John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Composer Elliot Goldenthal wrote a piece of score to play over the final scene. Michael Mann replaced it with Moby's "God Moving Over the Face of the Water", so Goldenthal re-used the piece as the end titles for Michael Collins (1996) the following year, replacing the electric guitar with a fiddle to give it a more Irish sound. The original cue, called "Hand In Hand," can be heard at Goldenthal's website. See more »
The Steadicam operator's legs are reflected in the car doors following Chris's movement when he runs by a green car during the shootout. See more »
In this exciting thrill ride, good and evil battle it out. But not in the usual comic-book style of most films today. "Heat" carries with it the moral values so many of us take for granted. Although much in the film is morally ambiguous, one may find that even when all your life you've lived on the other side of the law, you can still settle down and have a heart-to-heart. When I first saw this movie I was sure it would be another violent crime movie that I would never want to see again. I have since seen it 4 times and have a copy of my own. The thrilling sequences and brilliant camera-work have you glued to the screen. The exceptional cast of characters has you wondering "who could be so lucky to work with them?". From the opening scene to the thrilling final scenes and everything in between (including the climax) "Heat" grabs you and pulls you in. This is a true film masterpiece.
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