| Stefan Barber | ... | Ringkampf boxer | |
| Wiebke Bayer | ... | Italienischer Bauerntanz dancer | |
| Nadine Büttner | ... | Gertrud Skladanowsky (as Nadine Buettner) | |
| Mehmet Ali Ceyhanli | ... | Ringkampf boxer | |
| Daniele Drobny | ... | Acrobat | |
| Florian Gallenberger | ... | Himself | |
| Larissa H. Gomez | ... | Italienischer Bauerntanz dancer | |
| Lucie Hürtgen-Skladanowsky | ... | Herself | |
| George Inci | ... | Russian dancer / Ringkampf boxer | |
| Jürgen Jürges | ... | Himself | |
| Leon Jürges | ... | Acrobat | |
| Marianna Kawka | ... | Josephine Skladanowky | |
| Udo Kier | ... | Max Skladanowsky | |
| Lali Kovacz | ... | Acrobat / Ringkampf boxer | |
| German Kral | ... | Himself | |
| Angelika Kraml | ... | Boxer versus kangaroo | |
| Michael Krauss | ... | Komisches Reck comedian | |
| Otto Kuhnle | ... | Emil Skladanowsky | |
| Bodo Werner Lang | ... | Postman | |
| Ludwig Lichl | ... | Louis Lumière | |
| Christoph Merg | ... | Eugen Skladanowsky | |
| Hans Moser | ... | Baron | |
| Brygida Ochaim | ... | Mademoiselle Ancion | |
| Diego Patschenko | ... | Komisches Reck comedian | |
| Barbara Rohm | ... | Herself | |
| Romeo | ... | The boxing kangaroo | |
| Thomas Rosié | ... | Dorn | |
| Lena Rüssman | ... | Acrobat | |
| Alfred Sczczot | ... | Der Spion | |
| Rüdiger Vogler | ... | Hochradfahrer | |
| Wim Wenders | ... | Milkman / Coalman / Himself | |
| Manfred Wopalka | ... | Auguste Lumière | |
| Rolf Zacher | ... | Max Skladanowky (voice) |
Directed by | |||
| Wim Wenders | |||
Writing credits(in alphabetical order) | ||
| Sebastian Andrae | ||
| Henrick Heckmann | ||
| Veit Helmer | ||
| German Kral | ||
| Barbara Rohm | ||
| Alina Teodorescu | (as Alina Theodorescu) | |
| Wim Wenders | ||
Produced by | |||
| Veit Helmer | .... | producer | |
| Wolfgang Längsfeld | .... | producer: HFF | |
Original Music by | |||
| Laurent Petitgand | |||
Cinematography by | |||
| Jürgen Jürges | |||
Film Editing by | |||
| Peter Przygodda | |||
Production Design by | |||
| Andreas Schroll | (as Andreas H. Schroll) | ||
| Michael Wildt | |||
Costume Design by | |||
| Katrin Kath | |||
| Inez Raatzke | (first part) | ||
Production Management | |||
| Benedikte Baumann | .... | unit manager | |
| Florian Gallenberger | .... | unit manager | |
| Veit Helmer | .... | production manager | |
| Stefan Kornatz | .... | unit production manager | |
| German Kral | .... | post-production supervisor | |
| Oliver Lüer | .... | unit manager | |
| Stefan Mohr | .... | unit production manager | |
| Nikolaus Prediger | .... | production supervisor | |
| Ralph Remstedt | .... | production manager | |
| Barbara Rohm | .... | post-production supervisor | |
| Kathrin Rohm | .... | unit manager (as Katrin Rohm) | |
| Gabi Scheiger | .... | production manager (as Gabriele Scheiger) | |
Second Unit Director or Assistant Director | |||
| Sebastian Andrae | .... | assistant director | |
| Sorin Dragoi | .... | assistant director | |
| Peter Fuchs | .... | assistant director | |
| Carsten Funke | .... | assistant director | |
| Florian Gallenberger | .... | assistant director | |
| Markus Hansen | .... | assistant director | |
| Henrick Heckmann | .... | assistant director | |
| Veit Helmer | .... | assistant director | |
| German Kral | .... | assistant director | |
| Björn Kurt | .... | assistant director | |
| Bodo Werner Lang | .... | assistant director (as Bodo Lang) | |
| Matthias Lehmann | .... | assistant director | |
| Eva Munz | .... | assistant director | |
| Stephan Puchner | .... | assistant director | |
| Barbara Rohm | .... | assistant director | |
| Britta Sauer | .... | assistant director | |
| Marcus Schmidt | .... | assistant director | |
| Alina Teodorescu | .... | assistant director (as Alina Theodorescu) | |
| Carlos Álvarez | .... | assistant director | |
Art Department | |||
| Birgit Dunkel | .... | assistant art director | |
| Kaspar Falkenroth | .... | constructor | |
| Axel Garbrecht | .... | constructor | |
| Susanne Grossart | .... | assistant art director | |
| Klaudia Gössel | .... | constructor | |
| Lali Kovacz | .... | artistic advisor | |
| Bodo Werner Lang | .... | assistant art director (as Bodo Lang) | |
| Marco Minierski | .... | assistant art director (as Marco Miniersky) | |
| Mauro Podini | .... | assistant art director | |
Sound Department | |||
| Jörg Diernberger | .... | assistant sound | |
| Hartmut Eichgrün | .... | sound re-recording mixer | |
| Florian Gallenberger | .... | assistant sound | |
| Heino Herrenbrück | .... | sound mixer | |
| Anne Schnee | .... | sound editor | |
| Christian Wegner | .... | sound mixer | |
Camera and Electrical Department | |||
| Silvia Beck | .... | first assistant camera | |
| Klaus Bieling | .... | gaffer | |
| Sorin Dragoi | .... | electrician | |
| Jost Engel | .... | gaffer | |
| Bernd Fischer | .... | electrician | |
| Carsten Funke | .... | electrician | |
| Andreas Giesecke | .... | first assistant camera | |
| Oliver Haas | .... | electrician | |
| Oliver Haas | .... | lighting technician | |
| Sönke Hansen | .... | electrician | |
| Henrick Heckmann | .... | electrician | |
| German Kral | .... | second assistant camera | |
| Björn Kurt | .... | electrician | |
| Matthias Lehmann | .... | electrician | |
| Michael Muller | .... | key grip | |
| Stephan Puchner | .... | electrician (as Stefan Puchner) | |
| Barbara Rohm | .... | second assistant camera | |
| Britta Sauer | .... | still photographer | |
| Peter Steuger | .... | first assistant camera | |
| Bjoern Susen | .... | electrician (as Björn-Yves Susen) | |
| Carsten Thiele | .... | second assistant camera | |
| Jutta Tränkle | .... | electrician | |
| Carlos Álvarez | .... | still photographer | |
Costume and Wardrobe Department | |||
| Petra Kather | .... | assistant costume designer | |
Editorial Department | |||
| German Kral | .... | assistant editor | |
| Eva Munz | .... | assistant editor | |
| Barbara Rohm | .... | assistant editor | |
Music Department | |||
| Sabine Andert | .... | musician: cello | |
| Ulrich Bartel | .... | musician: violin | |
| Marco Birkner | .... | music recording | |
| Daniel Favre | .... | assistant to Laurent Petitgand | |
| Daniel Favre | .... | musician: percussions | |
| Michael Krayer | .... | musician: cello | |
| Laurent Petitgand | .... | arranger | |
| Laurent Petitgand | .... | musician: keyboards and saxophone | |
| Jörg Straßburger | .... | musician: accordion | |
Other crew | |||
| Sebastian Andrae | .... | script supervisor | |
| Jolanda Darbyshire | .... | production coordinator | |
| Manfred Durhak | .... | traffic controller | |
| Andrea Gebert | .... | production administrator | |
| Sigrid Hoerner | .... | production assistant | |
| German Kral | .... | script supervisor | |
| Eva Munz | .... | script supervisor | |
| Barbara Rohm | .... | script supervisor | |
| Kathrin Rohm | .... | researcher (as Katrin Rohm) | |
| Tanja Rohmann | .... | production coordinator | |
| Johannes Schorch | .... | production assistant (as Jo Schorch) | |
| Anke Steinbacher | .... | production assistant | |
| Martina Suckow | .... | production administrator | |
| Spiro Taraviras | .... | student mentor (as Spiro N. Taraviras) | |
| Alina Teodorescu | .... | script supervisor | |
| Bernadette Werrelmann | .... | production assistant | |
Thanks | |||
| Catherine Coste | .... | special thanks | |
| Jolanda Darbyshire | .... | special thanks | |
| Nadja Engel | .... | special thanks | |
| Conrad F. Geier | .... | special thanks | |
| Agnès Godard | .... | special thanks | |
| Kurt Grusser | .... | special thanks | |
| Leon Jürges | .... | special thanks | |
| Gunther Kortwich | .... | special thanks | |
| Barbara Kupferer-Cordts | .... | special thanks | |
| Hans-Joachim Rabs | .... | special thanks | |
| Markschieß van Trix | .... | special thanks | |
| Donata Wenders | .... | special thanks | |
| Frau Winkler | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb Germany section |
This biopic of the Skladanowsky brothers, who were some of the first to invent cinema, began as a project for Wim Wenders's students and evolved into a feature-length film released during the centennial of the cinema's invention. Also for 1995, Wenders was one of the filmmakers who paid homage to the Lumière brothers by making their own 50-or-so-seconds long films for "Lumière et compagnie". The Skladanowsky brothers' Bioskop film projector premièred on 1 November 1895--nearly two months before the Lumière brothers' first program. It should also be noted, however, (and it's not in this film) that a few other inventors have earlier claims than do even the Skladanowsky brothers, including the Latham's and Charles Francis Jenkins and Thomas Armat. To count projected drawn animation or the projection of films to non-paying audiences would add a few more names. Regardless, they were among the firsts, and this film, "A Trick of Light", is a fun little tribute to their invention.
Wenders interweaves various forms of narration and film technique to tell the story. First, there are fictional scenes (and not entirely historically accurate) of the brothers and one of their daughters working on the Bioskop and their films, which they eventually show to a paying audience. This part is photographed with a silent era hand-cranked camera and two characters provide voice-over narration at different times. Second, there is a documentary interview with 95-year-old Lucie Skladanowsky, daughter of the late Max Skladanowsky. Fictional elements are further interweaved with the interview, including via trick photography. The little girl from the previous fictional episode, for example, enters the interview undetected, as does the spy who was trying to steal the Skladanowsky's invention. All of this makes for an uneven picture. That Wenders and his students made the film over three or so years probably didn't help the film's consistency, either.
Nevertheless, it's an entertaining and sometimes interesting (although not too enlightening due to taking liberties with historical facts and the mixing of fiction with nonfiction) look at one largely forgotten group of cinema's inventors and their system of projection. Reenactments of the films are even shown. Yet, one wonders if they had shown what's left of the Skladanowsky brothers original films, or if Wenders hadn't taken as many liberties with history overall, or if the interview were not interrupted by fiction, "A Trick of Light" may have been better. Still, not many have given this part of film history any attention, so this was a unique project and worth watching.