The film follows three young men and their time spent in the French suburban "ghetto," over a span of twenty-four hours. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. During the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody. Written by
The names of the characters are almost all the same as the actors' real life names. See more »
The trip across Paris is strange : the three characters should arrive at the Saint-Lazare station(north-west of Paris), coming from ChanteloupLesVignes. Yet, when they arrive, they are in front of the Montparnasse station(south of Paris), on the Rennes street. Then, they go to Asterix place, on the boulevard Pierre Ier of Serbia, close to Iena Place (west of Paris), and when they try to catch the last train, this time they are at the Saint-Lazare station, the right one to go back. But then, when they are on the roof, they see the Eiffel Tower and the Trocadero from the south-east, being probably close to Montparnasse station. Then, they come across a sculpture, L'Ecoute, in the Halles Garden(center of Paris), before going back. Hence, their trip goes : south, west, north-west, south and center of Paris. See more »
It's about a society on its way down. And as it falls,it keeps telling itself: "So far so good... So far so good... So far so good." It's not how you fall that matters. It's how you land.
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The most relevant French film of the last 20 years
'Mean Streets' in french - and so much more. While there are so many references to Scorsese that you could almost call it an homage, this French milestone deals with the disillusioned youth who live in the outskirts of Paris in such an elegant - and honest - way, that I would go so far as to call it the most relevant French film of the last 20 years. But it's also a cinematic masterpiece and great, often hilarious entertainment. Everything fits: the musical choices, the outstanding performances by the 3 main characters, the beautiful cinematography and flawless direction. And, perhaps most of all, THE perfect script.
As much a realistic portrayal of a torn society as it is an artistic achievement, 'La Haine' is essential viewing.