| Cast overview, first billed only: | |||
| Donald Pleasence | ... | ||
| Paul Rudd | ... |
Tommy Doyle
(as Paul Stephen Rudd)
|
|
| Marianne Hagan | ... | ||
| Mitchell Ryan | ... | ||
| Kim Darby | ... | ||
|
|
Bradford English | ... | |
| Keith Bogart | ... | ||
|
|
Mariah O'Brien | ... | |
|
|
Leo Geter | ... | |
| J.C. Brandy | ... | ||
|
|
Devin Gardner | ... | |
| Susan Swift | ... | ||
|
|
George P. Wilbur | ... | |
|
|
Janice Knickrehm | ... | |
|
|
Alan Echeverria | ... | |
Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael Myers. And now, six years later, Jamie has escaped after giving birth to Michael's child. She runs to Haddonfield to get Dr. Loomis to help her again. Meanwhile, the family that adopted Laurie Strode is living in the Myers house and are being stalked by Myers. It's the curse of Thorn that Michael is possessed by that makes him kill his family. And it's up to Tommy Doyle, the boy from Halloween, and Dr. Loomis, to stop them all. Written by Jason Mechalek
The sixth entry in the Halloween franchise picks up some years after the conclusion of Halloween 5. Jamie Lloyd is now a full grown adult, and she's just given birth. Unfortunately for her, Jamie has been kept in the basement of Smith's Grove Sanitarium (the facility that has housed Michael during his stints in and out of custody) by the likes of an underground Druid cult that seeks to somehow restore the once great night of Halloween to its former glory. What that former glory entails is anyone's guess; some gibberish about mayhem, bonfires and star alignments is thrown into the mix, but said references are every bit as vague as they sound.
The question you likely have is this: How does Michael Myers fit into all this ridiculousness? Well, as the previous movies have indicated, he's somehow connected to the Druid sacrificial rite, but a lucid explanation of the exact role he plays isyet againconspicuously absent. I suppose it doesn't really matter, though; he's still alive, still angry, and still killing people. Once again he's after the last living remnant of the Myers bloodline, the newborn baby of his aforementioned niece. Oddly enough, Tommy Doyleone of the children from the original Halloween that Laurie babysat "the night he came home"has become obsessed with the persistent rumors about Michael and has rented a room across the street from the Myers house to keep tabs on its residents, one of whom is a kid with the same penchant for murder that Michael himself demonstrated so many years ago.
Loomis is back, too. He is, of course, not surprised in the least when Michael reappears in Haddonfield, and the usual hijinks ensue (namely, people don't believe the famed serial killer is still alive, make the mistake of writing him off, and end up getting axed in oh-so-creative ways). The atmosphere generated in the movie is admirable, and this is one of Michael's more menacing outings. Still, one can't help but feel disappointed by the lack of story development, and the movie's conclusion feels much too abrupt. This almost certainly is a direct result of director Joe Chappelle's apparent distaste for Pleasence. According to the Internet Movie Database, Chappelle found many of Pleasence's scenes "boring," and thus engaged in heavy editing in an effort to trim down his presence in the movie. The result is a disjointed affair that's not nearly as effective as it could have been.
In short, The Curse of Michael Myers is a convoluted mess that only pretends to answer some of the longstanding questions surrounding the Halloween mythology. The movie has its moments, and the presence of Paul Rudd as the now adult Doyle adds some memorability to the cast of characters.