Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
A dark and handsome true-crime thriller about kidnapping and police corruption in Hong Kong. Once of Jackie Chan's most serious roles, but still overflowing with spectacular acrobatic ... See full summary »
Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. Meanwhile, one of those petty thugs in the local gang stumbles into a criminal situation way over his head. Blinded by greed, his involvement draws his gang, the kid, Keong, and the whole neighborhood into a deadly crossfire. When the lazy cops fail to successfully resolve matters, Keong takes things into his own hands. Needless to say, much spectacular kung-fu and outrageous action sequences follow.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The warehouse fight scene took twenty days to film, with Jackie Chan having to teach the local stunt players to fight "Hong Kong style". See more »
On top of the parking garage, the owner of the truck that gets pushed over the side of the building is first pictured wearing a cap with a rebel flag design and in subsequent shots of the same scene his cap has an American flag design. See more »
Jackie Chan had never had a box office hit in America despite starring in Hollywood films such as 'Battle Creek Brawl' and 'The Protector' in the 1980s. 'Rumble in the Bronx' was a Hong Kong made film, but they wanted it to have international appeal and achieved this through its New York setting and American background characters. The film intended to introduce Jackie Chan to the West, and that's exactly what it did - but they didn't expect it to be a number one box office hit.
The story involves Keung (Jackie Chan) coming over to America to visit his Uncle who owns a grocery store in the Bronx. Soon enough a biker gang turns up and causes havoc at the store, so it's up to Keung to fend off the bad guys, uncover police corruption, and generally save the day in style.
This is a high energy film and the pace never lets up, there isn't one big set piece in this film there are many big set pieces, but the most impressive stunt has to be the one where Jackie jumps from the top of a multi-storey car park onto a small balcony across the road. The multiple camera set up shows us that there is no safety netting or use of wires - just Jackie entrusting his own life in his own abilities.
Naturally there are countless fight scenes where Jackie shows us his own brand of kung fu comedy, including the process of making inanimate objects become very animated indeed. Only he can turn pinball machines, trolleys and fridge doors into weapons! The only slight criticism I would have is that the fights are over edited, people like Jean Claude Van-Damme and Steven Segal might need a lot of cuts to put a fight scene together, but Jackie doesn't - he's an expert choreographer, and the cuts are needless. I'm not saying that the fight sequences are under par, because they're not, they are still very impressive - especially to people who haven't seen the man in action.
When the American audiences saw 'Rumble in the Bronx', they saw the real Jackie Chan not the shadow of a man struggling to gain artistic input under a Hollywood studios control. They were wowed by the death-defying stunts, frenetic fight sequences, and the sheer energy of the film from start to finish got word-of-mouth working overtime.
'Rumble in the Bronx' was the surprise box office hit of 1996, it made the West sit up and take notice of an exceptional talent they had long overlooked. The next time Jackie Chan would star in a Hollywood film he would be given the respect he had always deserved - and another box office hit.
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