| Photos (see all 11 | slideshow) | Videos |
| Pruitt Taylor Vince | ... | Victor Modino | |
| Shelley Winters | ... | Dolly Modino | |
| Liv Tyler | ... | Callie | |
| Deborah Harry | ... | Delores | |
| Joe Grifasi | ... | Leo | |
| Evan Dando | ... | Jeff | |
| David Patrick Kelly | ... | Grey Man in Hospital | |
| Marian Quinn | ... | Darlene | |
| Meg Hartig | ... | Donna | |
| Zandy Hartig | ... | Jean | |
| Peter Ortel | ... | Tony | |
| George Alvarez | ... | Orderly | |
| Cordis Heard | ... | Nurse | |
| J.C. MacKenzie | ... | Gas Man (as J.C. Mackenzie) | |
| Allan D'Arcangelo | ... | Sonny | |
| rest of cast listed alphabetically: | |||
| Vince Parenti | ... | Trucker (uncredited) | |
| Dennis Prager | ... | Radio Talk Show Host (voice) (uncredited) | |
Directed by | |||
| James Mangold | |||
Writing credits(in alphabetical order) | ||
| James Mangold | written by | |
Produced by | |||
| Herbert Beigel | .... | executive producer | |
| Scott Ferguson | .... | associate producer | |
| Gretchen McGowan | .... | line producer | |
| Richard Miller | .... | producer | |
| Jane Wright | .... | associate producer | |
Original Music by | |||
| Thurston Moore | |||
Cinematography by | |||
| Michael F. Barrow | (as Michael Barrow) | ||
Film Editing by | |||
| Meg Reticker | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Michael Shaw | |||
Art Direction by | |||
| Daniel Goldfield | |||
Set Decoration by | |||
| Kara Cressman | |||
Costume Design by | |||
| Sarah Jane Slotnick | (as Sara Jane Slotnick) | ||
Makeup Department | |||
| Elaine Kuhn | .... | assistant hair stylist | |
| Tracy Warbin | .... | hair stylist | |
| Tracy Warbin | .... | makeup artist | |
Production Management | |||
| Trish Hofmann | .... | production manager | |
Art Department | |||
| Rachel Janocko | .... | property assistant | |
| F. Ron Miller | .... | graphic designer | |
| Peter Ortel | .... | set dresser | |
| Peter Ortel | .... | storyboard artist | |
| David Schanker | .... | property master | |
| Charles Winters | .... | carpenter | |
Sound Department | |||
| David Alvarez | .... | additional production sound mixer | |
| Laurel Bridges | .... | boom operator (as Laurel Ann Bridges) | |
| Nancy Cabrera | .... | foley artist | |
| Rick Dior | .... | sound re-recording mixer | |
| Eugenia Fiumi | .... | boom operator | |
| David Frankel | .... | assistant sound editor | |
| Fredrick Helm | .... | boom operator | |
| Sarah E. Hill | .... | assistant sound editor | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby | |
| Bruce Kitzmeyer | .... | sound editor | |
| Lenny Manzo | .... | boom operator | |
| Jan McLaughlin | .... | production sound mixer | |
| Tim O'Shea | .... | sound editor | |
| Mary Ellen Porto | .... | supervising sound editor | |
| V. Renee Taylor | .... | first assistant sound editor | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
| Paul J. Zydel | .... | foley mixer (as Paul Zydel) | |
| Rick Dior | .... | additional production sound mixer (uncredited) | |
Camera and Electrical Department | |||
| Will Arnot | .... | additional electrician (as William Shackleton Arnot) | |
| Evans Brown | .... | best boy electric | |
| Meredith Collins | .... | second assistant camera | |
| Jeffrey A. Eplett | .... | gaffer (as Jeff Eplett) | |
| Ray Flynn | .... | best boy electric (as Raymond Flynn) | |
| Raphaelle Gosse-Gardet | .... | third electrician | |
| Justin Keith | .... | best boy grip (as Justin 'Dusty' Keith) | |
| Dennis A. Livesey | .... | first assistant camera | |
| John Mantel | .... | still photographer | |
| Gene Page | .... | additional still photographer | |
| Rocco Palmieri | .... | additional electrician | |
| Andrew Sweeney | .... | third grip | |
| Justin Vanson | .... | key grip | |
| Elizabeth Wick | .... | second assistant camera | |
Casting Department | |||
| R.J. Kelly III | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jessica Fish | .... | wardrobe assistant | |
Editorial Department | |||
| David Frankel | .... | assistant editor | |
| Noëlle Penraat | .... | negative matcher (as Noelle Penraat) | |
| David Pultz | .... | color timer | |
| Jim Villone | .... | associate editor | |
| Vera Wagman | .... | post-production coordinator | |
Music Department | |||
| John Bowen | .... | additional music editor | |
| Michelle Kuznetsky | .... | music supervisor | |
| Thurston Moore | .... | musician: all instruments | |
| Ray Palagy | .... | music editor | |
| Jennifer Pyken | .... | music supervisor | |
| Mary Ramos | .... | music supervisor | |
| Lee Ranaldo | .... | score mixer | |
| Lee Ranaldo | .... | score recordist | |
| Meg Reticker | .... | music editor | |
| Jim Villone | .... | music editor | |
Transportation Department | |||
| Joe Orlowski | .... | transportation captain | |
| Matthew Salvato | .... | transportation coordinator | |
Other crew | |||
| Bebe Buell | .... | creative consultant | |
| John Doby | .... | production assistant | |
| Michael Dosoro | .... | production assistant | |
| Penny Elliott | .... | script supervisor | |
| Jill Footlick | .... | production coordinator | |
| Jason Fuchs | .... | additional production assistant (as Jason W. Fuchs) | |
| Jennifer Gardella | .... | intern | |
| Pamela Haber | .... | additional production assistant | |
| Don Jacobs | .... | tutor: Ms. Tyler, Eduactional Resource Services | |
| Patricia Kennedy | .... | intern (as Patty Kennedy) | |
| Rosalind Lichter | .... | production consultant | |
| Melissa Lintinger | .... | post-production accountant | |
| F. Ron Miller | .... | title designer | |
| Mick Reed | .... | production assistant | |
| Steve Schottenfeld | .... | production assistant (as Stephen Schottenfeld) | |
| Lisa Snodgrass | .... | tutor: Ms. Tyler, Educational Resource Services | |
| Diana Strauss | .... | location manager | |
| Julie St. Thomas | .... | location assistant | |
| Natascha Tillmanns | .... | assistant production coordinator | |
| Mary Werboneth | .... | production assistant | |
| Jane Wright | .... | chief production accountant | |
| Mary Wynn | .... | assistant: Ms. Winters | |
Thanks | |||
| Mel Carney | .... | special thanks | |
| Milos Forman | .... | very special thanks | |
| John Goodenow | .... | special thanks: Horton Memorial Hospital | |
| Michael Hausman | .... | very special thanks | |
| John Hendrickson | .... | very special thanks | |
| Sara Hendrickson | .... | very special thanks | |
| Sol LeWitt | .... | very special thanks (as Sol Lewitt) | |
| Keith MacKechnie | .... | special thanks (as Keith Mackecknie) | |
| Martin Mackechnie | .... | special thanks | |
| Peg Mackecknie | .... | special thanks | |
| Ross Mackecknie | .... | special thanks | |
| Alexander Mackendrick | .... | very special thanks | |
| Leslie Mangold | .... | very special thanks | |
| Robert Mangold | .... | very special thanks | |
| Sylvia Plimock Mangold | .... | very special thanks | |
| Craig McKay | .... | very special thanks | |
| Joe Mecca | .... | very special thanks (as Joseph Mecca) | |
| Eddie Mellon | .... | special thanks | |
| Dr. Anthony Miller | .... | very special thanks | |
| Mrs. Sheena Miller | .... | very special thanks | |
| David Parsons | .... | very special thanks | |
| Robert Ryman | .... | very special thanks | |
| Arthur Shapiro | .... | very special thanks | |
| Stefan Sharff | .... | very special thanks | |
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| Giant | City of Shoulders and Noses | Across the Universe | The Unbearable Lightness of Being | Peter's Friends |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This film is beautifully shot, and full of emotion. It is a character study. Very little action,of even the most basic kind. But you are drawn into the film, if you have even the slightest compassion, by the sheer loneliness and alienation of the characters.
The lead character, Vincent, is a middle aged man, weighing 250lbs. Heavy.
Our first introduction to Vincent plays upon our own bigotted perceptions of big guys: that they're all perverts. But through the film, we get to know Vince, and find that he is motivated, or rather paralyzed, by a fear of change and a painful shyness. His also a highly moral person. Not in the Christian sense, which would tend to make him seem truly perverse, but in the Human sense. He believes in Dignity and, despite the seemingly futileness of it, Hope. These are hard things to find in the small town in which he resides; especially considering he works in the family pub. I won't give away the ending, but HOPE sums it up.
The film deals with the hardships of being an overweight man, without indicting anyone or blaming anyone; and without telling the audience that being a big boy is inherently evil. In fact, Director James Mangold has much affection for this lonely man. If you have ANY opportunity to watch this film on DVD with Mangold's commentary, please do, but only after you have watched the film once or twice.
Pruitt Taylor Vince is perhaps in this film better than I have ever seen him. He is a beautiful man, whose eyes are filled with every emotion imaginable. I can tell, he has been through these painful experiences before in his own life.
The rest of the cast is great too. You won't see glamorous people here. Shelly Winters plays the mother with a spareness that makes you think there's not much underneath, but as the film unfolds you find the exact opposite.
Deborah Harry essentially revisits the "Wise Guy" character she played, but without the glamor. Lost and desperate, and too old to pretend she's not.
Liv Tyler, in one of her first roles, is also lost and desperate, but without the cynicism of Harry. Great counterbalance. She is also beautiful, and compassionate.
Mangold knows human nature. Here, he takes the brave step of challenging the audience to stop and think about it. The pauses in this movie are amazing, and say more than 30 minutes of a traditional narrative film do. This film is not just about a heavy guy...it is about all of us; how we react to those who are different, our own insecurities, our own sorrows, loneliness, and frail hearts. And yet, it defies becoming a "chick flick," Perhaps because it does center around the man's experiences, or perhaps because it does not cop out at the end with Cinderella fantasies.
WATCH THIS FILM.