After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
Some guys get all the luck, whether they like it or not. Chili Palmer happens to be in Hollywood collecting a gambling debt when he's struck by lightning (not literally). Called a natural for the movie business, he's snagged up by a producer. The rest is history. Written by
Joshua Davis <email@example.com>
Barry Sonnenfeld was very eager to work with Danny DeVito on Get Shorty (1995). Eventually DeVito bought the book, and although he hadn't finished reading it, he said he got it. He wasn't referring to the novel. He was referring to the film rights. See more »
When Harry and Chili are driving on Sunset Boulevard in Hollywood, the camera mounted on the car is reflected in windows across the street. See more »
Anything involving something by Elmore Leonard is generally very good, in and of itself. But when coupled with performances like those of John Travolta and Gene Hackman in this picture, the result is a superb piece of entertainment.
Danny De Vito, Dennis Farina and Rene Russo all deliver outstanding performances - but all pretty much convey the types of personas, on-screen, which you'd expect from seeing their other work.
However, of all actors today - young or older, new or veteran -- there are no two who are more convincing, in everything they do, than Travolta and Hackman. Serious or funny, crafty or clueless, hero or villain - - each has been completely convincing in every role, and seeing them together, one would like to see them teamed again.
In this movie, both are funny, and both have their roles "nailed:" Travolta as the confident tough guy, completely in control; and Hackman as the "B" flick producer, operating on the fringe of the Hollywood scene and life in general.
As much as I liked this movie, I first saw it in a St. Louis hotel suite, where we selected it from the PPV menu. I was "fried" from a day-long business meeting, and fell asleep early into it. The next day, my wife insisted that I catch it (she's one of those people who has perhaps only wanted to watch one or two other movies a second time, ever), and I was glad she did.
It's an outstanding film, and one which entertains thoroughly from the outset to conclusion, with not a single lapse between.
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