The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Some guys get all the luck, whether they like it or not. Chili Palmer happens to be in Hollywood collecting a gambling debt when he's struck by lightning (not literally). Called a natural for the movie business, he's snagged up by a producer. The rest is history. Written by
Joshua Davis <firstname.lastname@example.org>
When Harry and Chili are driving in Hollywood, their car is further back during later parts of the conversation, proof that they took later shots from the earlier positions as evidenced by the Napoléon Bonaparte billboard in the background. See more »
Like an ol' familiar song, done with some twists. Nice casting
Barry Sonnenfeld was and maybe wasn't the right choice to make Get Shorty. He's a great visualist, and his films (Adams Family, Men in Black) are also very funny, but it's hard to say whether or not another director might've taken Elmore Leonard's sly comic novel more seriously or with less depth. As it is, however, Get Shorty is a cool little treat that doesn't over-stay its welcome, and provides its cast a plethora of witty dialog. John Travolta brings on some sharp attitude, knowing the angles and wanting, as his character Chili Palmer, to get into Hollywood and out of loan sharking. Gene Hackman's funny as a fledgling producer with his first, true big hit in his lap. And supporting parts from Delroy Lindo, Renne Russo, Danny De Vito (as 'Hollywood' as you'll ever see him), and James Gandolfini, are all very worthy. It's a worthwhile watch, with a dead-on score from John Lurie. But I would reccomend Out of Sight or Jackie Brown to Leonard fans looking for a great adaptation. It's a very good Hollywood picture (reflective of what it's about), though it's not a masterpiece. A-
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