After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
Darren goes to Hollywood in an attempt to live the American dream of becoming a big-name actor. When Darren is mistaken for Dante, the A-List actor in town, his world is thrown upside down - and he gets his wish, for better or for worse.
In LA's Fairfax district, where ethnic groups abound, four households celebrate Thanksgiving amidst family tensions. In the Nguyen family, the children's acculturation and immigrant parents... See full summary »
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city slicker comes to town and convinces Verena to market Dolly's locally-famous tonic, Dolly finally gets some backbone, refuses to divulge the formula, and heads for a tree house with Collin and Catherine, the loyal maid. Verena, who has most of the town in her pocket, sics the law on the renegades. Dolly, Catherine, and Collin find a supporter in a retired judge, Charlie Cool, who's attracted to Dolly. Will Verena's venom win out? And what about that city slicker? Written by
An all-star cast, (Sissy Spacek, Piper Laurie, Walter Matthau, Jack Lemmon, Mary Steenburgen), makes this screen version of Truman Capote's novel watchable, and then some. But it's all too whimsical and twee to really work. It's directed by Walter Matthau's son Charles and he seems content to let the material speak for itself. It's straightforward and literal and unexciting. It's like something the Reader's Digest might have produced. However unlikely Truman Capote's source material there was poetry in almost every line. That's missing here despite the quaint Southern Gothic narration, and none of the cast are at their best or anything approaching it. Without anything like direction from Matthau they simply go through the motions. Still, it's a decent yarn and it tugs at the heartstrings and there you have it.
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