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Heavy
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Heavy (1995) -- Victor is a cook who works in a greasy bar/restaurant owned by his mother, Dolly. It's just the two of them...

Overview

User Rating:
7.0/10   2,255 votes
MOVIEmeter: ?
No change in popularity this week. See rank & trends on IMDbPro.
Director:
James Mangold
Writer:
James Mangold (written by)
Contact:
View company contact information for Heavy on IMDbPro.
Release Date:
5 June 1996 (USA) more
Genre:
Drama | Romance more
Plot:
Victor is a cook who works in a greasy bar/restaurant owned by his mother, Dolly. It's just the two of them... more | add synopsis
Awards:
3 wins & 1 nomination more
User Comments:
A realistic and touching look at the life of a big guy. more

Cast

  (in credits order) (verified as complete)
Pruitt Taylor Vince ... Victor Modino

Shelley Winters ... Dolly Modino

Liv Tyler ... Callie

Deborah Harry ... Delores

Joe Grifasi ... Leo
Evan Dando ... Jeff

David Patrick Kelly ... Grey Man in Hospital
Marian Quinn ... Darlene
Meg Hartig ... Donna

Zandy Hartig ... Jean
Peter Ortel ... Tony

George Alvarez ... Orderly
Cordis Heard ... Nurse

J.C. MacKenzie ... Gas Man (as J.C. Mackenzie)
Allan D'Arcangelo ... Sonny
rest of cast listed alphabetically:

Vince Parenti ... Trucker (uncredited)
Dennis Prager ... Radio Talk Show Host (voice) (uncredited)
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Directed by
James Mangold 
 
Writing credits
(in alphabetical order)
James Mangold  written by

Produced by
Herbert Beigel .... executive producer
Scott Ferguson .... associate producer
Gretchen McGowan .... line producer
Richard Miller .... producer
Jane Wright .... associate producer
 
Original Music by
Thurston Moore 
 
Cinematography by
Michael F. Barrow  (as Michael Barrow)
 
Film Editing by
Meg Reticker 
 
Casting by
Todd M. Thaler  (as Todd Thaler)
 
Production Design by
Michael Shaw 
 
Art Direction by
Daniel Goldfield 
 
Set Decoration by
Kara Cressman 
 
Costume Design by
Sarah Jane Slotnick  (as Sara Jane Slotnick)
 
Makeup Department
Elaine Kuhn .... assistant hair stylist
Tracy Warbin .... hair stylist
Tracy Warbin .... makeup artist
 
Production Management
Trish Hofmann .... production manager
 
Second Unit Director or Assistant Director
Scott Ambrozy .... second assistant director
Chad Braden .... third assistant director
Scott Ferguson .... second unit director
Priscilla Guastavino .... first assistant director
Ashley Johnson .... second second assistant director
 
Art Department
Rachel Janocko .... property assistant
F. Ron Miller .... graphic designer
Peter Ortel .... set dresser
Peter Ortel .... storyboard artist
David Schanker .... property master
Charles Winters .... carpenter
 
Sound Department
David Alvarez .... additional production sound mixer
Laurel Bridges .... boom operator (as Laurel Ann Bridges)
Nancy Cabrera .... foley artist
Rick Dior .... sound re-recording mixer
Eugenia Fiumi .... boom operator
David Frankel .... assistant sound editor
Fredrick Helm .... boom operator
Sarah E. Hill .... assistant sound editor
Bradford L. Hohle .... stereo sound consultant: Dolby
Bruce Kitzmeyer .... sound editor
Lenny Manzo .... boom operator
Jan McLaughlin .... production sound mixer
Tim O'Shea .... sound editor
Mary Ellen Porto .... supervising sound editor
V. Renee Taylor .... first assistant sound editor
Paul J. Zydel .... adr mixer (as Paul Zydel)
Paul J. Zydel .... foley mixer (as Paul Zydel)
Rick Dior .... additional production sound mixer (uncredited)
 
Camera and Electrical Department
Will Arnot .... additional electrician (as William Shackleton Arnot)
Evans Brown .... best boy electric
Meredith Collins .... second assistant camera
Jeffrey A. Eplett .... gaffer (as Jeff Eplett)
Ray Flynn .... best boy electric (as Raymond Flynn)
Raphaelle Gosse-Gardet .... third electrician
Justin Keith .... best boy grip (as Justin 'Dusty' Keith)
Dennis A. Livesey .... first assistant camera
John Mantel .... still photographer
Gene Page .... additional still photographer
Rocco Palmieri .... additional electrician
Andrew Sweeney .... third grip
Justin Vanson .... key grip
Elizabeth Wick .... second assistant camera
 
Casting Department
R.J. Kelly III .... extras casting
 
Costume and Wardrobe Department
Jessica Fish .... wardrobe assistant
 
Editorial Department
David Frankel .... assistant editor
Noëlle Penraat .... negative matcher (as Noelle Penraat)
David Pultz .... color timer
Jim Villone .... associate editor
Vera Wagman .... post-production coordinator
 
Music Department
John Bowen .... additional music editor
Michelle Kuznetsky .... music supervisor
Thurston Moore .... musician: all instruments
Ray Palagy .... music editor
Jennifer Pyken .... music supervisor
Mary Ramos .... music supervisor
Lee Ranaldo .... score mixer
Lee Ranaldo .... score recordist
Meg Reticker .... music editor
Jim Villone .... music editor
 
Transportation Department
Joe Orlowski .... transportation captain
Matthew Salvato .... transportation coordinator
 
Other crew
Bebe Buell .... creative consultant
John Doby .... production assistant
Michael Dosoro .... production assistant
Penny Elliott .... script supervisor
Jill Footlick .... production coordinator
Jason Fuchs .... additional production assistant (as Jason W. Fuchs)
Jennifer Gardella .... intern
Pamela Haber .... additional production assistant
Don Jacobs .... tutor: Ms. Tyler, Eduactional Resource Services
Patricia Kennedy .... intern (as Patty Kennedy)
Rosalind Lichter .... production consultant
Melissa Lintinger .... post-production accountant
F. Ron Miller .... title designer
Mick Reed .... production assistant
Steve Schottenfeld .... production assistant (as Stephen Schottenfeld)
Lisa Snodgrass .... tutor: Ms. Tyler, Educational Resource Services
Diana Strauss .... location manager
Julie St. Thomas .... location assistant
Natascha Tillmanns .... assistant production coordinator
Mary Werboneth .... production assistant
Jane Wright .... chief production accountant
Mary Wynn .... assistant: Ms. Winters
 
Thanks
Mel Carney .... special thanks
Milos Forman .... very special thanks
John Goodenow .... special thanks: Horton Memorial Hospital
Michael Hausman .... very special thanks
John Hendrickson .... very special thanks
Sara Hendrickson .... very special thanks
Sol LeWitt .... very special thanks (as Sol Lewitt)
Keith MacKechnie .... special thanks (as Keith Mackecknie)
Martin Mackechnie .... special thanks
Peg Mackecknie .... special thanks
Ross Mackecknie .... special thanks
Alexander Mackendrick .... very special thanks
Leslie Mangold .... very special thanks
Robert Mangold .... very special thanks
Sylvia Plimock Mangold .... very special thanks
Craig McKay .... very special thanks
Joe Mecca .... very special thanks (as Joseph Mecca)
Eddie Mellon .... special thanks
Dr. Anthony Miller .... very special thanks
Mrs. Sheena Miller .... very special thanks
David Parsons .... very special thanks
Robert Ryman .... very special thanks
Arthur Shapiro .... very special thanks
Stefan Sharff .... very special thanks
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Upstate Story (USA) (working title)
more
MPAA:
Rated R for language and a scene of sexuality.
Runtime:
105 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Dolby

Fun Stuff

Trivia:
Charles Thompson (aka Frank Black) of the Pixies says on a deleted scene of loudQUIETloud: A Film About the Pixies (2006), that he was approached for the part of Victor. He turned it down, saying he "didn't want to play that type of character". more
Quotes:
Dolly: Why, you mustn't skip breakfast. It's the most imp... important meal.
Victor: I'm fat ma.
Dolly: You are not fat, you are not. Honey, you're husky, you're... you're well-built, you're macho!
Victor: I am fat ma!
more
Movie Connections:
Referenced in Cop Land (1997) more
Soundtrack:
California Thing more

FAQ

This FAQ is empty. Add the first question.
12 out of 14 people found the following comment useful:-
A realistic and touching look at the life of a big guy., 27 May 2001
10/10
Author: chublovetx (bvh@bigfoot.com) from Austin, TX

This film is beautifully shot, and full of emotion. It is a character study. Very little action,of even the most basic kind. But you are drawn into the film, if you have even the slightest compassion, by the sheer loneliness and alienation of the characters.

The lead character, Vincent, is a middle aged man, weighing 250lbs. Heavy.

Our first introduction to Vincent plays upon our own bigotted perceptions of big guys: that they're all perverts. But through the film, we get to know Vince, and find that he is motivated, or rather paralyzed, by a fear of change and a painful shyness. His also a highly moral person. Not in the Christian sense, which would tend to make him seem truly perverse, but in the Human sense. He believes in Dignity and, despite the seemingly futileness of it, Hope. These are hard things to find in the small town in which he resides; especially considering he works in the family pub. I won't give away the ending, but HOPE sums it up.

The film deals with the hardships of being an overweight man, without indicting anyone or blaming anyone; and without telling the audience that being a big boy is inherently evil. In fact, Director James Mangold has much affection for this lonely man. If you have ANY opportunity to watch this film on DVD with Mangold's commentary, please do, but only after you have watched the film once or twice.

Pruitt Taylor Vince is perhaps in this film better than I have ever seen him. He is a beautiful man, whose eyes are filled with every emotion imaginable. I can tell, he has been through these painful experiences before in his own life.

The rest of the cast is great too. You won't see glamorous people here. Shelly Winters plays the mother with a spareness that makes you think there's not much underneath, but as the film unfolds you find the exact opposite.

Deborah Harry essentially revisits the "Wise Guy" character she played, but without the glamor. Lost and desperate, and too old to pretend she's not.

Liv Tyler, in one of her first roles, is also lost and desperate, but without the cynicism of Harry. Great counterbalance. She is also beautiful, and compassionate.

Mangold knows human nature. Here, he takes the brave step of challenging the audience to stop and think about it. The pauses in this movie are amazing, and say more than 30 minutes of a traditional narrative film do. This film is not just about a heavy guy...it is about all of us; how we react to those who are different, our own insecurities, our own sorrows, loneliness, and frail hearts. And yet, it defies becoming a "chick flick," Perhaps because it does center around the man's experiences, or perhaps because it does not cop out at the end with Cinderella fantasies.

WATCH THIS FILM.

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