After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Some guys get all the luck, whether they like it or not. Chili Palmer happens to be in Hollywood collecting a gambling debt when he's struck by lightning (not literally). Called a natural for the movie business, he's snagged up by a producer. The rest is history. Written by
Joshua Davis <firstname.lastname@example.org>
MGM didn't want to extensively use Elmore Leonard-inspired dialogue in the film, and pushed Barry Sonnenfeld and Scott Frank to make many passages more generic than the book's, but once John Travolta signed on to the film he successfully pressured the studio to leave Frank's original draft (which had a lot of colorful dialogue) intact for filming. A specific example of this end result came during the sequence where Chili Palmer goes to retrieve his coat from Bones. See more »
When Chili is done speaking with Leo at his hotel room, he exits. He opens the door, walks out, and the door closes behind him automatically. Leo runs to the door, and opens it wide. In the next shot, he's standing in the hall, and the door is now staying open all by itself. See more »
Like an ol' familiar song, done with some twists. Nice casting
Barry Sonnenfeld was and maybe wasn't the right choice to make Get Shorty. He's a great visualist, and his films (Adams Family, Men in Black) are also very funny, but it's hard to say whether or not another director might've taken Elmore Leonard's sly comic novel more seriously or with less depth. As it is, however, Get Shorty is a cool little treat that doesn't over-stay its welcome, and provides its cast a plethora of witty dialog. John Travolta brings on some sharp attitude, knowing the angles and wanting, as his character Chili Palmer, to get into Hollywood and out of loan sharking. Gene Hackman's funny as a fledgling producer with his first, true big hit in his lap. And supporting parts from Delroy Lindo, Renne Russo, Danny De Vito (as 'Hollywood' as you'll ever see him), and James Gandolfini, are all very worthy. It's a worthwhile watch, with a dead-on score from John Lurie. But I would reccomend Out of Sight or Jackie Brown to Leonard fans looking for a great adaptation. It's a very good Hollywood picture (reflective of what it's about), though it's not a masterpiece. A-
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