The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other ... See full summary »
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
After a young girl's mother dies, she is cared for by Glico, a brassy hooker, who gives the girl the name "Ageha" (Butterfly). Ageha goes to work for a collection of oddballs who run a ... See full summary »
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do? Written by
David Morgans <email@example.com>
This is a film about the human behaviour, more or less. Like Jim Jarmousch did on "A Night On Earth", Hal Hartley attempts to reach the depths of a human soul, in a cosmically way, I think. We are more or less the same even if we don't admit it. A specific action can bring equal reaction from almost all of us. That is the point of the film. FLIRT focuses as the title says in flirting. This doesn't necessarily mean that it couldn't be otherwise, on the contrary. Hartley has his own way of processing images (and what a way!). After all he was a cinematographer, he should know. Poetic close-ups, characters more lovable not for what they say or do but for what they might say or do. This particular film studies the same situation in three different corners of the world. The places are not important. This could have happened anywhere and it did. Especially in the last place "Tokyo" the sequences are absolutely marvellous. I will not try to criticize the script as a script. There are people who get paid to do that sort of things. This is not a film to be seen by people with "conventional" eyes. This is not a conventional film. Far from it. Anyone who knows of Hal Hartley's work knows exactly what I mean. A 10 out of 10 for this brilliant film by Hartley, and remember best things in life are the ones we can't quite explain them.
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