A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

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Storyline

Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

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An L.A. Redemption See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

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Details

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Release Date:

15 December 1995 (USA)  »

Also Known As:

Fuego contra fuego  »

Box Office

Budget:

$60,000,000 (estimated)

Gross:

$67,436,000 (USA)
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Company Credits

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Technical Specs

Runtime:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene involving the shootout after the bank robbery was particularly tricky to film, since they were only allowed to film on the weekends. See more »

Goofs

The TV remote control placed on the table changes position during Vincent's conversation with Justine as he is watching the TV after returning from work. See more »

Quotes

[first lines]
Construction Clerk: Check, charge, or cash?
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Connections

Featured in The Perfect Score (2004) See more »

Soundtracks

Steel Cello Lament
Written & Performed by Elliot Goldenthal
Courtesy of Regency Enterprises
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User Reviews

 
Masterful on all counts
30 November 2004 | by (Aberdare, Wales) – See all my reviews

For some reason I cannot stop thinking about this film lately.

You know that feeling of having seen it about 3 or 4 times in the last 12 months is not enough? That's what I feel at the moment.

I rate it as Mann's best. It's his most kinetic,vibrant(for a film mostly shot in steely blue),agonising,stirring,brash,violent and brilliance in such a simple story.

What games did you play as a young kid? Cops and robbers.Good guy.Bad guy.

We all know De Niro and Pacino could have been either main part,but can you imagine it any other way round. Pacino doing ice cool calm? De Niro the manic outbursts,arms flailing? It wouldn't work. We know these men now.We know neither will stop at what they do.And yet there is no way either would stop the other.Unless they had too. Which leads us too the characters. All of them.

This is an extended family where you feel you know all of them without knowing anything at all. The cops are similar to the robbers and vice-versa. Perhaps Mann is telling us were all the same.Except in what we do.Every speaking part holds substance in this movie, and the support cast is astonishing when you actually read the caliber of who appeared in this film.Tom Sizmore, Val Kilmer,Ashley Judd,Ted Levine,Wes Studi,Hank Azaria,William Fitchner,Henry Rollins,Dennis Haysbert,Tom Noonan. And Natalie Portman, for chrissake! Try getting that cast again.

A real 10/10 film. And that Moby song at the end(God moving over the face of waters) gets me every time.


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