| Photos (See all 21 | slideshow) |
| Embeth Davidtz | ... | Bella Ford | |
| Tom Bell | ... | Ben Wainwright | |
| Gemma Jones | ... | Mrs. Wainwright | |
| James Purefoy | ... | Jedd Wainwright | |
| Ben Chaplin | ... | Con Wainwright | |
| Kenneth Anderson | ... | Matty Wainwright | |
| Greg Wise | ... | Arch Wilson | |
| David Neal | ... | Mitchy Mitchell | |
| Julian Protheroe | ... | Bowler-Hatted Man | |
| Mark Neal | ... | Clerk at Shoe Factory | |
| Tim Preece | ... | Preacher | |
| Daphne Neville | ... | Mrs. Mitchell | |
| Charles De'Ath | ... | Billy Swaine | |
| Colin Prockter | ... | Man in Pub | |
| Richard Hope | ... | Squire Wyman | |
| Kate Hamblyn | ... | Harvest Girl | |
| Paddy Ward | ... | Tom | |
| Alan Perrin | ... | Ticket Clerk | |
| Dominic Gover | ... | First Rowing Youth | |
| Richard Hicks | ... | Second Rowing Youth | |
| Arthur Kelly | ... | Game Keeper | |
| Frederick Warder | ... | Captain Rogers | |
| Colin Mayes | ... | Seaman | |
| Mark Bazeley | ... | Man in Restaurant | |
| David Belcher | ... | Man in Restaurant #2 | |
| Stephen Frost | ... | Man in Restaurant #3 | |
| Rupert Bates | ... | Prison Warder | |
| Tom Marshall | ... | Prison Warder | |
| Tim Perrin | ... | Hangman | |
| Mark Whelehan | ... | Assistant Hangman |
Directed by | |||
| Christopher Menaul | |||
Writing credits | ||
| H.E. Bates | (novel) | |
| Christopher Neame | (screenplay) | |
Original Music by | |||
| Zbigniew Preisner | |||
Cinematography by | |||
| Peter Sova | |||
Film Editing by | |||
| Chris Wimble | |||
Casting by | |||
| Kathleen Mackie | |||
Production Design by | |||
| Christopher Robilliard | |||
Art Direction by | |||
| Sonja Klaus | |||
| Caroline Smith | |||
| Roy Stannard | |||
Set Decoration by | |||
| Jill Quertier | |||
Costume Design by | |||
| Phoebe De Gaye | |||
Makeup Department | |||
| Susie Adams | .... | key makeup artist | |
| Polly Earnshaw | .... | makeup department runner | |
| Tina Earnshaw | .... | key makeup artist | |
| Sian Grigg | .... | assistant makeup artist | |
| Claire Williams | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Donna Grey | .... | production supervisor | |
Art Department | |||
| John Allenby | .... | property master | |
| Graham Barford | .... | stand-by carpenter | |
| Bruce Bigg | .... | property master | |
| Peter Bigg | .... | dressing props | |
| John Chisolm | .... | stand-by props | |
| Steve Clarke | .... | stand-by painter | |
| Lucy Dummer | .... | art department assistant | |
| Gill Edwards | .... | assistant art director | |
| Gary Evans | .... | stand-by stagehand | |
| Barry Gates | .... | dressing props | |
| John Hedges | .... | construction manager | |
| Robin Heinson | .... | chargehand painter | |
| Lee Hosken | .... | construction manager | |
| Steve Macdonald | .... | stand-by props | |
| Dave Morris | .... | production buyer | |
| Roy O'Connor | .... | property stores | |
| Scott O'Connor | .... | stand-by props | |
| Michael Roberts | .... | assistant art director | |
| Ray Rose | .... | stand-by props | |
| Ted Stickley | .... | dressing props | |
| Bill Webb | .... | dressing props | |
Sound Department | |||
| Roy Baker | .... | foley artist | |
| Alun Banks | .... | boom operator | |
| Peter Elliott | .... | dialogue editor | |
| Laura Evans | .... | assistant dialogue editor | |
| Richard Hiscott | .... | foley editor | |
| Joe Illing | .... | dialogue editor | |
| Dominic Lester | .... | assistant dubbing mixer | |
| Andrew Morris | .... | boom operator | |
| Stuart Moser | .... | sound recordist | |
| Robin O'Donoghue | .... | dubbing mixer | |
| Colin Ritchie | .... | sound editor | |
| Jean Sheffield | .... | foley artist | |
| Mike Shoring | .... | sound recordist | |
| Mike Wood | .... | assistant sound editor | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Julian Marsh | .... | special effects technician (uncredited) | |
| Stuart Wishart | .... | special effects technician (uncredited) | |
Stunts | |||
| Steve Wilsher | .... | assistant fight coordinator (uncredited) | |
Camera and Electrical Department | |||
| Martin Bloye | .... | electrician | |
| Reg Boddy | .... | best boy | |
| Trevor Coop | .... | camera operator | |
| Tony Donn | .... | stand-by rigger | |
| Paul Englefield | .... | camera operator: second unit | |
| Anthony Gaudioz | .... | camera operator | |
| Stuart Godfrey | .... | key grip | |
| Rodrigo Gutierrez | .... | camera operator | |
| Jeremy Hiles | .... | follow focus cameraman | |
| Peter Kernot | .... | still photographer | |
| Simon Mein | .... | still photographer | |
| Martin Potter | .... | electrician | |
| Ray Potter | .... | gaffer | |
| George Richmond | .... | clapper loader | |
| Steve Roberts | .... | electrician | |
| David Rudd | .... | focus puller | |
| Derrick Santini | .... | still photographer | |
| Martin Shepherd | .... | focus puller: second unit | |
| Christopher Sykes | .... | still photographer | |
| Jonathan Sykes | .... | follow focus cameraman | |
| Dean Thompson | .... | clapper loader | |
| Kirk Thornton | .... | grip | |
| Julian Bucknall | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| Christine Edzard | .... | additional costumes | |
| Morgan Elliott | .... | wardrobe assistant | |
| Sharon Long | .... | costume assistant | |
| Marion Weise | .... | wardrobe supervisor | |
| Andrew Hunt | .... | costume assistant (uncredited) | |
Editorial Department | |||
| John Stanborough | .... | color grader | |
| Tony Tromp | .... | assistant editor | |
| Jeremy Wimble | .... | second assistant editor | |
Music Department | |||
| Alfred Cooper | .... | composer: additional music | |
| Halina Laciak | .... | orchestra leader: Sinfonia Varsovia | |
| Rafal Paczkowski | .... | music recording engineer | |
| Zdzislaw Szostak | .... | conductor | |
| Sinfonia Varsovia | .... | orchestra | |
| John Wesley | .... | composer: additional music | |
| Toby Wood | .... | assistant scoring engineer (uncredited) | |
Transportation Department | |||
| Cengiz Khan | .... | unit driver | |
| Michael Lind | .... | unit driver | |
| Jim Magill | .... | unit driver | |
| Christian Martin | .... | unit driver | |
| Ron Nanson | .... | unit driver | |
Other crew | |||
| Lucy Amor | .... | production assistant | |
| Bill Barringer | .... | location manager | |
| Sandra Butterworth | .... | dialect coach | |
| Naomi Cohen | .... | floor runner | |
| Peter Elford | .... | location manager | |
| Barbra Flinder | .... | title designer | |
| Vicky Harrison | .... | script supervisor | |
| Charley Henley | .... | floor runner | |
| Polly Jefferies | .... | production assistant | |
| John Jenkinson | .... | shoemaker | |
| Sunil Kirparam | .... | production accountant | |
| Freddy Korner | .... | floor runner | |
| Ingrid Litman | .... | assistant production coordinator | |
| Christian Martin | .... | production assistant | |
| Sally-ann Neame | .... | unit nurse | |
| Sanjiv Pahwa | .... | production accountant | |
| Tim Pepper | .... | harvesting advisor | |
| Malcolm Ransom | .... | fight arranger | |
| Frances Richardson | .... | production accountant | |
| Fran Triefus | .... | production coordinator | |
| Xavier Wakefield | .... | location assistant | |
| Sue Weston | .... | choreographer | |
| Michael Yell | .... | production accountant | |
| James Harris | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
In an almost quasi-Victorian style, and most certainly with a true Victorian setting, H.E.Bates' novel has been turned into a fine cinematographic production. Excellent interpretations by all concerned, not only the leading actors, lushly backed up by some truly splendid photography, this is a film which appeals to the senses of perceptive viewers.
Unfortunately the music score is not up to much, or perhaps I should say that you should not see this film expecting great orchestral and vocal music as Zbigniew Preisner has already given us in the trilogy `Trois Couleurs' or especially in the previous film `La Double Vie de Véronique' (1991).
H.E.Bates was first a serious novelist, giving us such splendid titles as `The Jacaranda Tree' and `The Purple Plain', both based on his wartime experiences in Burma (now called something like Myaungyi), and evidently `Feast of July' falls into this category. Unfortunately he then turned his hand to light frivolous reading with would-be attempts at hilarity, and he simply fell out of any serious reading list. Thoroughly recommend these two novels as they paint an authentic picture of people with real feelings and genuine jealousies and mistrust. Perhaps it is this characterisation that has been soundly transformed into a visual experience that makes `Feast of July' a thoroughly recommendable film. Near 7 out of 10.