A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

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Storyline

Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

A Los Angeles Crime Saga See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

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Details

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Release Date:

15 December 1995 (USA)  »

Also Known As:

Fuego contra fuego  »

Box Office

Budget:

$60,000,000 (estimated)

Gross:

$67,436,000 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the director's commentary, Michael Mann said that Neil's trademark gray suits were designed to help him blend into a crowd and not draw attention to himself. See more »

Goofs

Near the end, when Neil and Eady are driving the interstates of L.A., at one point they are approaching an interstate ramp curve to the left. In the next shot, they are clearly in a curve to the right. See more »

Quotes

[first lines]
Construction Clerk: Check, charge, or cash?
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Connections

Referenced in The O'Reilly Factor: Episode dated 22 January 2008 (2008) See more »

Soundtracks

Force Marker
Written and Performed by Brian Eno
Courtesy of Opal Limited
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Frequently Asked Questions

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User Reviews

 
Heat is truly epic, absolutely breathtaking
17 February 2000 | by (kings lynn,england) – See all my reviews

One of the most amazing things about Heat is the scale of the film; it is nearly three hours long and packed to bursting with mind-blowing visuals. It seems one of Michael Mann's main priorities was to make a film with a dreamlike feel to it, to portray LA as a dusty oil-painting on which complex characters could play out their lives. One of the main themes is the similarity of the career criminal and the street-wise cop. It is fascinating to find yourself really feeling for DeNiro's tragic bank-robber, a man of philosophical merit who realises he's stuck in a life of crime he doesn't want to lead. Pacino's cop is less easy to sympathise with, but he too leads an in-escapable life of guns and crime. What really stands out is the climax. On the whole, Heat has to be the best cops n' robbers film ever made, indeed, one of the best films. An epic, wonderful, sad, adrenaline-fuelled exercise in scale and grandeur.


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