| Photos (See all 15 | slideshow) |
Directed by | |||
| Jodie Foster | |||
Writing credits(WGA) | ||
| Chris Radant | (short story) | |
| W.D. Richter | (screenplay) | |
Produced by | |||
| Jodie Foster | .... | producer | |
| Stuart Kleinman | .... | executive producer | |
| Peggy Rajski | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Lynzee Klingman | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Andrew McAlpine | |||
Art Direction by | |||
| James E. Tocci | |||
Set Decoration by | |||
| Barbara Drake | |||
Costume Design by | |||
| Susan Lyall | |||
Makeup Department | |||
| Katherine James | .... | makeup artist (as Kathrine James) | |
| Janice Kinigopoulos | .... | additional hair stylist | |
| Cheryl 'Pickles' Kinion | .... | additional makeup artist (as Cheryl Kinion) | |
| Frances Mathias | .... | hair stylist | |
| Cheri Montesanto-Medcalf | .... | assistant makeup artist | |
| Doreen Vantyne | .... | assistant hair stylist | |
| Debi Young | .... | additional makeup artist | |
Production Management | |||
| Caroline Baron | .... | unit production manager | |
| Katie Gilbert | .... | production supervisor | |
| Mary F. Jansen | .... | post-production supervisor | |
Art Department | |||
| Robert Sebastian Algeri | .... | assistant art department coordinator | |
| P. Scott Bailey | .... | set dresser | |
| Scott Baily | .... | set dresser | |
| Elizabeth Bell | .... | set dresser: Baltimore | |
| Lisa V. Benson | .... | painter: Baltimore | |
| Jamie Bishop | .... | on-set dresser | |
| Robin Broadfoot | .... | painter: Baltimore | |
| Steve Callas | .... | construction coordinator | |
| Samantha Cameron | .... | food stylist | |
| Carl Catanese | .... | set dresser: Baltimore (as Carl Catonese) | |
| Kevin Constant | .... | crew: Baltimore | |
| Richard Crandall | .... | paint foreperson | |
| F. Dale Davis | .... | set dresser: Baltimore | |
| Michael Davis | .... | construction coordinator: Baltimore (as Mike Davis) | |
| Bobby Lee Deal Jr. | .... | painter: Baltimore | |
| Scott C. Dunn | .... | propmaker: Baltimore | |
| Gary Flowers | .... | propmaker: Baltimore | |
| Ellen Freund | .... | property master | |
| Steve George | .... | props assistant: Baltimore (as Steven H. George) | |
| Francesca Gerlach | .... | paint foreperson | |
| George Gugler | .... | paint foreperson (as George E. Gugler) | |
| Roger B. Henry | .... | portrait artist | |
| Randy G. Herbert | .... | greensperson | |
| Kalina Ivanov | .... | storyboard artist | |
| Nicholas C. John | .... | stand-by painter (as Nicholas John) | |
| Scott G. Jones | .... | set dresser | |
| James Kelley | .... | propmaker: Baltimore | |
| Jay Klein | .... | lead person: Baltimore | |
| Teri Lane | .... | assistant property master | |
| Randy Martens | .... | key greensperson | |
| John Millard | .... | set dresser | |
| Keith Neely | .... | assistant art director | |
| Wayne Nycz | .... | paint foreperson | |
| Edward E. O'Connell | .... | paint foreperson | |
| Phred Palmer | .... | art department coordinator | |
| Tony Paolone | .... | paint supervisor | |
| Christopher Parker | .... | set dresser (as Chris Parker) | |
| Chris Pascuzzo | .... | set dresser | |
| William H. Phen Jr. | .... | propmaker foreperson | |
| Carmen Roderique | .... | construction accountant | |
| Mick Rossman | .... | painter: Baltimore (as E.M. 'Mick' Rossman) | |
| Michael Sabo | .... | set dresser | |
| Craig Lee Schuman | .... | painter: Baltimore | |
| Wayne Shepherd | .... | lead man | |
| Carl J. Stensel | .... | set designer (as Carl Stensel) | |
| Tedi Tate | .... | assistant property master | |
| Robert L. Thompson | .... | propmaker foreperson | |
| Thomas Turnbull | .... | construction foreman | |
| Robert Webb | .... | propmaker foreperson | |
| Becky Weidner | .... | assistant set decorator: Baltimore (as Rebecca Weidner) | |
| Mike Wells | .... | general foreman | |
| Helen Wilson | .... | draper | |
| Julie Withers | .... | assistant set decorator | |
| Richard Salinas | .... | set dresser (uncredited) | |
Sound Department | |||
| Sandina Bailo-Lape | .... | foley editor | |
| Tom Barwick | .... | foley artist | |
| Phil Benson | .... | dialogue editor | |
| Beau Borders | .... | assistant sound editor (as Robert Borders) | |
| Beau Borders | .... | sound technical assistant | |
| Gloria S. Borders | .... | supervising sound editor | |
| Karen Brocco | .... | supervising sound assistant (as Karen A. Brocco) | |
| Tony Eckert | .... | foley recordist | |
| Sean England | .... | machine room operator | |
| Sue Fox | .... | adr editor (as Suzanne Fox) | |
| Karen Harding | .... | assistant sound editor | |
| Gregg Harris | .... | second boom operator | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Tom Johnson | .... | sound re-recording mixer | |
| Barbara McBane | .... | dialogue editor | |
| Cheryl Nardi | .... | assistant dialogue editor | |
| Christopher Newman | .... | sound | |
| Claire Sanfilippo | .... | dialogue editor | |
| Robert Shoup | .... | sound effects editor | |
| Marc-Jon Sullivan | .... | boom operator | |
| Dennie Thorpe | .... | foley artist | |
| Tina Canny | .... | machine room operator (uncredited) | |
| Ronald G. Roumas | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Eric Allard | .... | special effects coordinator | |
| Danny Cangemi | .... | special effects coordinator | |
| Joe Digaetano | .... | special effects (as Joe DiGaetano III) | |
| Dave Gerlach | .... | special effects | |
| Gary Pilkinton | .... | special effects | |
| Kathleen Tonkin | .... | special effects | |
| Bob Turk | .... | special effects crew | |
| Robert Vazquez | .... | special effects supervisor | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Karl Otter | .... | precision driver (uncredited) | |
Casting Department | |||
| Adam Fusco | .... | location casting associate | |
| Julie Lichter | .... | casting assistant | |
| Pat Moran | .... | location casting | |
| John Strawbridge | .... | casting associate | |
Costume and Wardrobe Department | |||
| Laurie Buehler | .... | tailor | |
| Eden Clark Coblenz | .... | costumer | |
| Deb Dalton | .... | costumer | |
| Frank L. Fleming | .... | assistant costume designer (as Frank Fleming) | |
| Cookie Lopez | .... | costumer | |
| Carol Anne Vaeth | .... | assistant costumer: Baltimore | |
| Taryn Weaver | .... | costume supervisor (as Taryn Walsh) | |
Music Department | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Stephen Fitzmaurice | .... | assistant music mixer | |
| Julianne Jordan | .... | music project manager (as Julianne Kelley) | |
| Stephen Krause | .... | music mixer (as Steven Krause) | |
| Frank Macchia | .... | music preparation | |
| Money Mark | .... | composer: song "Pow" (as Mark Nishita) | |
| Richard McIlvery | .... | scoring stage manager | |
| Craig Pettigrew | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| Dawn Soler | .... | music supervisor | |
Transportation Department | |||
| Charles E. Bauer | .... | driver | |
| Troy Flynn | .... | driver: production van | |
| Michael Luckeroth | .... | transportation captain | |
| Bill M. Puluti | .... | transportation coordinator (as Bill Puluti) | |
| Gerald Titus | .... | transportation | |
| Douglas A. Walk | .... | driver | |
| Marshall Yaji | .... | transportation captain | |
| Russ Tolliver | .... | driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is a great little gem of a film. The whole time i was watching this film i couldn't help but notice the similarities to my family. The craziness, the fights i mean everything. I laughed so hard during this film but mostly when Robert Downey Jr. was on screen. It is not to say that Holly Hunter was bad, she was quite good as was everyone else but Downey had this presense on the screen and he just stole the movie. while it was apparent he was using heavily he was still at his best on screen. The DVD commentary by Jodie Foster really gives insight to the film and it really sounds like Downey was a pain to work with because of his improvising everything but you feel she has a genuine sisterly love for him. Bottom line is that it was a funny, insightful, and realistic film.