In this, the third film, it's the pets who do the talking. The Ubriacco's find themselves the owners of two dogs, Rocks, a street wise cross breed, and Daphne, a spoiled pedigree poodle. ... See full summary »
Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken ... See full summary »
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents later they discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
In this sequel to "Father of the Bride", George Banks must accept the reality of what his daughter's ascension from daughter to wife, and now, to mother means when placed into perspective against his own stage of life. As the comfortable family unit starts to unravel in his mind, a rapid progression into mid-life crisis is in his future. His journey to regain his youth acts as a catalyst for a kind of "rebirth" of his attitude on life when he and his wife, Nina, find how their lives are about to change as well. Written by
In the theatrical trailer, a scene which is not included in the DVD is shown with Franck telling George and Brian that there will be "sterks" (storks) at the baby shower. During the Scrabble scene, you can see "sterks" on the board, along with the other pregnancy-related words. See more »
When George has a flashback about the house he just sold, he states that he remembers his first game of basketball with his four-year old daughter Annie. However, in Father of the Bride, Annie states while packing her room before her wedding, that she has lived in the house since she was five. See more »
Franck Eggelhoffer, Howard Weinstein:
[both chanting to George]
Every party has a pooper, that why we invited you! Party pooper! Party pooper! Every party has a pooper, that's why we invited you, George Baaanks!
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A nice, feel-good movie, though you have to suspend credulity
I enjoyed this film, as I did Father of the Bride (1991), though I had to suspend my credulity a lot. This film was less realistic than the film it was based on, Father's Little Dividend (1951), with Spencer Tracy and Elizabeth Taylor. For example, it's unlikely that George Banks, a highly successful business owner who obviously must think through his decisions, would be so impetuous as to sell the house he loves and end up having to buy it back at a significant mark-up. (George and Nina decide to sell following a rainstorm that caused their kitchen ceiling to leak, even though the house had two storeys above it.) The new baby *wing* which the Banks then decide to build on to their repurchased home is equally ridiculous, since the house is already huge and only young son Matty is still at home. Between the ill-conceived house sale and repurchase, the posh baby wing and the lavish baby shower, featuring storks flown in from Austria, I don't think George Banks could possibly have spent more money. In the previous film, Father of the Bride (1991), Bryan's parents were portrayed as wealthy, but George is clearly a millionaire himself. I did enjoy this movie -- it's funny, romantic and very warm, with beautiful sets -- but I would have preferred a little less over-the-top consumerism.
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