John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
For the restaurant sequence where McCauley and Hanna finally meet, Michael Mann ran two cameras simultaneously in order to generate a greater level of fluidity between both rivals. Since there were no rehearsals for the scene, this approach afforded both men a more generous margin for improvisational experimentation. See more »
In the final scene, the approach light system at LAX airport is shown turning on and off for individual aircraft as they approach to land. In actuality, approach lights to runways remain lit at the same level of intensity for aircraft. They are not turned 'up' and 'down' for each airplane. See more »
I am assuming I am commenting on this film for those who have not seen this film and for those people I pity you. Its a crime thriller. Won't describe the story as its not particularly original and not the best thing about this film. You've got Pacino and Deniro on screen in a film for the first and possibly last time which should be recommendation enough. You've also got director Michael Mann at the top of his game. An awesome supporting cast firing on all cylinders. Arguably the best "shoot-out" in any film - ever. What more do you want???
It's a long film but there is not one wasted scene in it. Even the incidental story lines - for example, the recently paroled ex-cell mate of Deniro whose first job is in a "grill" working for a nasty, exploitative boss and then ends-up as a stand-in getaway driver for Deniros crew. It just adds weight to the whole film. All the domestic dramas of the good-guys and the bad-guys that you wouldn't get in the typical cops and robbers film are shown in loving detail and nothing is rushed. Just makes it a more satisfying and involving film.
Mann who started his career on Miami Vice almost seems to be taking a trip back to the eighties with the soundtrack and styling of the film - almost but not quite.
If you still don't want to see the film after this then what the hell's wrong with you?! Sit back and enjoy. Also - no. 247 in the top 250?? Whats up with that???
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