This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. It's New Year's Eve at the Mon Signor Hotel, a former grand old Hollywood hotel, now fallen upon hard times. Often using physical comedy and sight gags, this movie chronicles the slapstick misadventures of Ted, the Bellhop. He's on his first night on the job, when he's asked to help out a coven of witches in the Honeymoon Suite. Things only get worse when he delivers ice to the wrong room and ends up in a domestic argument at a really bad time. Next, he foolishly agrees to watch a gangster's kids for him while he's away. Finally, he finishes off the night refereeing a ghastly wager. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The hotel's vintage telephone switchboard adds an element of comic chaos, but it is not consistently used. Ted answers calls to the front desk by pushing cables into jacks, but Sarah (the little girl in "The Misbehavers") is able to dial another room directly. Also, when the partying guys call and don't know what room they are in, Ted should be able to get the room number right off the switchboard. See more »
Sam the Bellhop:
We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.
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Bruce Willis does not apear in the credits but his hairstylist does See more »
I'm sad to say "Four rooms" is just another excellent movie that's been criticized way too much. This rather a splendid and incredibly funny little film starts from quite amusing title sequence and gets better with every segment. As almost all of us can say the first one called "The Missing Ingredient" is more or less a disappointment and if you watch "Four rooms" for the first time I can practically swear that the film is only getting started. Second segment "The Wrong man" is already much better. David Proval who played Richie Aprile in the television series "The Sopranos" is just bloody terrific. "The Misbehavers" (segment number three starring Antonio Banderas and directed by Robert Rodriguez) provides some of the most irresistible stuff of the movie.
And what's nicest, they save the best as last. Final segment "The Man from the Hollywood" is already a bit of a masterpiece and once again it shows so clearly how ingenious writer/actor/director Quentin Tarantino is. Oscar from "Pulp Fiction" alone tells that he has an unbelievable talent to create amazing dialogue that truly entertains. I adore this fourth part of the film very much, sometimes I've been watching only it. I know many people are thinking Tim Roth is ridiculously overacting his role of the bellhop but I can't and simply won't agree on that one. In my opinion he makes a stylish and heart-warming tribute to Jerry Lewis and in the same time proofs he's a talented, clever and downright hilarious comedian who doesn't overact even half as much as for example Jim Carrey. "Four rooms" is an underrated future's cult classic.
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