| Dean Cain | ... | Gen. Murran | |
| Thomas Ian Griffith | ... | Evans | |
| Justin Whalin | ... | Sutherland | |
| Jodi Bianca Wise | ... | Abel | |
| Trae Thomas | ... | Stoner | |
| Michelle Krusiec | ... | Layton | |
| Stephen Ramsey | ... | Varden | |
| Denis Sharp | ... | The Judge | |
| Lisa Foster | ... | Systems operator | |
| Violeta Markovska | ... | Deanna | |
| Maria Kancheva | ... | Chapman | |
| Milla Petrova | ... | Girl #1 | |
| Kristina Krasteva | ... | Girl #2 | |
| Yuri Safchev | ... | Rifkin | |
| Martin Karaivanov | ... | Kevik | |
| Zlatomir Dimitrov | ... | Anders | |
| Ivan Dimitrov | ... | Reese | |
| Denitsa Krasimirova | ... | Communications officer | |
| Shelly Varod | ... | Nara | |
| Robert Henny | ... | Rogue #1 | |
| Kia Jam | ... | Hooded figure |
Directed by | |||
| David Douglas | |||
| Tim Douglas | |||
Writing credits(in alphabetical order) | ||
| David Douglas | written by | |
| Christopher Salazar | written by | |
Produced by | |||
| Dominique Combe | .... | line producer | |
| Boaz Davidson | .... | producer | |
| Danny Dimbort | .... | executive producer | |
| Kia Jam | .... | producer | |
| Avi Lerner | .... | executive producer | |
| Danny Lerner | .... | producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | executive producer | |
| David Varod | .... | co-producer | |
Original Music by | |||
| Kevin Memley | |||
Cinematography by | |||
| Adolfo Bartoli | |||
Film Editing by | |||
| Irit Raz | |||
Casting by | |||
| Abra Edelman | |||
| Elisa Goodman | |||
Production Design by | |||
| Carlos Silva Da Silva | (as Carlos Da Silva) | ||
Art Direction by | |||
| Anastas Yanakyev | (as Anastas Yanakiev) | ||
Set Decoration by | |||
| Valentina Mladenova | |||
Costume Design by | |||
| Sonia Despotova | (as Sonya Despotova) | ||
Makeup Department | |||
| Sofi Hvarleva | .... | assistant makeup artist | |
| Ivon Ivanova | .... | makeup artist | |
| Rositsa Tsanovska | .... | hair stylist | |
Production Management | |||
| Dave Duce | .... | assistant production manager | |
| George Gale | .... | post-production supervisor | |
Art Department | |||
| Krasimir Andreev | .... | set dresser | |
| Rumen Bubozikov | .... | set dresser | |
| Adam DeFelice | .... | special props maker | |
| Georgy Dimitrov | .... | set dresser (as George Dimitrov) | |
| Boyan Georgiev | .... | set dresser | |
| Stefan Hristov | .... | set dresser | |
| Kamen Ivanov | .... | set dresser | |
| Rusin Ivanov | .... | set dresser | |
| Kiril Kolev | .... | set dresser | |
| Svetoslav Mihailov | .... | set dresser | |
| Lazar Miladinov | .... | set dresser | |
| Sedefcho Milchev | .... | set dresser | |
| Krassimir Pashkulev | .... | property master (as Krasimir Pashkulev) | |
| Plamen Pechevski | .... | set dresser | |
| Hristo Petrov | .... | assistant props | |
| Ivan Petrov | .... | stand-by prop | |
| Marin Petrov | .... | set dresser | |
| Alexander Podikov | .... | set dresser | |
| Boris Radovanov | .... | set dresser | |
| Stamen Savov | .... | set dresser | |
| Vasil Stanchev | .... | set dresser | |
| Rosen Stefanov | .... | set dresser | |
| Konstantin Vladimirov | .... | set dresser (as Kostadin Vladimirov) | |
Sound Department | |||
| Alexander Bachvarov | .... | sound recordist | |
| Colin Bates | .... | sound supervisor | |
| Ronald Eng | .... | sound editor | |
| Richard C. Franklin | .... | supervising sound editor | |
| Jerry Gilbert | .... | additional sound editor | |
| Randall Guth | .... | adr editor | |
| Doug Jackson | .... | sound editor | |
| Eric Justen | .... | additional sound re-recording mixer | |
| Tsvetan Kadiiski | .... | boom operator | |
| David Kitchens | .... | sound effects supervisor | |
| David Kitchens | .... | sound supervisor | |
| Chris McDonough | .... | foley artist | |
| Ronnie Morgan | .... | assistant sound effects editor | |
| Ronnie Morgan | .... | digital sound technician | |
| Bruce Nyznik | .... | dialogue editor | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Eric Reuveni | .... | foley recordist | |
| Angie Stanghetti | .... | adr editor | |
| Angie Stanghetti | .... | adr recordist | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Ben Zarai | .... | foley artist | |
| Ben Zarai | .... | supervising sound editor | |
Special Effects by | |||
| Vasil Dikov | .... | pyrotechnics | |
| George Kraev | .... | gunner | |
| Plamen Pechevski | .... | gunner (as Plamen Peshevshi) | |
| Nikolay Popov | .... | gunner (as Nikolai Popov) | |
| Valentin Stefanov | .... | pyrotechnics | |
| Jannie Wienand | .... | special effects supervisor | |
| Stanislav Yordanov | .... | pyrotechnics | |
Visual Effects by | |||
| Tim Douglas | .... | visual effects supervisor | |
| Roger Kupelian | .... | digital matte painter | |
| Al Shier | .... | visual effects coordinator | |
| Yana Stoyanova | .... | visual effects supervisor assistant | |
| Stephanie Taylor | .... | visual effects producer | |
| Timothy Wallace | .... | lighting and compositing | |
| Christopher Dusendschon | .... | optical color timer: THDX (uncredited) | |
Costume and Wardrobe Department | |||
| Renee Davenport | .... | costume designer: US | |
| Dimitrinka Georgieva | .... | wardrobe assistant | |
| Atanas Ivanov | .... | wardrobe labor | |
| Katya Ivanova | .... | wardrobe mistress | |
Editorial Department | |||
| Joseph Bond | .... | assistant editor | |
| Marie Hélène Desbiens | .... | negative cutter | |
| John Dobrich | .... | negative cutter | |
| Tracy Flannigan | .... | assistant editor | |
| David Lebowitz | .... | assistant editor | |
| Jim Williams | .... | color timer | |
| Nimrod Zalmanowitz | .... | second assistant editor (uncredited) | |
Other crew | |||
| Ceasar Aceituno | .... | technical advisor | |
| Keith E. Cooper | .... | legal | |
| Tonya Dragneva | .... | set medic | |
| Dave Duce | .... | assistant: Avi Lerner | |
| Joe Grams | .... | military advisor | |
| Krasimira Karachorova | .... | script supervisor: second unit | |
| Bobby Ranghelov | .... | production coordinator | |
| Kim Robinson | .... | script supervisor | |
| Iliya Sotirov | .... | production accountant | |
| Radoslava Todorova | .... | location manager | |
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If you are as big a fan of B movies as I am, then you must see this movie. The only think that is keeping this from being any better a B movie is the lack of Eric Roberts, but the hokey effects and plot just about make up for it.
Also, if you ever plan on making great movies, then you must see this movie.
There are a lot of movies that are seamless and clean, and you can learn from those - like Seven Samurai or, generally the Lord of the Rings (with the exception of a few CGI problems), but this movie will lend excellent examples of how NOT to do so many things - yet, in many respects, the film comes so close to being good without ever actually coming close to being good. It is this feature that provides so many great illustrations of the differences between almost good and good movies.
This will never be a cult classic because it is not well done enough for that, but it is a "must see" for B movie lovers and movie makers.