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Four Rooms (1995)

 -  Comedy  -  25 December 1995 (USA)
6.7
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Ratings: 6.7/10 from 68,019 users  
Reviews: 171 user | 48 critic

Four interlocking tales that take place in a fading hotel on New Year's Eve.

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Cast

Cast overview, first billed only:
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Diana (segment "The Missing Ingredient") (as Amanda deCadenet)
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Athena (segment "The Missing Ingredient")
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Raven (segment "The Missing Ingredient")
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Sigfried (segment "The Wrong Man")
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Man (segment "The Misbehavers")
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Corpse (segment "The Misbehavers") (as Patricia Vonne Rodriguez)
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Wife (segment "The Misbehavers")
Danny Verduzco ...
Juancho (segment "The Misbehavers")
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TV Dancing Girl (segment "The Misbehavers")
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Storyline

This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. It's New Year's Eve at the Mon Signor Hotel, a former grand old Hollywood hotel, now fallen upon hard times. Often using physical comedy and sight gags, this movie chronicles the slapstick misadventures of Ted, the Bellhop. He's on his first night on the job, when he's asked to help out a coven of witches in the Honeymoon Suite. Things only get worse when he delivers ice to the wrong room and ends up in a domestic argument at a really bad time. Next, he foolishly agrees to watch a gangster's kids for him while he's away. Finally, he finishes off the night refereeing a ghastly wager. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

Twelve outrageous guests. Four scandalous requests. And one lone bellhop, in his first day on the job, who's in for the wildest New year's Eve of his life.

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for pervasive strong language, sexuality and some drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

25 December 1995 (USA)  »

Also Known As:

Four Rooms and a Hotel  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$4,301,331 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Quentin Tarantino:  [long take]  When Ted first enters the Penthouse suite (when Angela says "The Bellboy's here"), the camera goes all around the suite to introduce Ted (and we, the audience) to Chester, Angela, Leo and Norman. It also continues through Chester's praise of Cristal and Jerry Lewis, his temper tantrum, and his self-congratulations about the success of his movie, ending with Norman lighting Angela's cigarette. All in a single take. See more »

Goofs

In the segment "The Misbehaviors" when Antonio Banderas's character looks out of the bathroom towards his children with his cigarette, it is noticeably longer than it was just frames before. See more »

Quotes

[first lines]
Sam the Bellhop: We used to have Fifty on staff here. Fifty! I'm the only one left. It all comes down to one schmuck, me. The night shift bellhop. What the hell is that, a bellhop? Huh, what is that? You know where the name comes from? Huh? From someone stupid! Some schmuck rings and bell and ya hop, you hop front and center.
See more »

Crazy Credits

During the credits, one member of the A Band Apart production logo rips off his black suit and turns into a bellboy. This is Tim Roth's Reservoir Dogs character, Mr. Orange, who becomes Ted the Bellhop. See more »

Connections

References The Man Who Shot Liberty Valance (1962) See more »

Soundtracks

Sentimental Journey
Written by Bud Green, Les Brown, Ben Homer
Performed by Juan García Esquivel (as Esquivel)
Courtesy of The RCA Records label of BMG Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Some Great Laughs
18 May 2005 | by (Kentucky) – See all my reviews

"Four Rooms" is far more entertaining than you would expect from its generally negative reviews. Which is not to say that any of it is a masterpiece but if you enjoyed "Love American Style" on television and are not put off by a raunchy take on that anthology concept you should make an effort to view this film. Each story is taking place in a different room of a hotel the same night. It was made between the time Tarantino made "Pulp Fiction" and worked on "Dusk Till Dawn" with Rodriquez. Many in the large cast are Tarantino and Rodriquez regulars. Here are a few of the reasons to watch each of the four stories:

"The Missing Ingredient" - Madona has simply never looked better and her "come get me" dress will burn your eyeballs. Alicia Witt plays her stock alienated teen and delivers sarcasm as only she can.

"The Wrong Man" – Alexander Rockwell directed this segment shortly after directing "In the Soup" so he already knew how to get the most out of Jennifer Beals. Her diatribe about Ted's sex organ is a cinema classic.

"The Misbehavers" – Rodriquez directs his favorite actor Antonio Banderas in something that is a throwback to classic Laurel and Hardy. Not only do his two kids misbehave when left alone in their hotel room, but their misbehavior is so comprehensive that the closing shot reveals a room of total anarchy. It is wonderful slapstick on a huge scale, with comic timing worthy of the Laural and Hardy and the Marx Brothers.

"The Man From Hollywood" – This has the best script with Tarantino reserving the best stuff for his own character. He even reprises the "tasty beverage" line from "Pulp Fiction. Beals has already found her way to this room by the time bellboy Roth arrives and she delivers more good lines. I was impressed that Tarantino built up his suspense "before" the contest began and then did not try to extend the suspense but ended things on the first attempt.

The best bit in the whole film might be Roth's phone call to his boss. Marisa Tomei answers the phone in a room full of comatose post-New Years Eve partygoers. She then does a version of her "My Cousin Vinnie" expert witness routine, this time concerning types of handguns. In the foreground the entire time are the only other conscious (but totally stoned) inhabitants of the room. They are playing against each other in a video game. One just stares in stunned fascination at the screen, holding the controller but not using it as the other player maniacally manipulates his controller throughout the entire phone conversation.


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Which room you like most? Rate the rooms! blendastompa
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