A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
When a deadly satellite weapon system falls into the wrong hands, only Agent 007 can save the world from certain disaster. Armed with his license to kill, Bond races to Russia in search of the stolen access codes for "Goldeneye," an awesome space weapon that can fire a devastating electromagnetic pulse toward Earth. But 007 is up against an enemy who anticipates his every move: a mastermind motivated by years of simmering hatred. Bond also squares off against Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon. Written by
Robert Lynch <email@example.com>
When Bond stops his Aston Martin during the race with the Ferrari, he uses his right hand to pull on the e-brake. But Bond's DB5 is a right seat drive so the e-brake would be engaged with the left hand. See more »
[Russian in toilet cubicle looks around his newspaper to see Bond hanging from the ceiling]
Beg your pardon, forgot to knock.
See more »
After a 6 year hiatus the producers needed to make this film good enough to bring Bond back to the forefront, and in comparison to the films that followed, I believe this to be the best. Without a cold war to fuel plot lines, the story is able to step into new territories, with many great plot elements. Pierce Brosnan portrays Bond amazingly well in my opinion, and ties all the classic 007 elements together flawlessly. Although adhering to the Bond foundations, this film has a great, fresh feel to it, I think partly due to the industrial style score by Eric Serra. I think you need to see this film more than once to fully appreciate it, but it is definitely a classic!
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