7.0/10
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53 user 33 critic

Heavy (1995)

R | | Drama, Romance | 5 June 1996 (USA)
The life of an overweight, unhappy cook is changed after a kind, beautiful college drop-out comes to work as a waitress at his and his mother's road-side restaurant.

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3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
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Delores (as Deborah Harry)
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Leo
...
Jeff
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...
Darlene
Meg Hartig ...
Donna
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Jean
Peter Ortel ...
Tony
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Orderly
...
Nurse
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Gas Man (as J.C. Mackenzie)
Allan D'Arcangelo ...
Sonny
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Storyline

Victor is a cook who works in a greasy bar/restaurant owned by his mother, Dolly. It's just the two of them, a waitress named Delores, and a heavy drinking regular, Leo. But things change when Callie, a beautiful college drop-out, shows up as a new waitress and steals Victor's heart. But Victor is too shy to do anything about it, and too self-consciously overweight to dream of winning Callie away from her demanding boyfriend, Jeff. Victor's terrible loneliness overwhelms him when he has to face losing what he loves the most. Written by Martin Lewison <lewison+@pitt.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and a scene of sexuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

5 June 1996 (USA)  »

Also Known As:

Upstate Story  »

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Box Office

Opening Weekend USA:

$314,000, 12 July 1996

Gross USA:

$986,128, 28 November 1996
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

According to James Mangold, Pruitt Taylor Vince and Shelley Winters clashed early on during the production. Mangold said that as Vince was preparing for what was his first leading role in a film, he had felt upstaged by Winters. Mangold said that given her reputation as a Hollywood star, she had been very loud and theatrical, making Vince feel overshadowed. With tensions running high, Mangold went to Winters and told her that she had to make things right with him. Winters begrudgingly agreed and on the next day when they were preparing to shoot, Winters had Vince meet her on set in front of the cast and crew. Winters told Vince of all the famous people she's worked with, including Gene Hackman and Stanlet Kubrick and the insults she called them, telling Vince that he now joined a long list of respected Hollywood people that she had insulted. Mangold said the tensions had gone away after that and they worked together well. See more »

Goofs

Victor is walking across a bridge toward the camera with a bag of groceries in one arm and just before he stops to look over the side, a fuzzy mike cover can be seen briefly in the bottom left corner of the shot. See more »

Quotes

Victor: Can't you be nicer to her?
Delores: Nice? Did you hear what she said to me?
Victor: You don't have to be nice... just nicer.
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Connections

Referenced in Cop Land (1997) See more »

Soundtracks

Who Shot The La La
Written by D. Burmak (as Bormak) / Eddie Bo (as Bocage) / T. Terry (as Terry)
Performed by Oliver Morgan
Courtesy of GNP Crescendo Records
by arrangement with Ocean Park Music Group
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User Reviews

 
He's a man so shy, he doesn't even think he deserves love...
2 November 2005 | by See all my reviews

Solemn, but terrific mood piece about a shy, chubby cook in a rivertown restaurant who fantasizes about getting to know the new waitress who just hired on, a perky young thing with long brunette hair and a big charming smile. Graceful film never goes the commercial route, neither injecting shady characters into the mix nor throwing in blatant jokes to give the film comedic uplift. The picture is all on one level, which may drive some viewers batty with impatience, but I found the whole thing quietly invigorating. The lead character, Victor (Pruitt Taylor Vince), daydreams, watches airplanes, has secret hopes; he's a loner, and the filmmakers are careful not to flood the screen with potential conquests. There's Debbie Harry as a loose waitress with weary eyes and Liv Tyler, the new hire, who brings fantasy into Victor's life, but, as with all fantasies, the advent of reality diffuses the passionate tension. Everyone is sad in this film, and I imagine some audiences won't get with it, but I admire director James Mangold for putting this story on film so eloquently. It's a new "Marty". *** from ****


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