After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. It's New Year's Eve at the Mon Signor Hotel, a former grand old Hollywood hotel, now fallen upon hard times. Often using physical comedy and sight gags, this movie chronicles the slapstick misadventures of Ted, the Bellhop. He's on his first night on the job, when he's asked to help out a coven of witches in the Honeymoon Suite. Things only get worse when he delivers ice to the wrong room and ends up in a domestic argument at a really bad time. Next, he foolishly agrees to watch a gangster's kids for him while he's away. Finally, he finishes off the night refereeing a ghastly wager. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The film was originally to be titled "Five Rooms," with Richard Linklater contributing a segment; however, he withdrew before production began. See more »
When Betty is playing video games with her friends, she is playing Rambo 3 on a Sega Genesis. However, some scenes show the game she is playing as Rambo for the Nintendo Entertainment System, while she is still using a Sega Genesis controller. See more »
Sam the Bellhop:
We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.
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During the credits, one member of the A Band Apart production logo rips off his black suit and turns into a bellboy. This is Tim Roth's Reservoir Dogs character, Mr. Orange, who becomes Ted the Bellhop. See more »
I really don't understand why this film hasn't got a better rating. I mean, it's got everything: Women, cars, weapons, alcohol and Tarantino. It's just style itsself which made this film. Seriously, Tim Roth is so damn good in this film, his acting, his expressions and his behavior, all is perfect. You can have a good laugh about without even following the storyline (which is worth doing that, but anyway). The film is profound and the and the different parts of it are linked. Great film.
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