Four Rooms (1995)

Four interlocking tales that take place in a fading hotel on New Year's Eve.

Directors:

Allison Anders, Alexandre Rockwell,

Writers:

Allison Anders, Alexandre Rockwell,

Stars:

Amanda De Cadenet, Jennifer Beals, David Proval

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Sammi Davis	...	Jezebel (segment "The Missing Ingredient")
Amanda De Cadenet	...	Diana (segment "The Missing Ingredient") (as Amanda deCadenet)
Valeria Golino	...	Athena (segment "The Missing Ingredient")
Madonna	...	Elspeth (segment "The Missing Ingredient")
Ione Skye	...	Eva (segment "The Missing Ingredient")
Lili Taylor	...	Raven (segment "The Missing Ingredient")
Alicia Witt	...	Kiva (segment "The Missing Ingredient")
Jennifer Beals	...	Angela (segments "The Wrong Man", "The Man from Hollywood")
David Proval	...	Sigfried (segment "The Wrong Man")
Antonio Banderas	...	Man (segment "The Misbehavers")
Lana McKissack	...	Sarah (segment "The Misbehavers")
Patricia Vonne	...	Corpse (segment "The Misbehavers") (as Patricia Vonne Rodriguez)
Tamlyn Tomita	...	Wife (segment "The Misbehavers")
Danny Verduzco	...	Juancho (segment "The Misbehavers")
Salma Hayek	...	TV Dancing Girl (segment "The Misbehavers")

Storyline

This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. It's New Year's Eve at the Mon Signor Hotel, a former grand old Hollywood hotel, now fallen upon hard times. Often using physical comedy and sight gags, this movie chronicles the slapstick misadventures of Ted, the Bellhop. He's on his first night on the job, when he's asked to help out a coven of witches in the Honeymoon Suite. Things only get worse when he delivers ice to the wrong room and ends up in a domestic argument at a really bad time. Next, he foolishly agrees to watch a gangster's kids for him while he's away. Finally, he finishes off the night refereeing a ghastly wager.

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Plot Keywords:

hotel | new year's eve | coven | gangster | bellhop | 

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Taglines:

Twelve outrageous guests. Four scandalous requests. And one lone bellhop, in his first day on the job, who's in for the wildest New year's Eve of his life.

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Genres:

Comedy

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Motion Picture Rating (MPAA)

Rated R for pervasive strong language, sexuality and some drug use

Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

25 December 1995 (USA)

Also Known As:

Four Rooms and a Hotel

Filming Locations:

Chateau Marmont - 8221 Sunset Blvd., Hollywood, Los Angeles, California, USA

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$4,301,331 (USA)

Company Credits

Production Co:

Miramax Films, A Band Apart

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Robert Rodriguez and Antonio Banderas shot their segment one week after wrapping up the filming of Desperado.

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Goofs

When Ted is talking on the telephone to Margaret, someone is clearly seen walking behind Ted. This couldn't be another bellhop or hotel staff, as Ted is the only person working that night.

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Quotes

[first lines]
Sam the Bellhop: We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.

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Crazy Credits

The film continues until the credits are halfway over.

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Connections

Features Bedhead (1991)

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Soundtracks

"Sentimental Journey"
Written by Bud Green, Les Brown, Ben Homer
Performed by Juan García Esquivel (as Esquivel)
Courtesy of The RCA Records label of BMG Music

User Reviews

Some Great Laughs

"Four Rooms" is far more entertaining than you would expect from its generally negative reviews. Which is not to say that any of it is a masterpiece but if you enjoyed "Love American Style" on television and are not put off by a raunchy take on that anthology concept you should make an effort to view this film. Each story is taking place in a different room of a hotel the same night. It was made between the time Tarantino made "Pulp Fiction" and worked on "Dusk Till Dawn" with Rodriquez. Many in the large cast are Tarantino and Rodriquez regulars. Here are a few of the reasons to watch each of the four stories:

"The Missing Ingredient" - Madona has simply never looked better and her "come get me" dress will burn your eyeballs. Alicia Witt plays her stock alienated teen and delivers sarcasm as only she can.

"The Wrong Man" – Alexander Rockwell directed this segment shortly after directing "In the Soup" so he already knew how to get the most out of Jennifer Beals. Her diatribe about Ted's sex organ is a cinema classic.

"The Misbehavers" – Rodriquez directs his favorite actor Antonio Banderas in something that is a throwback to classic Laurel and Hardy. Not only do his two kids misbehave when left alone in their hotel room, but their misbehavior is so comprehensive that the closing shot reveals a room of total anarchy. It is wonderful slapstick on a huge scale, with comic timing worthy of the Laural and Hardy and the Marx Brothers.

"The Man From Hollywood" – This has the best script with Tarantino reserving the best stuff for his own character. He even reprises the "tasty beverage" line from "Pulp Fiction. Beals has already found her way to this room by the time bellboy Roth arrives and she delivers more good lines. I was impressed that Tarantino built up his suspense "before" the contest began and then did not try to extend the suspense but ended things on the first attempt.

The best bit in the whole film might be Roth's phone call to his boss. Marisa Tomei answers the phone in a room full of comatose post-New Years Eve partygoers. She then does a version of her "My Cousin Vinnie" expert witness routine, this time concerning types of handguns. In the foreground the entire time are the only other conscious (but totally stoned) inhabitants of the room. They are playing against each other in a video game. One just stares in stunned fascination at the screen, holding the controller but not using it as the other player maniacally manipulates his controller throughout the entire phone conversation.