| Photos (see all 5 | slideshow) |
| Adrian Dunbar | ... | Alan Cross | |
| Florence Hoath | ... | Angela Cross | |
| Sophie Aubry | ... | Solange Montfort | |
| Joanna Lumley | ... | Lady Helena Graves | |
| Gabrielle Anwar | ... | Celia Graves | |
| Alexis Denisof | ... | Christopher Wood | |
| Stephen Dorff | ... | Jeremy Graves | |
| Marianne Denicourt | ... | Maud Graves | |
| Melvil Poupaud | ... | Louis Bernard | |
| Bernard Haller | ... | Georges Montfort | |
| Rosalind Bennett | ... | Janet Blain | |
| Keira Knightley | ... | Young Celia | |
| Tobias Saunders | ... | Celia's Brother #1 | |
| Robin Saunders | ... | Celia's Brother #2 | |
| Charles Duron | ... | Beach Boy | |
| Michel Winogradoff | ... | Albert | |
| Yvon Back | ... | Inspector Talmi | |
| Alexandra Monvoisin | ... | Zaza | |
| Marianne Segol | ... | Gigi | |
| Tatjana Verdonik | ... | Maud's Mother | |
| Oskar Freitag | ... | Maud's Father | |
| Alan Ross | ... | Station Clerk | |
| rest of cast listed alphabetically: | |||
| Donal McCann | ... | Joe Green (uncredited) | |
Directed by | |||
| Patrick Dewolf | |||
Writing credits(in alphabetical order) | ||
| Kerry Crabbe | writer | |
| Patrick Dewolf | writer | |
Produced by | |||
| Philippe Carcassonne | .... | associate producer | |
| Daniel Delume | .... | line producer | |
| Philippe Guez | .... | producer | |
| Simon Perry | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Patrick Blossier | |||
Film Editing by | |||
| Joëlle Hache | |||
| Chris Wimble | |||
Production Design by | |||
| Bernd Lepel | |||
Costume Design by | |||
| Tom Rand | |||
Makeup Department | |||
| Clarisse Domine | .... | key makeup artist | |
| Peter King | .... | makeup artist | |
Production Management | |||
| Sylvain Bouladoux | .... | assistant unit manager | |
| Richard Lalonde | .... | production manager | |
| Antoine Vierny | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Vincent Canaple | .... | first assistant director | |
| Peter Heslop | .... | assistant director | |
Art Department | |||
| Amanda Grenville | .... | set dresser | |
| Jonathan Hurst | .... | props | |
| Boris Piot | .... | swing gang | |
Sound Department | |||
| Don Banks | .... | boom operator | |
| Harry Barnes | .... | dialogue editor | |
| John Hayward | .... | sound re-recording mixer | |
| Colin Ritchie | .... | supervising sound editor | |
| Ivan Sharrock | .... | production sound mixer | |
| Alan Snelling | .... | foley recordist | |
| Richard Pryke | .... | assistant re-recording mixer (uncredited) | |
Visual Effects by | |||
| Pete Hanson | .... | studio manager: CFC | |
| Mark Nelmes | .... | digital visual effects supervisor: CFC | |
Stunts | |||
| Rémi Canaple | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts | |
Camera and Electrical Department | |||
| Pascal Ridao | .... | camera operator | |
Other crew | |||
| Marie McFerran | .... | production coordinator | |
| Deryn Stafford | .... | production coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb UK section | Add this title to MyMovies |
If you like longing glances into the misty distance, unmotivated yet psychotic incest, and daft police work, you'll love this waste of time and film.
The casting director clearly liked a specific "look" of female. As a result, I spent the first half of the movie just trying to keep the female characters straight. Beautiful women are not enough to save this flimsiest of scripts, however.
I feel cheated. I could've been playing solitaire. It would've been equally fulfilling. Clearly, I do not recommend this movie. I was hoping for so much more from a largely watchable cast.