A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and their professional lives.
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The explicit nature of several of the film's scenes was cited as the model of a spate of robberies since its release. This included armored car robberies in South Africa, Colombia, Denmark, Norway, and most famously, the 1997 North Hollywood shoot-out, in which Larry Phillips, Jr. and Emil Matasareanu robbed the North Hollywood branch of the Bank of America and, similarly to the film, were confronted by the LAPD as they left the bank. This shoot-out is considered one of the longest and bloodiest events of its type in American police history. Both robbers were killed, and eleven police officers and seven bystanders were injured during the shoot-out. This movie was widely referenced during the coverage of the shoot-out. See more »
After the delivery man in the white truck is shot at the drive in, he is clearly seen inside the vehicle slumping down and dying from his injuries. In the next scene right before the truck glances off the concrete wall, the driver is sitting up again. See more »
One of the most amazing things about Heat is the scale of the film; it is nearly three hours long and packed to bursting with mind-blowing visuals. It seems one of Michael Mann's main priorities was to make a film with a dreamlike feel to it, to portray LA as a dusty oil-painting on which complex characters could play out their lives. One of the main themes is the similarity of the career criminal and the street-wise cop. It is fascinating to find yourself really feeling for DeNiro's tragic bank-robber, a man of philosophical merit who realises he's stuck in a life of crime he doesn't want to lead. Pacino's cop is less easy to sympathise with, but he too leads an in-escapable life of guns and crime. What really stands out is the climax. On the whole, Heat has to be the best cops n' robbers film ever made, indeed, one of the best films. An epic, wonderful, sad, adrenaline-fuelled exercise in scale and grandeur.
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