Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
A dark and handsome true-crime thriller about kidnapping and police corruption in Hong Kong. Once of Jackie Chan's most serious roles, but still overflowing with spectacular acrobatic ... See full summary »
Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. Meanwhile, one of those petty thugs in the local gang stumbles into a criminal situation way over his head. Blinded by greed, his involvement draws his gang, the kid, Keong, and the whole neighborhood into a deadly crossfire. When the lazy cops fail to successfully resolve matters, Keong takes things into his own hands. Needless to say, much spectacular kung-fu and outrageous action sequences follow.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Filming in Vancouver, Canada on 6 October 1994, Jackie Chan broke his right ankle while attempting the scene where he jumps onto the hovercraft. Despite the injury, he was present at the premiere of The Legend of Drunken Master (1994) at the Vancouver International Film Festival that night. Later in the production, Tong sprained his ankle, completing the film on crutches. Françoise Yip also broke her leg while filming the scene where she rides a motorbike across the tops of parked cars. She insisted on returning to the set after her leg was plastered at hospital. Two stunt women also broke their legs during the filming of the motorcycle chase. See more »
The cuts on Ah Keung's face disappear in one day. See more »
I've read reviews from a number of people who were fans of Jackie Chan before he was well known in the west, that express disappointment that Rumble in the Bronx is the film that finally made Chan a household name in America, because they feel the film is quite a come-down from the "Police Story" films that formed the main link between Chan and his past before making this film.
I must strongly disagree. Yes - the Anglo actors aren't very good; the plot is silly at times; the dialog is weak, some of the characters are unbelievable.
But there's seems no question that the stunt-work is excellent, and the fight scenes are excellent - these really form the reason for making the film in the first place.
Furthermore, I think that, of all the protagonists he's played, Chan's character here is the closest to being a true hero of the highest caliber - incorruptible, unstoppable, compassionate, smart - if all our heroes were like this, this would be a different world; if we were all like this, it would be heaven.
And I'm not getting all that ironic here - I sincerely mean that Chan returns a kind of virtuous character to the silver screen, that hasn't been seen for a very long time.
Consequently, despite occasional violence, I would not stop children from seeing this film - I would encourage them to do so. They can learn a lot about ethics and character from watching this film - and that is actually quite remarkable, to be able to say that of a Martial Arts film.
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