Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Victor is a cook who works in a greasy bar/restaurant owned by his mother, Dolly. It's just the two of them, a waitress named Delores, and a heavy drinking regular, Leo. But things change when Callie, a beautiful college drop-out, shows up as a new waitress and steals Victor's heart. But Victor is too shy to do anything about it, and too self-consciously overweight to dream of winning Callie away from her demanding boyfriend, Jeff. Victor's terrible loneliness overwhelms him when he has to face losing what he loves the most. Written by
Martin Lewison <firstname.lastname@example.org>
A little drifting but Vince holds the attention well
Victor works as a cook in his mother's diner along with waitresses Delores and Callie. Callie is the new girl who arouses jealousy in Delores but feelings of longings in Victor. With his mother in the hospital Victor realises that his life needs more to it but his size puts him off being forward
Like the lead character this is a slow film that requires patience as everything is understated rather than shouted out. The story follows Victor as he tries to make progress from his shy, quiet life one step at a time. The eerie electronic score adds to the feeling of pace and thoughtfulness and in many ways the film backs it up. On the down side it does seem aimless at times and sometimes the plot feels like it isn't real.
These are minor flaws and the director has set a good story for a good cast to carry through on. Vince is especially good as Victor. He fits the role like a glove and his moving eyes and shy gestures bring the character to life and make him totally believable. Tyler is also very good what a shame that her most successful roles have been in MTV-type of stuff, but she is very bright here. Both Winters and Harry put in good roles but less central than the former two.
Overall this is a very patient piece of work looking at the character of Victor. It may seem aimless and drifting at times but it is quite touching mainly due to an understated performance from Vince.
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