The young, bright and decent London tramp Alan Terry accidentally witnesses a mob execution. He gets away, but leaves enough evidence for them to come looking for him among the homeless, ... See full summary »
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American football player Flash Gordon and his beautiful girlfriend Dale Arden become unwillingly passengers on-board Dr. Hans Zarkov's rocket-ship, where they arrive on the planet Mongo, ruled by the evil Emperor Ming the Merciless.
The young, bright and decent London tramp Alan Terry accidentally witnesses a mob execution. He gets away, but leaves enough evidence for them to come looking for him among the homeless, and most violently: his older best friend is killed by arson. It turns out that Matheson, the police Detective Inspector in charge of the murder investigation, is in cahoot with the mob boss Adolfo Cavani, and actually on Alan's trace, with the firm intent to eliminate the dangerous witness. The only one who may actually help Alan is a female reporter... Written by
Inspired by the case of Roberto Calvi, "God's Banker", found hanging under Blackfriars Bridge in 1982. Originally treated as suicide, an Italian inquiry has now established that Calvi was murdered. See more »
Mostly bland crime story in which a homeless man (Rupert Graves) is witness to a hanging from London's Tower Bridge. When he goes to report the crime, he discovers the cop leading the investigation (Michael Gambon) was one of the hangers, so he enlists the help of a journalist (Annabella Sciorra) to expose the story. Unfortunately, aside from a neat twist about three-quarters of the way through, there is little real mystery or suspense: we know Gambon did it, and Graves manages to stay out of any real danger for most of the film. The actors do the best they can, but get little support from the unsubtle script and direction; Sciorra spends most of her time being earnest and Gambon chews a little scenery but not enough to make a lasting impression. Graves is a solid lead but falls victim to the film's biggest failing; this is one of the least convincing depictions of homelessness I've seen. Overall, the film feels like a typical British TV crime show, but with most of the depth carefully removed.
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