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Jade (1995)

R  |   |  Crime, Drama, Thriller  |  13 October 1995 (USA)
5.1
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Ratings: 5.1/10 from 8,600 users  
Reviews: 68 user | 47 critic

A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.

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Title: Jade (1995)

Jade (1995) on IMDb 5.1/10

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Edit

Cast

Cast overview, first billed only:
...
...
...
Matt Gavin
...
...
...
Karen Heller
Ken King ...
Petey Vasko
...
Bill Barrett
...
Pat Callendar
...
Patrice Jacinto
...
D.A. Arnold Clifford
...
Mr. Green (as Robin Thomas)
Jay Jacobus ...
Justin Henderson
Victoria Smith ...
Sandy
...
Executive
Edit

Storyline

Someone does a nasty hatchet job on a San Fransisco big noise and the Assistant D.A. takes charge of the investigation. Through a web of blackmail and prostitution involving the Governor, an old lover of the lawman emerges as a prime suspect and he has to deal with his personal feelings as well as the case. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

Some fantasies go too far. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for grisly afterviews of murder victims, violence, language and strong scenes of aberrant sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

13 October 1995 (USA)  »

Also Known As:

Žad  »

Box Office

Budget:

$50,000,000 (estimated)

Gross:

$9,795,017 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Kenneth Branagh was the first choice for the part of Matt Gavin. See more »

Goofs

The blood stains on the black Ford Thunderbird's headlights change repeatedly between shots during the chase. See more »

Quotes

Bob Hargrove: I think she did it.
David Corelli: Why?
Bob Hargrove: She's got no alibi and we've got her prints on the hatchet.
David Corelli: And she lied to us.
Petey Vesko: Typical shrink behaviour. They like to pull your strings.
Bob Hargrove: [to Corelli] She was pulling your strings pretty good.
See more »

Connections

Referenced in Saturday Night Live: Ray Liotta/The Donnas (2003) See more »

Soundtracks

Last To Know
By Pat Metheny
Performed by Wallace Roney
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Sprung Rites
6 February 2009 | by (Virginia Beach) – See all my reviews

I think this may have been successful in its day, simply because of the sex. There is the appearance of some sex acts on the screen presented in a couple voyeuristic contexts, but I think the target was a much deeper appeal: a whole world driven by insatiable, conventionally deviant female sex drive. The writer had previously cashed in with this idea and Hollywood chose to try again but with a real director.

This formula isn't just about sex, its about turning the noir mechanics on its head. Noir depends on an outside fate that arbitrarily throws strangers together in situations that are designed for and controlled by the values of watching, outside the world of the action.

Here, everyone knows each other beforehand. There are essentially no strangers. The driving force is supernatural as in noir, but it is rooted in and owned by the people we see. Its simple sexual desire, lust.

The story is ordinary, the sex unconvincingly simulated. Even the automotive stunts are limp. There's some craft in how it is put together visually though, enough to keep me engaged.

But there is one remarkable feature. The score is hypnotizing. It is bicameral, both halves based on prototypical themes. The male theme: lustful, uncontrollable and apt to be violent is from (almost directly) Stravinski's Rite of Spring. Its wildly erotic, threatening, dangerous. The female side (until the end that is) is a Celtic anthem, soft, passive, receptive, drifting.

I do not ever recall something so directly cast, so borrowed and yet so effective. I saw this close to a film (Duel at Diablo) where the score was literally canned bits from old movies and the dialog all dubbed). This part is fun, and much more tantalizingly erotic than what you will see.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


9 of 10 people found this review helpful.  Was this review helpful to you?

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