Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format (with Seberg played by Mary Beth Hurt). He seamlessly interweaves cinema,... See full summary »
Lilith is a about a mysterious young woman in an elite sanitarium in New England, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally ... See full summary »
Charles Burnett's beautiful, poetic masterpiece is novelistic in its narrative density and richness of characterization. Harry Mention, an enigmatic drifter from the South, comes to visit ... See full summary »
A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet ... See full summary »
Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with the young man who gave her a lift that day when her car broke down on the way back to ... See full summary »
The upper-class owner of a gallery, Catherine Lelievre, hires the efficient and quiet maid Sophie to work in the family manor in the French countryside. Her husband Georges Lelievre, who is... See full summary »
Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format (with Seberg played by Mary Beth Hurt). He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered. Notably, details of French New Wave cinema, Russian Expressionist (silent) films, and the careers of Jane Fonda, Vanessa Redgrave, and Clint Eastwood are also intensively examined. Much of the film is based on conjecture, but Rappaport encourages viewers to re-examine their ideas about women in film with this thought-provoking picture. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Mary Beth Hurt auditioned for the role of Jean Seberg, she shocked the filmmakers by revealing that not only was she born in the same town as Seberg (Marshalltown, Iowa), their families were neighbors who knew each other. See more »
A wonderfully articulate film-essay using the life of Jean Seberg to demonstrate what is a star. Does not stick to the factual; brings interesting and somtimes intensely cynical socio-psychological support to the idea of the collective gaze. Really rich, really worth seeing.
5 of 6 people found this review helpful.
Was this review helpful to you?