| Photos (See all 81 | slideshow) | Videos (see all 6) |
Directed by | |||
| Martin Campbell | |||
Writing credits(WGA) | ||
| Ian Fleming | (characters) | |
| Michael France | (story) | |
| Jeffrey Caine | (screenplay) and | |
| Bruce Feirstein | (screenplay) | |
Produced by | |||
| Barbara Broccoli | .... | producer | |
| Tom Pevsner | .... | executive producer | |
| Anthony Waye | .... | associate producer | |
| Michael G. Wilson | .... | producer | |
| Albert R. Broccoli | .... | consulting producer (uncredited) | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Phil Meheux | (director of photography) | ||
Film Editing by | |||
| Terry Rawlings | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Andrew Ackland-Snow | |||
| Kathrin Brunner | |||
| Neil Lamont | (supervising art director) | ||
| Charles Dwight Lee | (as Charles Lee) | ||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Linda DeVetta | .... | makeup supervisor (as Linda Devetta) | |
| Hilary Haines | .... | hair stylist | |
| Colin Jamison | .... | hair styles supervisor | |
| Jan Jamison | .... | hair stylist | |
| Trefor Proud | .... | makeup artist | |
| Jane Royle | .... | makeup artist | |
| Martha Callender | .... | assistant makeup artist (uncredited) | |
| Norma Webb | .... | makeup artist (uncredited) | |
Production Management | |||
| Dimitri Foresta | .... | assistant production manager | |
| Leonhard Gmür | .... | location production manager (as Leonard Gmür) | |
| Ellen Gordon | .... | location production manager | |
| Philip Kohler | .... | production manager | |
| Callum McDougall | .... | unit production manager | |
| Crispin Reece | .... | additional production manager | |
| Iris Rose | .... | unit manager | |
| Serge Touboul | .... | location production manager | |
| Valery Yermolaev | .... | location production manager | |
| Stefan Zürcher | .... | location production manager | |
Second Unit Director or Assistant Director | |||
| David Carrigan | .... | additional assistant director | |
| Jamie Christopher | .... | additional assistant director | |
| Eric Fourniols | .... | additional assistant director | |
| Gerry Gavigan | .... | assistant director | |
| Tim Lewis | .... | additional assistant director | |
| Terry Madden | .... | assistant director: second unit | |
| Elliott Meddings | .... | additional assistant director | |
| Bernard Seitz | .... | additional assistant director | |
| Ian Sharp | .... | second unit director | |
| Richard Styles | .... | additional assistant director | |
| Paul Taylor | .... | additional assistant director | |
| Richard Whelan | .... | additional assistant director | |
| David G. Wilson | .... | additional assistant director (as David Wilson) | |
| Arthur Wooster | .... | additional unit director | |
| William Booker | .... | second assistant director: third unit (uncredited) | |
| Jeremy Pelzer | .... | trainee assistant director (uncredited) | |
| Richard Walker | .... | additional assistant director (uncredited) | |
Art Department | |||
| Martin Asbury | .... | storyboard artist | |
| Brian Bishop | .... | scenic artist | |
| Michael Boone | .... | assistant art director (as Mike Boone) | |
| Clive Brown | .... | construction manager | |
| Syd Cain | .... | storyboard artist | |
| Tony Graysmark | .... | construction coordinator | |
| Steve Harris | .... | carpenter | |
| Ron Higgins | .... | property chargehand | |
| Steven Lawrence | .... | assistant art director | |
| Ron Quelch | .... | production buyer | |
| Steven Sallybanks | .... | scenic artist | |
| Peter Wallis | .... | property chargehand | |
| Barry Wilkinson | .... | property master | |
| Simon Wilkinson | .... | property chargehand | |
| Peter Williams | .... | construction manager | |
| Dominic Ackland-Snow | .... | carpenter (uncredited) | |
| Graham Caulfield | .... | drapesmaster (uncredited) | |
| Paul Cheesman | .... | stand-by props (uncredited) | |
| John Chisholm | .... | prop man (uncredited) | |
| Mick Chubbock | .... | stand-by art department: second unit (uncredited) | |
| Dean Coldham | .... | supervising plasterer (uncredited) | |
| Peter Davis | .... | scenic painter: set (uncredited) | |
| Peter Dorme | .... | draughtsman (uncredited) | |
| Peter Francis | .... | set designer (uncredited) | |
| James Hambidge | .... | assistant art director (uncredited) | |
| Alan Hausmann | .... | carpenter (uncredited) | |
| Darren Holland | .... | construction stagehand (uncredited) | |
| Paul Kirby | .... | junior draughtsman (uncredited) | |
| Ginger McCarthy | .... | construction rigger (uncredited) | |
| Brian Muir | .... | sculptor (uncredited) | |
| Ron Nicholls | .... | stagehand (uncredited) | |
| Richard Roberts | .... | assistant set decorator (uncredited) | |
| Michel Rollant | .... | set dresser (uncredited) | |
| Keith Short | .... | sculptor (uncredited) | |
| Lucinda Thomson | .... | art department assistant (uncredited) | |
| Jamie Wilkinson | .... | dressing props (uncredited) | |
Sound Department | |||
| Tony Bell | .... | boom operator (as Antony Bell) | |
| Michael A. Carter | .... | sound re-recording mixer (as Michael Carter) | |
| Pat Gilbert | .... | assistant sound editor | |
| Graham V. Hartstone | .... | sound re-recording mixer (as Graham Hartstone) | |
| John Hayward | .... | sound re-recording mixer | |
| David John | .... | sound recordist | |
| Peter Musgrave | .... | dialogue editor | |
| Bob Risk | .... | foley editor | |
| Mark Sale | .... | assistant sound editor | |
| Jim Shields | .... | supervising sound editor | |
| Tony Tromp | .... | assistant sound editor | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Richard Pryke | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Norman Baillie | .... | special effects crew | |
| Paul Clancy | .... | special effects crew | |
| Chris Corbould | .... | special effects supervisor | |
| Steve Crawley | .... | wire effects supervisor | |
| Paul Dunn | .... | special effects crew | |
| Dave Eltham | .... | special effects crew (as David Eltham) | |
| Nick Finlayson | .... | special effects crew (as Nicholas Finlayson) | |
| Steve Hamilton | .... | special effects floor supervisor | |
| Dave Keen | .... | special effects crew | |
| Dave Knowles | .... | special effects crew | |
| Paul Knowles | .... | special effects crew | |
| John Modder | .... | special effects crew | |
| Peter Notley | .... | special effects crew | |
| Roy Quinn | .... | special effects crew | |
| Luke Rutter | .... | special effects crew | |
| Shaun Rutter | .... | special effects crew | |
| Robbie Scott | .... | special effects crew | |
| Andrew Smith | .... | special effects crew (as Andy Smith) | |
| Paul Taylor | .... | special effects crew | |
| Jamie Thomas | .... | special effects crew | |
| Brian Warner | .... | special effects crew | |
| Andy Williams | .... | special effects floor supervisor | |
| David Brighton | .... | special effects technician (uncredited) | |
| Dave Chagouri | .... | special effects technician (uncredited) | |
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
| Jim Davey | .... | scanning and recording (uncredited) | |
| Kevin Draycott | .... | special effects technician (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Steve Knowles | .... | special effects crew (uncredited) | |
| Daniel Letch | .... | special effects (uncredited) | |
| Martin 'Marty' McLaughlin | .... | snow effects trainee (uncredited) | |
| Luke Murphy | .... | special effects crew (uncredited) | |
| Nigel Nixon | .... | special effects buyer (uncredited) | |
| Simon Quinn | .... | special effects trainee (uncredited) | |
| Mark E. Raymond | .... | snow effects technician (uncredited) | |
| David 'Pinkie' Thomas | .... | snow effects trainee (uncredited) | |
| Neil Toddy Todd | .... | special effects (uncredited) | |
| Anne Marie Walters | .... | miniature effects assistant (uncredited) | |
| Tim Willis | .... | special effects (uncredited) | |
Stunts | |||
| Duncan Barbour | .... | vehicle backup | |
| Jake Brake | .... | parachuter | |
| Patrick Cauderlier | .... | stunts | |
| Simon Crane | .... | stunt coordinator | |
| Jim Dowdall | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Jamie Edgell | .... | stunts | |
| Steve Griffin | .... | specialist driver | |
| Paul Heasman | .... | stunts | |
| Eunice Huthart | .... | stunts | |
| Dominique Julienne | .... | stunt driver | |
| Rémy Julienne | .... | car chase stunts (as Remy Julienne) | |
| Steve Lamonby | .... | vehicle backup | |
| Maryline Lebec | .... | stunt driver | |
| Jacques 'Zoo' Malnuit | .... | parachuter | |
| Sean McCabe | .... | stunts | |
| Wayne Michaels | .... | stunts | |
| Gary Powell | .... | stunts | |
| Tom Sanders | .... | parachuter | |
| Christophe Vaison | .... | stunt driver | |
| Freddie Wilmington | .... | vehicle backup | |
| B.J. Worth | .... | parachute coordinator | |
| Lucy Allen | .... | additional stunts (uncredited) | |
| Roy Alon | .... | additional stunts (uncredited) | |
| Aleksandr Baranov | .... | stunts (uncredited) | |
| Brian Bowes | .... | stunts (uncredited) | |
| Helen Caldwell | .... | stunts (uncredited) | |
| Marc Cass | .... | stunts (uncredited) | |
| Stuart Clark | .... | stunts (uncredited) | |
| Stuart Clark | .... | utility stunts (uncredited) | |
| Simon Crane | .... | stunts (uncredited) | |
| David Cronnelly | .... | stunts (uncredited) | |
| Gabe Cronnelly | .... | stunts (uncredited) | |
| Graeme Crowther | .... | stunts (uncredited) | |
| Perry Davey | .... | stunts (uncredited) | |
| Ray De-Haan | .... | stunts (uncredited) | |
| Tom Delmar | .... | stunts (uncredited) | |
| Steve Dent | .... | stunts (uncredited) | |
| Terry Forrestal | .... | stunts (uncredited) | |
| Sarah Franzl | .... | stunts (uncredited) | |
| Nick Gillard | .... | stunts (uncredited) | |
| Romo Gorrara | .... | stunts (uncredited) | |
| Joss Gower | .... | stunts (uncredited) | |
| Richard Hammatt | .... | stunts (uncredited) | |
| Lyndon S. Hellewell | .... | stunts (uncredited) | |
| Mark Henson | .... | stunts (uncredited) | |
| Paul Herbert | .... | stunts (uncredited) | |
| Jeff Hewitt-Davis | .... | stunts (uncredited) | |
| Nick Hobbs | .... | stunts (uncredited) | |
| Sy Hollands | .... | stunts (uncredited) | |
| Eunice Huthart | .... | stunt double: Famke Janssen (uncredited) | |
| Tiddler James | .... | stunts (uncredited) | |
| Paul Jennings | .... | stunts (uncredited) | |
| Dominique Julienne | .... | stunts (uncredited) | |
| Vincent Keane | .... | stunts (uncredited) | |
| Dianne Kelly | .... | stunts (uncredited) | |
| Eddie Kidd | .... | stunt double: Pierce Brosnan (uncredited) | |
| Derek Lea | .... | stunts (uncredited) | |
| Mark Lisbon | .... | stunts (uncredited) | |
| Phil Lonergan | .... | stunts (uncredited) | |
| Sean McCabe | .... | stunt double: Mr. Bean (uncredited) | |
| Wayne Michaels | .... | stunt double: Pierce Brosnan #2 (uncredited) | |
| Ray Nicholas | .... | stunts (uncredited) | |
| Robert Patton | .... | stunts (uncredited) | |
| Peter Pedrero | .... | stunts (uncredited) | |
| Andreas Petrides | .... | stunts (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Dinny Powell | .... | stunts (uncredited) | |
| Gary Powell | .... | stunt double: Bond double #1 (uncredited) | |
| Nick Powell | .... | stunts (uncredited) | |
| Danny Ray Cook | .... | stunts (uncredited) | |
| Seon Rogers | .... | stunts (uncredited) | |
| Roy Scammell | .... | stunts (uncredited) | |
| Colin Skeaping | .... | stunts (uncredited) | |
| Tony Smart | .... | stunts (uncredited) | |
| Mark Southworth | .... | stunts (uncredited) | |
| Julian Spencer | .... | stunts (uncredited) | |
| Trevor Steedman | .... | stunts (uncredited) | |
| Cris Thomas-Palomino | .... | stunts (uncredited) | |
| B.J. Worth | .... | free fall skydiving double: Pierce Brosnan (uncredited) | |
Camera and Electrical Department | |||
| Kenneth Atherfold | .... | camera grip | |
| Luigi Bisioli | .... | electrical gaffer | |
| Sean Connor | .... | camera focus | |
| Mike Evans | .... | camera focus | |
| Jasper Fforde | .... | camera focus | |
| Steve Foster | .... | electrical gaffer | |
| Bob Freeman | .... | camera grip | |
| Christoph Frutiger | .... | camera focus | |
| Ricky Hall | .... | camera grip | |
| Keith Hamshere | .... | still photographer | |
| Harvey Harrison | .... | camera operator: second unit | |
| Andy Hopkins | .... | camera crane operator (as Andrew Paul Hopkins) | |
| Rod Marley | .... | clapper loader | |
| Rod Marley | .... | second assistant camera | |
| Roger Pearce | .... | camera operator | |
| Rebecca Peters | .... | video assist operator | |
| Bill Pochetty | .... | electrical gaffer | |
| Ray Potter | .... | electrical best boy | |
| Terry Potter | .... | electrical supervisor | |
| Herbert Raditschnig | .... | camera operator: alpine unit | |
| Candida Richardson | .... | video assist operator | |
| Adam Samuelson | .... | crane operator: giraffe and louma crane | |
| Mark Ward | .... | video assist operator | |
| David Watkins | .... | camera focus | |
| George Whitear | .... | still photographer: second unit | |
| Arthur Wooster | .... | additional unit photographer | |
| Tim Wooster | .... | camera operator: alpine unit | |
| Darren Bailey | .... | remote camera technician (uncredited) | |
| Kevin Brookner | .... | video operator (uncredited) | |
| Jorge L. Cuevas | .... | photographer (uncredited) | |
| Raymond Flindall | .... | rigger (uncredited) | |
| Brian Harris | .... | camera operator (uncredited) | |
| Jose 'Flecha' Hernandez | .... | electrician (uncredited) | |
| Cephas Howard | .... | electrician (uncredited) | |
| Stuart Hurst | .... | electrician (uncredited) | |
| Nikos Kalimerakis | .... | electrician (uncredited) | |
| Giles Keyte | .... | still photographer assistant (uncredited) | |
| Dean Morrish | .... | assistant camera (uncredited) | |
| Ian Murray | .... | rigger (uncredited) | |
| Nigel Permane | .... | assistant camera: model unit (uncredited) | |
| Nigel Seal | .... | focus puller (uncredited) | |
| Alf Tramontin | .... | Steadicam operator (uncredited) | |
| Pedro J. Villalón | .... | gaffer (uncredited) | |
| Constantin von Seld | .... | video assist operator: third unit (uncredited) | |
Casting Department | |||
| Pam Dixon | .... | casting: USA | |
| Debbie McWilliams | .... | casting | |
| Amy Gerber | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nigel Egerton | .... | wardrobe master | |
| John Scott | .... | wardrobe supervisor | |
| Colin Wilson | .... | wardrobe master | |
| Dan Grace | .... | wardrobe assistant (uncredited) | |
| Tim Guthrie | .... | wardrobe assistant (uncredited) | |
| Jenny Hawkins | .... | wardrobe assistant (uncredited) | |
| Renate Wienert | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Tim Grover | .... | first assistant editor | |
| Susan French | .... | second assistant editor (uncredited) | |
Music Department | |||
| John Altman | .... | conductor | |
| John Altman | .... | orchestrator | |
| David Arch | .... | orchestrator | |
| Anthony Fabian | .... | music advisor (as Tony Fabian) | |
| Robert Hathaway | .... | music editor (as Bob Hathaway) | |
| Didier Lozahic | .... | score mixer: synthesizer score | |
| Monty Norman | .... | composer: James Bond theme | |
| Steve Price | .... | music mixer: symphonic music | |
| Eric Serra | .... | musician: synthesizer score | |
| Eric Serra | .... | producer: synthesizer score | |
| John Altman | .... | composer: additional music (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Eric Serra | .... | orchestrator (uncredited) | |
| Jonathan Williams | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Duncan Barbour | .... | vehicle backup | |
| Tony Bradley | .... | transportation coordinator | |
| Roy Clarke | .... | unit driver | |
| Steve Lamonby | .... | vehicle backup | |
| Freddie Wilmington | .... | vehicle backup | |
| Geronimo Perez | .... | transportation co-captain: Puerto Rico (uncredited) | |
| John White | .... | driver (uncredited) | |
Other crew | |||
| Gordon Arnell | .... | marketing | |
| Gordon Arnell | .... | publicist | |
| Jacqueline Benloulou | .... | location accountant | |
| Charles Bodycomb | .... | armorer (as Charlie Bodycomb) | |
| Albert R. Broccoli | .... | presenter | |
| Christopher Brosnan | .... | production runner | |
| Régis Brun | .... | location manager | |
| Cathy Caraveo | .... | production coordinator (as Kathy Caraveo) | |
| Tom Danaher | .... | pilot: Cessna 172 | |
| Daniel Dark | .... | studio manager | |
| David Deane | .... | fire officer | |
| Delta Doric | .... | site maintenance services | |
| Harriet Earle | .... | location manager | |
| Sue Field | .... | continuity: second unit | |
| Peter Flynn | .... | pilot: action helicopter | |
| Geoff Freeman | .... | unit publicist | |
| Irina Ganina | .... | location accountant | |
| Rica Groennou | .... | location manager | |
| Etienne Herrenschmidt | .... | pilot: Tiger | |
| Sarah Hinch | .... | assistant: Martin Campbell (as Sarah Hornbuckle) | |
| Celia Irvin | .... | assistant to producers | |
| Andrew Jack | .... | dialogue coach | |
| Daniel Kleinman | .... | title designer: main titles | |
| Hans-Peter Kuenzli | .... | pilot: Pilatus Porter | |
| Jane Meagher | .... | location accountant | |
| Karin Mercurio | .... | location accountant (as Karen Mercurio) | |
| Ernst Michel | .... | safety climber | |
| Sybil Nicolas | .... | location manager (as Sybil Nicolas-Esprendre) | |
| Andrew Noakes | .... | production accountant | |
| Douglas Noakes | .... | financial controller | |
| Patricia O'Reilly | .... | publicity assistant | |
| David Paris | .... | pilot: action helicopter | |
| John Parkinson | .... | vice president of marketing: Danjaq | |
| Helga Ploiner | .... | location accountant (as Helga Patry-Ploiner) | |
| David Pope | .... | legal services | |
| June Randall | .... | script supervisor | |
| Neil Ravan | .... | location manager | |
| Penelope Robinson | .... | location accountant (as Penny Robinson) | |
| John Roebuck | .... | costings accountant | |
| Marge Rowland | .... | representative: United Artist | |
| Dustin Salem | .... | military coordinator: USA (as 1stLt. Dustin Salem) | |
| Amanda Schofield | .... | publicity assistant | |
| Amy Segal | .... | location manager | |
| Richard Sharkey | .... | location manager | |
| Natalya Smirnova | .... | location manager: St. Petersburg | |
| Yuliya Sobolevskaya | .... | location manager (as Julia Sobolevskaya) | |
| Sandra M. Stott | .... | production coordinator (as Sandra Stott) | |
| Lee Tailor | .... | production runner | |
| Michael Tavares | .... | contact: US | |
| Jane Turner | .... | choreographer | |
| Thomas Ulrich | .... | safety climber | |
| Karen S. Uphoff | .... | production coordinator (as Karen Uphoff) | |
| Eric Vega | .... | production coordinator (as Eric M. Vega) | |
| Anya Vronskaya | .... | production liaison: Russia | |
| Luca Ward | .... | voice dubbing: Pierce Brosnan | |
| Hanka Weiszflog | .... | production coordinator | |
| Chris Wheeldon | .... | location manager | |
| Alan White | .... | photographic backings | |
| Mike Woodley | .... | aviation advisor | |
| Elena Zokas | .... | production coordinator | |
| Olga Alymova | .... | production assistant (uncredited) | |
| Dimitry Baskin | .... | interpreter: St.Petersburg (uncredited) | |
| Francesco Belfiore | .... | personal assistant: Pierce Brosnan (uncredited) | |
| Francesca Castellano | .... | assistant production coordinator (uncredited) | |
| Simon Emanuel | .... | floor runner (uncredited) | |
| Olegar Fedoro | .... | voice artist (uncredited) | |
| Pauline Hume | .... | title designer: end titles (uncredited) | |
| Suzanne McGeachan | .... | script supervisor: third unit (uncredited) | |
| Justin Owen | .... | computer/video systems (uncredited) | |
| Jeremy Pelzer | .... | assistant location manager (uncredited) | |
| Felicity Rawlings | .... | production assistant (uncredited) | |
| Paul Sacks | .... | photo publicity (uncredited) | |
Thanks | |||
| Derek Meddings | .... | dedicatee | |
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Much had changed for James Bond since Sean Connery first took the role in 1962. The series had taken a turn for the worse in the seventies, when five films were made but zero good ones were. Still, the public was willing to grant Bond limitless amnesty that decade, even as his escapades grew less and less exciting and more and more campy with each new film. The 70s came and went, ushering in the 80s, which kicked off well with 1981's "For Your Eyes Only." However, it went all downhill from there as the public finally stopped tolerating the bad movies and his popularity tanked in favor of superior competition. Bruce Willis and Arnold Schwarzenegger became mega stars during that time, and the emergence Indiana Jones was making Bond look dull and decrepit by comparison. Tim Burton's summer sweep of the cinemas with "Batman" in 1989 exacerbated Bond's woes, and when legal disputes arose between the production company and the studio shortly thereafter, it appeared that Bond had finally died his horrible but well deserved death.
When the legal issues were finally put to rest in 1994, it was announced that another Bond film was going to be made, but not with erstwhile incumbent Timothy Dalton. Pierce Brosnan was given the role after being forced to reject it in the late eighties, and production began. The success of the film was crucial. If it lacked spark or came across as campy, it was likely that Bond would be finished forever. With the stakes in mind, the Broccoli family (the Bond producers) hired an all-new creative team and set to work re-establishing 007 in a new era.
I knew none of that when I first saw the film in 1999. It was my introduction to the world of James Bond, and was a truly an exceptional first handshake. Knowing what I know now, and seeing the Bond films I have seen now, I still find it as worthwhile as I did then, and I am forever thankful that it was made well enough to not only resuscitate Bond, but propel him into the nineties with the momentum of a blazing fastball.
The film opens in the eighties, ironically, with a scene depicting the Bond and Agent 006, real name Alec Trevelyan, being detected inside a Soviet chemical weapons factory. This section also introduces the character of Ourumov (Gottfried John), who murders Alec seemingly on a whim.
Nine years later, Bond meets an appealing young lady (Famke Janssen) while driving...make that playfully racing, near Monte Carlo. Suspicious, he follows her to a nearby casino where he finds out that her name is Xenia Onatopp and she carries ties to the Janus crime syndicate in St. Petersburg. He chases Xenia when he suspects an imminent crime, but is not in time to avert her theft of the Tiger--a helicopter that is hardened to all forms of electronic interference.
Back at MI-6 headquarters, the Tiger is spotted via satellite at Russian satellite control facility, and it soon becomes obvious that the copter is merely part of a grander scheme to steal a scary satellite weapon called GoldenEye. What it does can be described with words, but not with as much clarity as seeing it in the movie (there are lapses in the visuals here, but the sight is so impressive that they hardly matter). Bond then departs for St. Petersburg to find the Janus head man (Sean Bean) and stop him from using GoldenEye on a more vulnerable target. Much mystery surrounds the identity of Janus, but it is in the trailer and I suspect most people know it by now.
There are several reasons that "GoldenEye" is the best Bond film made in many, many years. The first is the tone, which has ushered out all of the giddy goofiness of Roger Moore's films and assumed one reminiscent of the earliest Bond films. The sets, the camera work and the dialogue all come across as subtle, subconscious reminders of why Bond became so beloved to begin with.
I always felt there were two major problems with the Bonds of the seventies and eighties. The first is the inane tone (exception: "For Your Eyes Only,"), a point I am driving into the ground. With the same exception, they also featured uniformly unexciting (read it: bad) action plus horrendous acting. There are light moments in "GoldenEye," as there should be, but the correct tone is never compromised.
The only problem is that there is a little too much padding in the middle. The story is well told, although there is a meeting with Bond and Valentin Zukovsky (reprised by Robbie Coltrane in "The World is Not Enough") that has no significance to the advancement of the story. It is unnecessary and causes the film to drag some. After Bond meets Janus, though, prepare for the film to take off, as there will be little rest from there on out.
Just like in the early Bonds, the acting transcends the genre. Pierce Brosnan is the clear focal point, and is mostly successful. He seems too reserved at times, as if he is a little timid at acting his best for fear it might look bad. He does not lack charm, though, because there is something about Pierce that makes him the ultimate ladies man on screen and off.
More successful is Sean Bean as James's opponent. Bean brings cold, subtle intensity to the role that shows off the acting skills that got him cast in "The Fellowship of the Ring." General Ourumov, who is in bed with Janus, provides a second bad guy. Gottfried John portrays him as a demonstrative brute, and his style provides a fine foil to Bean's controlled anger. Alan Cumming plays an evil computer nerd who provides most the light moments I referred to earlier. Fellow X-Man Famke Janssen's character is downright demented, and will not be forgotten easily.
My friends, I have just explained why "GoldenEye" is a most superior Bond film that brought Agent 007 back from the dead and won over a new generation of fans. The best way I can think of to conclude this review is to comment on the film's conclusion. At one point it involves a brawl between Bond and Janus (who is referred to by his real name by that time) that buries just about every other one in the series. While it does quite not take the gold from the fistfight that opens "Thunderball," is does serve as a final reminder that Bond is indeed back, and that he is once again a force best not ignored.