| Photos (See all 32 | slideshow) | Videos (see all 3) |
| Vincent Cassel | ... | Vinz | |
| Hubert Koundé | ... | Hubert | |
| Saïd Taghmaoui | ... | Saïd | |
| Abdel Ahmed Ghili | ... | Abdel | |
| Solo | ... | Santo | |
| Joseph Momo | ... | Ordinary Guy | |
| Héloïse Rauth | ... | Sarah | |
| Rywka Wajsbrot | ... | Vinz's Grandmother | |
| Olga Abrego | ... | Vinz's Aunt | |
| Laurent Labasse | ... | Cook | |
| Choukri Gabteni | ... | Saïd's Brother | |
| Nabil Ben Mhamed | ... | Boy Blague | |
| Benoît Magimel | ... | Benoît | |
| Medard Niang | ... | Médard (as Médard Niang) | |
| Arash Mansour | ... | Arash | |
| Abdel-Moulah Boujdouni | ... | Young Businessman | |
| Mathilde Vitry | ... | Journalist | |
| Christian Moro | ... | CRS TV Journalist | |
| JiBi | ... | Fat Youth | |
| Edouard Montoute | ... | Darty | |
| Félicité Wouassi | ... | Hubert's mother | |
| Fatou Thioune | ... | Hubert's Sister | |
| Thang-Long | ... | Grocer (as Thang Long) | |
| Cut Killer | ... | DJ | |
| Sabrina Houicha | ... | Saïd's Sister | |
| Sandor Weitmann | ... | Vinz Lookalike (as Sandor Weltmann) | |
| François Levantal | ... | Astérix | |
| Julie Mauduech | ... | Gallery Girl | |
| Karin Viard | ... | Gallerly Girl | |
| Peter Kassovitz | ... | Gallery Patron | |
| Vincent Lindon | ... | Really Drunk Man | |
| Christophe Rossignon | ... | Taxi Driver | |
| Mathieu Kassovitz | ... | Young Skinhead | |
| Anthony Souter | ... | Skin | |
| Florent Lavandeira | ... | Skin | |
| Teddy Marques | ... | Skin | |
| Samir Khelif | ... | Skin | |
| Tadek Lokcinski | ... | Monsieur Toilettes | |
| Virginia Montel | ... | SDF Metro (as Virginie Montel) | |
| Andrée Damant | ... | Concierge | |
| Marcel Marondo | ... | Bouncer | |
| Karim Belkhadra | ... | Samir | |
| Marc Duret | ... | Inspector Notre Dame | |
| Eric Pujol | ... | Assistant Policeman | |
| Philippe Nahon | ... | Police Chief | |
| Sébastien Tavel | ... | Hospital police officer | |
| François Toumarkine | ... | Hospital police officer | |
| Jose-Philippe Dalmat | ... | Hospital Police Officer (as José-Philippe Dalmat) | |
| Zinedine Soualem | ... | Plainclothes Police Officer | |
| Bernie Bonvoisin | ... | Plainclothes Police Officer | |
| Cyril Ancelin | ... | Plainclothes Police Officer | |
| Patrick Médioni | ... | CRS Cave |
Directed by | |||
| Mathieu Kassovitz | |||
Writing credits | ||
| Mathieu Kassovitz | (written by) | |
Produced by | |||
| Adeline Lecallier | .... | associate producer | |
| Alain Rocca | .... | associate producer | |
| Christophe Rossignon | .... | producer | |
| Gilles Sacuto | .... | line producer | |
Original Music by | |||
| Assassin | |||
Cinematography by | |||
| Pierre Aïm | |||
Film Editing by | |||
| Mathieu Kassovitz | |||
| Scott Stevenson | |||
Production Design by | |||
| Giuseppe Ponturo | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Sophie Benaiche | .... | makeup artist | |
Production Management | |||
| Sophie Quiédeville | .... | unit production manager | |
Art Department | |||
| Mélissa Ponturo | .... | art department trainee | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Dominique Dalmasso | .... | sound | |
| Fred Mays | .... | post-synchronization | |
| Laure Monrréal | .... | sound trainee | |
| Vincent Tulli | .... | sound | |
| Emmanuel Ughetto | .... | boom operator | |
Visual Effects by | |||
| Rodolphe Chabrier | .... | digital effects | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Rip Hampton O'Neil | .... | director of reseach and development: DuboiColor (uncredited) | |
Stunts | |||
| Bernard Chevreul | .... | stunts (as Bernard Chevreuil) | |
| Gilles Conseil | .... | stunts | |
| Mohammed Enahal | .... | stunts (as Mohamed Enahal) | |
| Pascal Guégan | .... | stunts | |
| Philippe Guégan | .... | stunt coordinator | |
| Christian Hening | .... | stunts | |
| Patrick Médioni | .... | stunts | |
Editorial Department | |||
| Stratos Gabrielidis | .... | first assistant editor | |
Other crew | |||
| Thierry Artur | .... | production accountant | |
| Laure Darie | .... | production secretary | |
| Guillaume Favreau | .... | assistant manager | |
| Jodie Foster | .... | presenter | |
| François Guerrar | .... | press attache | |
| Abdelnabi Krouchi | .... | location manager | |
| Dany Martin | .... | press attache | |
|
|
|
|
|
| Enter the Void | Pineapple Express | Go | Serpico | Killer Kid |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb France section |
Reminiscent of Costas-Gavras' film Z with its rapid-fire dialogue and staccato rhythms, La Haine (Hate) directed by 28 year-old Mathieu Kassovitz, is a passionate look at racial tensions at a Paris housing project. Although drug dealing, urban decay, and police brutality have been shown in films before, rarely have they had the sense of vitality and urgency shown in La Haine.
Three friends from different ethnic backgrounds live in the Bluebell housing projects on the outskirts of Paris. This is not the Paris of travel brochures or films like Amelie, but a desolate urban landscape, harsh and grim with housing projects that look as if they could be in any big city in the world. Vinz (Vincent Cassel), is a working class Jew; Hubert (Hubert Kounde), the most intelligent and self-reflective of the three, is an African boxer; and Said (Said Taghmaoui), an Arab from North Africa is younger but just as embittered.
The film depicts their rage against the police whom they see as oppressors. Marginalized economically and politically, without jobs, parents who care, or hope for the future, the streets are their home and they are open targets for police who are shown as brutal and racist. In one startling scene, a veteran cop taunts and physically abuses Said and Hubert while training a rookie cop. The rookie can only look on and shake his head in disbelief.
Shot in black and white, La Haine shows a single day in the lives of the three friends. Following a major riot in which a local teenager, Abdel, is critically wounded by the police, Vinz, the most volatile of the group, vows that if Abdel dies he will kill a cop to get even. Hubert wants to restrain him, and Said doesn't seem to care either way, as long as he can get his money from a drug dealer named Snoopy. When Vinz finds a Smith & Wesson 44 lost by the police during the riots, the spiral of violence escalates and builds toward a memorable conclusion.
La Haine does not offer any solutions to social problems but clearly shows the anger and frustration of people who feel trapped by their circumstances. In its depiction of a society in free-fall, it also has immediacy. Three weeks after the film was released, riots broke out in the Brixton section of London, following the death of a young black man in police custody. Though it is a wake-up call for action on society's growing gap between rich and poor, La Haine makes a powerful statement that violence does not solve anything and that hate begets hate. Someone should pass the word to a few of the world leaders.