Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers, which no one believes. On the eve of the town's centennial, many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
With the disappearance of hack horror writer Sutter Cane, all Hell is breaking loose...literally! Author Cane, it seems, has a knack for description that really brings his evil creepy-crawlies to life. Insurance investigator John Trent is sent to investigate Cane's mysterious vanishing act and ends up in the sleepy little East Coast town of Hobb's End. The fact that this town exists as a figment of Cane's twisted imagination is only the beginning of Trent's problems. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The dozens of monsters featured towards the end of the film were a combination of men in suits, animatronics and a full-sized "wall" of creatures. It took over thirty people to operate the monsters. See more »
(at around 16 mins) When Linda Stiles is introduced for the first time and is speaking about Sutter Cain's book, she takes her glasses off and folds them twice. See more »
Animal interaction was monitored by the American Humane Association with on set supervision by the Toronto Humane Society. No animal was harmed in the making of this film. Human interaction was monitored by the Inter Planetary Psychiatric Association. The body count was high, the casualties are heavy. See more »
It's hard to go deeply into the story of In the Mouth of Madness without spoiling it. It's best to know absolutely nothing at all. That was my experience with this film and I was completely blown away. The story is very original and inventive and also has a good critique about the influences of the horror franchise.
The first 2/3 of the film are masterful, the old John Carpenter seems to have returned at full force. Effortlessly creating a creepy atmosphere, astounding visuals, some gross-out horror combined with a Chandleresque detective mystery, In the Mouth of Madness seems to be competing for the title of Carpenter's best ever film. But the final third is a letdown, the conclusion not satisfactory and the terribly slow pacing kills the momentum so memorably established before.
Still, overall this is one effective horror film made by a master filmmaker. Although it misses the bull's eye, it ranks as the best of Carpenter's later works. He has a good cast to work with here; Sam Neill is terrific in the lead, Jurgen Prochnow is creepy and it's fun to see Charlton Heston in a small role.
For horror fans and Carpenter disciples this film is a must see.
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