ken Rudolph | .... | animator: main titles | |
Casting Department | |||
| Nancy Hayes | .... | extras casting | |
| Nancy Hayes | .... | local casting | |
| Stephanie Holbrook | .... | additional casting | |
Costume and Wardrobe Department | |||
| Mitchell Ray Kenney | .... | set costumer | |
| Lisa Lovaas | .... | assistant costume designer | |
| Kelly Porter | .... | key set costumer | |
| Frankie Ritacco | .... | costumer | |
Editorial Department | |||
| Jon Altschuler | .... | assistant editor | |
| Bob Kaiser | .... | color timer (as Robert Kaiser) | |
| Darrin Navarro | .... | assistant editor | |
| Paul Villasenor | .... | apprentice editor | |
Music Department | |||
| Jim Henrikson | .... | supervising music editor | |
| Shawn Murphy | .... | score mixer | |
| Joe E. Rand | .... | music editor | |
| Ron Aston | .... | musician: percussion programming (uncredited) | |
| Dan Goldwasser | .... | soundtrack producer (uncredited) | |
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| Basic Instinct | The Last Seduction | Black Belly of the Tarantula | Perfect Stranger | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I think this may have been successful in its day, simply because of the sex. There is the appearance of some sex acts on the screen presented in a couple voyeuristic contexts, but I think the target was a much deeper appeal: a whole world driven by insatiable, conventionally deviant female sex drive. The writer had previously cashed in with this idea and Hollywood chose to try again but with a real director.
This formula isn't just about sex, its about turning the noir mechanics on its head. Noir depends on an outside fate that arbitrarily throws strangers together in situations that are designed for and controlled by the values of watching, outside the world of the action.
Here, everyone knows each other beforehand. There are essentially no strangers. The driving force is supernatural as in noir, but it is rooted in and owned by the people we see. Its simple sexual desire, lust.
The story is ordinary, the sex unconvincingly simulated. Even the automotive stunts are limp. There's some craft in how it is put together visually though, enough to keep me engaged.
But there is one remarkable feature. The score is hypnotizing. It is bicameral, both halves based on prototypical themes. The male theme: lustful, uncontrollable and apt to be violent is from (almost directly) Stravinski's Rite of Spring. Its wildly erotic, threatening, dangerous. The female side (until the end that is) is a Celtic anthem, soft, passive, receptive, drifting.
I do not ever recall something so directly cast, so borrowed and yet so effective. I saw this close to a film (Duel at Diablo) where the score was literally canned bits from old movies and the dialog all dubbed). This part is fun, and much more tantalizingly erotic than what you will see.
Ted's Evaluation -- 2 of 3: Has some interesting elements.