The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In an interview with Al Pacino on the DVD Special Edition, Pacino revealed that for the scene in the restaurant between Hanna and McCauley, Robert De Niro felt that the scene should not be rehearsed so that the unfamiliarity between the two characters would seem more genuine. Michael Mann agreed, and shot the scene with no practice rehearsals. See more »
The "Leader" logo disappears from the ambulance when it is set on fire. See more »
Micheal Manns'(director of 'The Insider', and 'Manhunter') smooth, straightforward direction is studded with brilliant and very memorable cinematic gems in 'Heat', A bullet riddled drama with, yes , Al Pacino and Robert De Niro in their first on screen meeting.
What do you want to hear about 'Heat'. Is it DeNiro's best performance? No. Is it Pacino's best performance? I'd be lying if I said it was. Do the performances improve the story? Absolutely. Mann has written (he wrote it as well) a complex and exciting two-sided story that develops the hunter Vincent Hanna (Pacino) and the hunted Neil McCauley (De Niro) separately throughout much of the film. Underneath a hail of bullets Mann is able to paint both lead characters with the same brush by delving into the similarly tragic and chaotic personal lives of Hanna and McCauley, allowing for the final epic scene, which would have been too pretentious if it were not for the excellent performances of Pacino and De Niro.
Bottom Line: Not having seen this movie is akin to idiocy for anyone claiming to be a fan of movies. 9 out of 10
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