Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael... See full summary »
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
It's one year later after the events of Halloween 4. Michael survives the shootings and on October 31st he returns with a vengeance. Lurking and stalking, Jamie, Rachel, and Rachel's ... See full summary »
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality ... See full summary »
Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael Myers. And now, six years later, Jamie has escaped after giving birth to Michael's child. She runs to Haddonfield to get Dr. Loomis to help her again. Meanwhile, the family that adopted Laurie Strode is living in the Myers house and are being stalked by Myers. It's the curse of Thorn that Michael is possessed by that makes him kill his family. And it's up to Tommy Doyle, the boy from Halloween, and Dr. Loomis, to stop them all. Written by
The producers cut contains a lot less gore than the theatrical cut See more »
In the Theatrical version, before Michael starts the doctor massacre, he hears the sound of Tommy and Kara fleeing into another room. He stops, and turns around to investigate the sound but doesn't find anything. As he turns to walk the other way, they show his reflection in mirrors on the wall, and if you look, you'll see a crew member in the mirror just before the mirror is out of frame. See more »
Taste is a subjective thing. Two people can watch the same movie with one of them loving it and the other one hating it. As it concerns 'Halloween:the Curse of Michael Myers' I fall into the latter category.
I'm of the opinion that John Carpenter, in 1978, made one of that decade's finest fright films, which despite its flaws, still holds up well into the 21st century. It reused many of the old horror film devices but utilized them in original and effective ways. It had no pretensions that it was anything other than a movie about an escaped mental patient stalking babysitters on Halloween night. And yet there were 'ideas' in the film but they were subtly introduced and not hammered into your skull. It juxtaposed the myths of the macabre festival with the reality of what was taking place in the story and it did this with a wonderful ambiguity.
The 'filmmakers' of this 'film' probably wouldn't even understand that previous paragraph. That's why we're saddled us with this miserable and inept piece of disposable celluloid. Direction, script, acting are of the lowest strata imaginable. This is the type of film that is so mind numbingly dull and nausea inducing as to make you want to crawl back into the womb and die. It is also truly, truly sad to see veteran British actor Donald Pleasence wasting his acting abilities with this saliva puddle of a movie. He seems drained of all his energy and resigned to the fact that this may be his last film. Maybe that's what killed him.
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