| Photos (See all 64 | slideshow) | Videos (see all 3) |
| Al Pacino | ... | Lt. Vincent Hanna | |
| Robert De Niro | ... | Neil McCauley | |
| Val Kilmer | ... | Chris Shiherlis | |
| Jon Voight | ... | Nate | |
| Tom Sizemore | ... | Michael Cheritto | |
| Diane Venora | ... | Justine Hanna | |
| Amy Brenneman | ... | Eady | |
| Ashley Judd | ... | Charlene Shiherlis | |
| Mykelti Williamson | ... | Sergeant Drucker | |
| Wes Studi | ... | Detective Casals | |
| Ted Levine | ... | Bosko | |
| Dennis Haysbert | ... | Donald Breedan | |
| William Fichtner | ... | Roger Van Zant | |
| Natalie Portman | ... | Lauren Gustafson | |
| Tom Noonan | ... | Kelso | |
| Kevin Gage | ... | Waingro | |
| Hank Azaria | ... | Alan Marciano | |
| Susan Traylor | ... | Elaine Cheritto | |
| Kim Staunton | ... | Lillian | |
| Danny Trejo | ... | Trejo | |
| Henry Rollins | ... | Hugh Benny | |
| Jerry Trimble | ... | Schwartz | |
| Martin Ferrero | ... | Construction Clerk (as Marty Ferrero) | |
| Ricky Harris | ... | Albert Torena | |
| Tone Loc | ... | Richard Torena | |
| Begonya Plaza | ... | Anna Trejo (as Begoña Plaza) | |
| Hazelle Goodman | ... | Hooker's Mother | |
| Ray Buktenica | ... | Timmons | |
| Jeremy Piven | ... | Dr. Bob | |
| Xander Berkeley | ... | Ralph | |
| Rick Avery | ... | Armoured Guard | |
| Brad Baldridge | ... | Children's Hospital Doctor | |
| Andrew Camuccio | ... | Dominick | |
| Brian Camuccio | ... | Dominick | |
| Max Daniels | ... | Shooter at Drive-in | |
| Vince Deadrick Jr. | ... | Driver at Drive-in | |
| Charles Duke | ... | Cop | |
| Thomas Elfmont | ... | Desk Clerk Cop | |
| Kenny Endoso | ... | Bartender | |
| Kimberly Flynn | ... | Casals' Date | |
| Steven Ford | ... | Officer Bruce | |
| Farrah Forke | ... | Claudia | |
| Hannes Fritsch | ... | Miracle Mile Bartender | |
| Amanda Graves | ... | Linda Cheritto | |
| Emily Graves | ... | Anita Cheritto | |
| Niki Harris | ... | Marcia Drucker | |
| Ted Harvey | ... | Detective | |
| Patricia Healy | ... | Bosko's Date | |
| Paul Herman | ... | Sergeant Heinz | |
| Cindy Katz | ... | Rachel | |
| Brian Libby | ... | Captain Jackson | |
| Bill McIntosh | ... | Armoured Guard | |
| Dan Martin | ... | Harry Dieter | |
| Rick Marzan | ... | Basketball Player | |
| Terry Miller | ... | Children's Hospital Nurse | |
| Paul Moyer | ... | News Anchorman | |
| Daniel O'Haco | ... | Detective | |
| Mario Roberts | ... | Bank Guard | |
| Phillip Robinson | ... | Alphonse | |
| Thomas Rosales Jr. | ... | Armoured Truck Driver | |
| Rainell Saunders | ... | Dead Hooker | |
| Kai Soremekun | ... | Prostitute | |
| Rey Verdugo | ... | Vegas Cop | |
| Wendy L. Walsh | ... | News Anchorwoman | |
| Yvonne Zima | ... | Hostage Girl | |
| rest of cast listed alphabetically: | |||
| Peter Blackwell | ... | Bar Couple (uncredited) | |
| Trevor Coppola | ... | Restaurant Patron (uncredited) | |
| Bud Cort | ... | Solenko, Restaurant Manager (uncredited) | |
| Mick Gould | ... | 1st SIS Detective in the hallway (uncredited) | |
| Mary Kircher | ... | Police Woman (uncredited) | |
| Darin Mangan | ... | Grocery Store Employee (uncredited) | |
| Melissa S. Markess | ... | Police Woman (uncredited) | |
| Robert Miranda | ... | Cusamano (uncredited) | |
| Manny Perry | ... | Grocery Store Cop (uncredited) | |
| Iva Franks Singer | ... | Waitress (uncredited) | |
| Viviane Vives | ... | Castilian Woman (uncredited) | |
Directed by | |||
| Michael Mann | |||
Writing credits(WGA) | ||
| Michael Mann | (written by) | |
Original Music by | |||
| Elliot Goldenthal | |||
Cinematography by | |||
| Dante Spinotti | (director of photography) | ||
Film Editing by | |||
| Pasquale Buba | |||
| William Goldenberg | |||
| Dov Hoenig | |||
| Tom Rolf | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Neil Spisak | |||
Art Direction by | |||
| Margie Stone McShirley | (as Marjorie Stone McShirley) | ||
Set Decoration by | |||
| Anne H. Ahrens | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| John Caglione Jr. | .... | key makeup artist | |
| Ken Diaz | .... | makeup artist | |
| Ken Diaz | .... | tattoo designer | |
| Leonard Engelman | .... | hair stylist: Mr. Kilmer | |
| Leonard Engelman | .... | makeup artist: Mr. Kilmer | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Tim Jones | .... | hair stylist (as Timothy Jones) | |
| Vera Mitchell | .... | key hair stylist | |
Production Management | |||
| Christopher Cronyn | .... | unit production manager | |
| Mark Stevens | .... | post-production supervisor | |
| Kathy Virkler | .... | post-production supervisor | |
Special Effects by | |||
| Eugene Crum | .... | special effects (as Geno Crum) | |
| Donald Frazee | .... | special effects foreman | |
| Logan Frazee | .... | special effects | |
| Terry D. Frazee | .... | special effects coordinator | |
| Paul H. Haines Jr. | .... | special effects | |
| Bruce Y. Kuroyama | .... | special effects | |
| Rick Monak | .... | special effects | |
| Donald Myers | .... | special effects | |
| Ralph Winiger | .... | special effects | |
| Tony Chavez | .... | special effects (uncredited) | |
| Bill Davis | .... | weapons: second unit (uncredited) | |
| R.J. Hohman | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Mimi Abers | .... | digital effects artist | |
| Joe Gareri | .... | digital effects producer | |
| Neil Krepela | .... | visual effects supervisor | |
| John Lafauce | .... | digital effects artist | |
| Patrick Phillips | .... | digital effects artist | |
| David Sosalla | .... | digital effects supervisor | |
| Jeff Wells | .... | digital effects artist: Pacific Title Digital | |
| Judith Bell | .... | digital compositor (uncredited) | |
| Olivier Sarda | .... | digital artist (uncredited) | |
| Robin Saxen | .... | visual effects coordinator (uncredited) | |
| Jennifer Lee Scheer | .... | digital effects coordinator (uncredited) | |
Camera and Electrical Department | |||
| James W. Apted | .... | camera loader (as James Apted) | |
| David R. Christensen | .... | assistant chief lighting technician | |
| Frank Connor | .... | still photographer | |
| Frank Dorowsky | .... | rigging gaffer | |
| David Galbraith | .... | second assistant camera | |
| Gerrit Garretsen | .... | dolly grip | |
| Jim Grce | .... | chief lighting technician | |
| Daniel R. Haizlip | .... | best boy grip (as Daniel Haizlip) | |
| W.C. 'Chunky' Huse | .... | key grip | |
| Gary Jay | .... | camera operator | |
| Duane Manwiller | .... | first assistant camera (as Duane 'DC' Manwiller) | |
| Larry Markart | .... | 24 frame video operator | |
| Kelsey Shaw McNeal | .... | second assistant camera (as Kelsey "Kshaw" McNeal) | |
| Steven J. Mikolas | .... | video assist operator (as Steven Mikolas) | |
| Chris Moseley | .... | first assistant camera | |
| J. Michael Muro | .... | Steadicam operator (as James Muro) | |
| Ron Newburn | .... | rigging electric best boy | |
| Andrew Taylor | .... | rigging grip | |
| Steve Alessi | .... | grip (uncredited) | |
| Aldo Antonelli | .... | camera operator (uncredited) | |
| Kirk Bloom | .... | additional second assistant camera (uncredited) | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| Peter Gulla | .... | camera operator (uncredited) | |
| Edward A. Gutentag | .... | assistant camera (uncredited) | |
| Paul Hazard | .... | lighting technician (uncredited) | |
| John Janusek | .... | dolly grip: "b" camera (uncredited) | |
| John Janusek | .... | grip (uncredited) | |
| Richard Kelley | .... | assistant camera (uncredited) | |
| Bob Leitelt | .... | rigging best boy grip (uncredited) | |
| Scott Medcalf | .... | electrician (uncredited) | |
| David Norris | .... | camera operator: Wescam camera (uncredited) | |
| David B. Nowell | .... | aerial director of photography (uncredited) | |
| Eric Parker | .... | rigging electrician (uncredited) | |
| Daryl 'Dazz' Reynolds | .... | electrician (uncredited) | |
| David Schmalz | .... | video assist operator (uncredited) | |
| Darrell B. Sheldon | .... | dolly grip: "b" camera (uncredited) | |
| Charles Smith | .... | best boy rigging grip (uncredited) | |
| Michael Starkey | .... | best boy rigging grip (uncredited) | |
| Michael Starkey | .... | rigging key grip: additional photography (uncredited) | |
| Joseph T. Terranova | .... | set lighting technician (uncredited) | |
| Henry Tirl | .... | additional first assistant camera (uncredited) | |
| Neil Toussaint | .... | second assistant camera (uncredited) | |
| John Trapman | .... | first assistant camera: Wescam (uncredited) | |
| Rick Uva | .... | grip (uncredited) | |
Casting Department | |||
| Cynthia Ellis | .... | casting assistant | |
| Alison E. McBryde | .... | casting associate | |
| Tammy L. Smith | .... | extras casting | |
| Mariann H.W. Lee | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costume supervisor | |
| Marsha Bozeman | .... | costumer: Mr. De Niro | |
| Brenda Donoho | .... | costumer: Mr. Kilmer | |
| Beth Koenigsberg | .... | costumer | |
| David Le Vey | .... | assistant costume designer | |
| Lillian Lanette Little | .... | costumer | |
| Joseph T. Mastrolia | .... | costumer: Mr. Pacino | |
| Tom Numbers | .... | costumer | |
| Lahly Poore | .... | costumer (as Priscilla B. Poore) | |
| Tony Lipin | .... | costumer (uncredited) | |
Music Department | |||
| Bill Abbott | .... | supervising music editor | |
| Christopher Brooks | .... | supervising music editor | |
| Budd Carr | .... | music supervisor | |
| Michael Connell | .... | music editor | |
| Deaf Elk | .... | music performers | |
| Chris Douridas | .... | music consultant | |
| Amy Dunn | .... | assistant music supervisor | |
| Robert Elhai | .... | orchestrator | |
| Matthias Gohl | .... | music score producer | |
| Elliot Goldenthal | .... | orchestrator | |
| Joel Iwataki | .... | score mixer | |
| Joel Iwataki | .... | score recordist | |
| Kronos Quartet | .... | music performers | |
| Stephen Lotwis | .... | music editor | |
| Richard Martinez | .... | electronic score producer | |
| Stephen McLaughlin | .... | score mixer | |
| Stephen McLaughlin | .... | score recordist | |
| Stephen Mercurio | .... | conductor | |
| Denise Okimoto | .... | music editor | |
| David Reid | .... | musician | |
| Jay B. Richardson | .... | music editor (as Jay Richardson) | |
| Lee Scott | .... | music editor | |
| Jonathan Sheffer | .... | conductor | |
| Curt Sobel | .... | music advisor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Debbi Datz-Pyle | .... | orchestra contractor (uncredited) | |
| Bill Pearson | .... | music engineer (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
| Andy Warwick | .... | assistant scoring engineer (uncredited) | |
| Patti Zimmitti | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Howard Bachrach | .... | transportation captain | |
| Steve Duncan | .... | transportation captain | |
| Bryce Guy Williams | .... | transportation coordinator | |
| Tom Briggs | .... | set driver (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| George Grenier | .... | driver (uncredited) | |
| Kenneth Newland | .... | transportation office coordinator (uncredited) | |
| Robert G. Williams | .... | driver (uncredited) | |
Other crew | |||
| Chuck Adamson | .... | technical advisor (as Charles Adamson) | |
| Edward Allen | .... | assistant production accountant | |
| Lori A. Balton | .... | location manager | |
| Judi Beecher | .... | adr loop group | |
| Jeff Berger | .... | staff assistant | |
| Carlo Bernard | .... | assistant: Michael Mann | |
| Craig Borden | .... | production assistant | |
| Jamie D. Boscardin | .... | assistant: Pieter Jan Brugge | |
| Robin Chambers | .... | assistant: Mr. De Niro | |
| Norman Chou | .... | firearm coordinator | |
| Richard Cody | .... | craft service (as Rich Cody) | |
| Ralph Coleman | .... | assistant location manager | |
| Casey B. Collins | .... | set production aide | |
| Lou Crisa | .... | assistant: Mr. Pacino | |
| Tom Elfmont | .... | technical advisor | |
| Mike Fantasia | .... | assistant location manager | |
| Michelle Fielding | .... | executive assistant to michael mann | |
| Mick Gould | .... | technical weapons trainer | |
| Peter Haas | .... | unit publicist | |
| Shannon Hamed | .... | production office secretary | |
| Marc A. Hammer | .... | assistant production office coordinator | |
| Cate Hardman | .... | script supervisor | |
| Josiah W. Hooper | .... | set production aide | |
| David Hyman | .... | set production aide | |
| Tim Judge | .... | executive assistant: Al Pacino | |
| Tammy Kalka | .... | medic | |
| Michael R. Kern | .... | assistant production accountant | |
| Selma Kora | .... | set production aide | |
| Tendaji Lathan | .... | set production aide | |
| Al Lewis | .... | office production assistant | |
| Harry Lu | .... | weapons master | |
| Ami Canaan Mann | .... | assistant: Pieter Jan Brugge | |
| Peter Martorano | .... | assistant location manager | |
| Jonathan McGarry | .... | set production aide | |
| Andy McNab | .... | technical weapons trainer | |
| Richard McQuilkin | .... | personal assistant to Mr. Cort | |
| Gilbert O. Parra | .... | technical advisor (as Gil Parra) | |
| Jane Payne | .... | assistant: Mr. Kilmer | |
| Janice Polley | .... | location manager | |
| Debra Puopolo | .... | staff assistant | |
| Patti Roberts-Nelson | .... | assistant: Art Linson (as Patti Roberts Nelson) | |
| Samantha Roth | .... | office production assistant | |
| Ron Senkowski | .... | assistant to director | |
| Ron Senkowski | .... | staff assistant | |
| Sharyn Shimada-Huggins | .... | production office coordinator | |
| Richard Smedley | .... | technical supporter | |
| Brian Spain | .... | office production assistant | |
| Jody Spilkoman | .... | set production aide | |
| Cheryl A. Stone | .... | production accountant | |
| Russ Tanaka | .... | medic | |
| Andrew L. Ullman | .... | assistant location manager | |
| Michael Dean Valeo | .... | assistant production office coordinator | |
| Rey Verdugo | .... | technical advisor | |
| Venessa Verdugo | .... | office production assistant | |
| Andy Walraven | .... | staff assistant | |
| Chris Winn | .... | key craft service | |
| Edward Cass | .... | production assistant (uncredited) | |
| Bill Daly | .... | post-production accountant manager (uncredited) | |
| Richard Di Sabatino | .... | technical electronic surveillance advisor (uncredited) | |
| Michael Dorner | .... | payroll accountant (uncredited) | |
| Tony Giglio | .... | set production aide (uncredited) | |
| Vanessa Grayson | .... | stand-in: Amy Brenneman/Diane Venora (uncredited) | |
| Ty Granderson Jones | .... | adr loop group (uncredited) | |
| Paul Kruhm | .... | location services: EastWest Locations (uncredited) | |
| Cynthia LaPointe | .... | assistant: Val Kilmer (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
| Al Lewis | .... | production assistant (uncredited) | |
| Christi Manders | .... | assistant production coordinator (uncredited) | |
| Keira Marcus | .... | set production aide (uncredited) | |
| John Siedenburg | .... | caterer (uncredited) | |
| Tony Swatton | .... | knife maker (uncredited) | |
| Lynnanne Zager | .... | adr voice (uncredited) | |
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'Heat,' a film of epic proportions on a common placed scale, provides all the essentials of a great crime drama and then some. With a fascinating storyline, involving characters, and Mann's sometimes poetic, sometimes gritty directing, 'Heat' is arguably one of the best crime dramas.
Perhaps the most unique feature of this movie is its manifold storyline, which focuses primarily on the main characters: Vincent Hanna and Neil McCauley. Because of this complex storyline, it almost seems as if one is watching two movies, with one about each of the two characters. While following Hanna's personal life, the movie shows how it is about more than just a cop in pursuit of a criminal. Hanna's marriage is deteriorating, his step daughter is falling apart, and, as wife Justine says, he lives his life more among the "remnants of dead people." A man of two other failed marriages, Hanna's story is that of the strain of trying to fulfill both his professional and personal, where, every time, the professional wins out. Neil McCauley's story is that of a man who used to know his role: his job. Everything in his life revolved around making the next score (whether it be large or small). His story chronicles his relationships with the other men in his crew, and his relationship with Eady, his girlfriend who does not know all she should about him. The tensions build as Mann shows the two opposing strategies of each man as their paths (and thus their stories) draw closer together. When the two storylines do meet (at different points in the movie), the result is--for lack of a better word--epic. To say that these two major storylines are the only strong ones of the movie would do injustice to the many others (following Chris and his wife, for example); but to say that they are the driving force of the movie, to say that they are responsible for transforming a typical cops-and-robbers story is the best explanation.
In addition, the characters in this movie undoubtedly make it so successful. This cast comes as close as possible to being ensemble with two such huge main characters. And the cast is one of the best, at that. DeNiro. Little more needs to be said. Ever the master, his character, McCauley, can be on the one hand a ruthless robber and cold-hearted killer, on the other a warm friend and tender lover. And, despite his life of crime, McCauley's human side shows through. He will not kill unless he must, as seen through his anger at Waingro and bank heist. His warmer side shows through his relationships with his friends and girlfriend Eady. Pacino. Equally without need of praise. As always, he delivers an intense performance, here as Hanna, a workaholic obsessed with catching his man, while also fighting a losing battle to save his personal relationships. He may seem just the harsh cop, but he cares about every man under his command, about his stepdaughter, and, yes, even about McCauley. Through Hanna, Pacino shows just how torn such a man can be. Hanna demonstrates both coldness and compassion, both anger and sensitivity. Additionally strong is Val Kilmer, as Chris Shiherlis; with a raging temper, undying devotion, and a fierce will to persevere. Kilmer does an excellent job with the character of a flawed individual, whose flaws prevent him from lasting contentment, but against which flaws he continually strives. Ashley Judd is an unforgettable Charlene Shiherlis, who, despite a smaller roll, makes a lasting impression on the film. Tom Sizemore, as the implacable Michael Cheritto, and Jon Voight, as a gruff Nate, are both likeable (because of their human sides) and despicable (because of their professions). Each does excellent work. And equally fine are Diane Venora, as Justine, and Natalie Portman, as Justine's daughter Lauren. As Venora is strong opposite Pacino, so Amy Brenneman, Eady, is an equally strong opposite of DeNiro. In a cast so full of big names, it is so rewarding to see everyone come together to make the characters each have their own place in the film.
And Michael Mann's direction of the movie keeps the film moving while providing a tremendous combination of action and drama. He moves from scene to scene quickly and effortlessly. He also switches between the many storylines logically and fluidly, none of the story being lost. Each scene leaves its own, unmistakable impression, and each scene of each storyline builds upon the previous. Action scenes are handles crisply but grittily. The gunshots are loud, the blood is abundant, but Mann wisely does not linger on the horror of the moment. He paints a realistic picture, but keeps to the topic. The action never becomes more important than the drama. Mann is also responsible for what is perhaps the greatest robbery scene ever. Here, his more gritty sense of style is what makes this scene so believable. And, despite the enormous cast, Mann was still able to keep his agenda clear, and orchestrate so much talent into a coherent movie. Michael Mann deserves credit for both his vision and ability to express it.
Because of these and other well done aspects, 'Heat' is one of the most powerful crime dramas ever made.