As a hall fills with performers, a narrator says that flamenco came from Andalucia, a mix of Greek psalms, Mozarabic dirges, Castillian ballads, Jewish laments, Gregorian chants, African ...
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A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by ... See full summary »
Fernando Fernán Gómez,
José María Prada
Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into... See full summary »
Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("... See full summary »
Paco de Lucía
Three orphaned sisters under the custody of their stern aunt and their handicapped grandmother, will have to acclimatize to the new conditions of their shared life, overcome life's constant impediments and eventually, grow up.
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
As a hall fills with performers, a narrator says that flamenco came from Andalucia, a mix of Greek psalms, Mozarabic dirges, Castillian ballads, Jewish laments, Gregorian chants, African rhythms, and Iranian and Romany melodies. The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba. Families present numbers, both festive and fierce. The camera and the other performers are the only audience. Written by
this review was meant for Carmen from the same director.
This is a wonderful film! Full of passion, music and drama. It follows the story of the opera of the same name. Even Carmen-haters will agree that this is a version that overcomes the boredom bred of familiarity and infuses new life into this overproduced work.
The setting is a flamenco school in Spain, and the search is on for the star of a production of a flamenco Carmen. The director finds, and then falls in love with his new leading lady. The complications arise from there, from some unhappiness on the part of the best dancer in the troupe who feels she should be the star and not the newcomer, and from the storyline of the opera.
The director of the film is the real-life director of one of the most famous dance schools in Spain, and the dancers, except for the character of Carmen, are members of the school.
The dancing is exciting and dangerous, the story, though very familiar, attains fresh vigor in the new setting, and is altogether one of the best films of the nineties.
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