A dark and handsome true-crime thriller about kidnapping and police corruption in Hong Kong. Once of Jackie Chan's most serious roles, but still overflowing with spectacular acrobatic ... See full summary »
Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. Meanwhile, one of those petty thugs in the local gang stumbles into a criminal situation way over his head. Blinded by greed, his involvement draws his gang, the kid, Keong, and the whole neighborhood into a deadly crossfire. When the lazy cops fail to successfully resolve matters, Keong takes things into his own hands. Needless to say, much spectacular kung-fu and outrageous action sequences follow.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Filming in Vancouver, Canada on 6 October 1994, Jackie Chan broke his right ankle while attempting the scene where he jumps onto the hovercraft. Despite the injury, he was present at the premiere of The Legend of Drunken Master (1994) at the Vancouver International Film Festival that night. Later in the production, Tong sprained his ankle, completing the film on crutches. Françoise Yip also broke her leg while filming the scene where she rides a motorbike across the tops of parked cars. She insisted on returning to the set after her leg was plastered at hospital. Two stunt women also broke their legs during the filming of the motorcycle chase. See more »
On top of the parking garage, the owner of the truck that gets pushed over the side of the building is first pictured wearing a cap with a rebel flag design and in subsequent shots of the same scene his cap has an American flag design. See more »
This was the first film I saw of Jackie's (first one released in the US that I can remember despite The Protector and The Big Brawl in the 80s) and I have to say it's a great introduction to Chan's work. The fighting is great and well shot while the stunts are amazing. The humor (a Jackie trademark) is also hilarious. People from the US really don't know what a good martial arts film is. Some have grown up with Bruce Lee and it's appreciated but many of them are constantly renting Van Damme and Steven Segal films (working at a video store, I see it all the time). Seeing someone who really is impressive at martial arts, dosen't need fast cuts and choppy editing, and does his own stunts puts all the Van Damme's and Segal's to shame. Take the warehouse fight for example and compare it to any American martial arts film and you will see the difference.
For those who haven't seen this film yet and love martial arts films - rent this movie. For those who have seen it and want to see more Jackie - I recommend Drunken Master I and II (II is very hard to find in the US), The Young Master (great final fight), Who Am I? (unbelieveable stunts), Police Story I, II, and III (all around Jackie Chan films, III is known in the US as just Supercop), Operation Condor (tons of martial arts), and Project A I and II (II is another hard to find one in the US). You may also want to check out Rush Hour and Shanghai Noon - they aren't as good as the ones listed above but they are entertaining and Jackie Chan films nonetheless. As for Rumble In The Bronx, make it your first Chan film.
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