Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the ... See full summary »
Michael, a college student, visits his girlfriend Gabriella and her family for Christmas in Canada. When he gets there, she tells him that she doesn't love him any more. Meanwhile, her ... See full summary »
David Leader investigates a seemingly senseless murder, and in the course of it is drawn into the labyrinth of a sinisterly unique wealthy family. The family seems to revolve around its own... See full summary »
Youngsters from different countries, races, and social background are forced to integrate when they all enroll in Columbus University. They all have their own problems, such as finance, harrassment, personal safety, and self doubt. Additionally, campus life seems to be causing a problem for everyone: racism. Students, already under pressure to perform in the classroom, on the track, or in front of their friends, are strained to the breaking point by prejudice, inexperience, and misunderstanding. Written by
Murray Chapman <firstname.lastname@example.org>
The idea for the film came about when director Jonathan Demme approached John Singleton about making a movie about college racial issues in the country when they were in pre-production for Boyz n the Hood (1991), which was being developed at Orion Pictures with Singleton directing and Demme producing. When the deal with Orion fell through, Singleton took the idea and began to develop it while at Columbia Pictures. See more »
The position of the frozen broccoli that Malik uses to "ice" his face with changes between shots. See more »
[Remy is holding his roommate and Malik at gunpoint]
Fuck all you damn Jews and Niggers! You stick together, don't you! You stick together to work against ME, the Pure White Christian Man! Don't you know he controls you, nigger? You're nothing without him. You're NOTHING! You're NOTHING! You're a SLAVE! I'll fucking take my fucking belt off, man, and I'll make you my fucking MONKEY!
Get on the floor.
ON THE FLOOR! You're not white! You're Jewish! You're NOTHING! You're ...
[...] See more »
Maybe I'm crazy, but the exact things that everyone seems to find wrong with the movie are the things that I think makes it good. Like everyone was saying that all of the white characters are bad and all of the black characters are good, when that is apparently not the case. Why does Remy become a skinhead? Because the black guys in his dorm rejected, humiliated, and belittled him. In a way they drove him to it. Who's to blame here? In no way does Singleton let the black characters off the hook here. Many of them are portrayed as violent and irrational. Omar Epps's character is good example of where Singleton points out another dangerous attitude that has nothing to do with white people. The character thought the world owed him a break because he was black and underprivileged and the teacher is the one to call him on it. Or as someone in a another post pointed out, sorry to quote you, "Black self-pity," which the film does not excuse, but rather addresses with the same skepticism as it does the more generic issues everyone else seems to be concentrating on (racism, neo-naziism, date rape, lesbian cults.) So ask yourself, did this film genuinely leave you with the impression that it glorifies the behvoir of certain characters based on their race? Or is it maybe just that since the director is black you have a preconceived notion that he will be partial to the black characters?
So where a lot of people seem to think the message is black=good white=evil, I see it as It doesn't matter who's wrong and who's right because we need to put our differences aside and get along (almost equally clichee, I know, but still a different message entirely) Signed, white dude
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