Directed by | |||
| Michael Ritchie | |||
Writing credits(WGA) | ||
| Tom Jones | (play) and | |
| Harvey Schmidt | (play) | |
| Tom Jones | (screenplay) & | |
| Harvey Schmidt | (screenplay) | |
Produced by | |||
| Tim Healey | .... | associate producer | |
| Terry Miller | .... | associate producer | |
| Linne Radmin | .... | producer | |
| Michael Ritchie | .... | producer | |
| Art Schaefer | .... | executive producer (as Art Schaeffer) | |
Original Music by | |||
| Harvey Schmidt | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| William S. Scharf | |||
| Francis Ford Coppola | (uncredited) | ||
Casting by | |||
| Richard Pagano | (as Rick Pagano) | ||
Production Design by | |||
| Douglas W. Schmidt | |||
Art Direction by | |||
| Edward L. Rubin | (as Ed Rubin) | ||
| Bryan Felty | (uncredited) | ||
Set Decoration by | |||
| Alan Hicks | |||
Costume Design by | |||
| Luke Reichle | |||
Makeup Department | |||
| Ken Chase | .... | makeup supervisor | |
| Cherie | .... | hair stylist (as Cherie Huffman) | |
| Shirley Dolle | .... | head hair stylist | |
| Dennis Glas | .... | makeup artist (as Dennis Glass) | |
Production Management | |||
| Kim Aubry | .... | post-production supervisor | |
| Art Schaefer | .... | unit production manager (as Art Schaeffer) | |
Art Department | |||
| Matt Aston | .... | painter | |
| Donna Cihak | .... | set dresser | |
| Jack Colmenero | .... | swing | |
| Bryan Duff | .... | assistant property master | |
| Craig Edelblut | .... | lead set dresser | |
| Star Fields | .... | construction coordinator | |
| Andrea Guy | .... | set dresser | |
| Dick Hansen | .... | on-set dresser (as Richard Hansen) | |
| Alan Hines | .... | lead painter | |
| John Horning | .... | assistant props | |
| Karri Mayo | .... | art department coordinator | |
| Robert 'Cass' McEntee | .... | construction foreman | |
| Garry McEvoy | .... | painter | |
| Jimmy Raitt | .... | property master | |
| Steve Sawhill | .... | swing foreman | |
| Tad Smalley | .... | lead man | |
| Kristen Spinning | .... | painter | |
| Kristen Spinning | .... | stand-by painter | |
| Dawn Swiderski | .... | set designer | |
| Abby Yaloff | .... | swing (as Abby Rayve) | |
Special Effects by | |||
| Eric Roberts | .... | special effects technican | |
| Cliff Wenger | .... | special effects supervisor | |
Visual Effects by | |||
| Chris Brown | .... | visual effects producer: Boss Film Studio | |
| Don Hansard | .... | projection scenes | |
| Walter F. Hyneman | .... | CG supervisor | |
| Rachel Kelley | .... | matte painter | |
| Neil Krepela | .... | visual effects supervisor | |
| Ron Simonson | .... | digital colorist | |
| David A. Smith | .... | digital artist | |
Stunts | |||
| Scott Leva | .... | stunt double | |
| Lori Lynn Ross | .... | stunt player | |
| Robin Shelby | .... | stunts (as Robin Navlyt) | |
| Chuck Waters | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Russell Caldwell | .... | assistant chief lighting technician | |
| Tim Collins | .... | dolly grip | |
| David Elmore | .... | second assistant camera | |
| Tammy Fouts | .... | second assistant camera | |
| Mark Gutterud | .... | first assistant camera: "b" camera | |
| Frederick Iannone | .... | first assistant camera: "a" camera | |
| Robert Kositchek | .... | director of photography: second unit | |
| Dickinson H. Luke | .... | rigging chief lighting technician (as Dickinson Luke) | |
| Darren Michaels | .... | unit & specials photographer | |
| Jason Newton | .... | grip | |
| Frank Perl | .... | camera operator | |
| Michael Starkey | .... | dolly grip: "b" camera | |
| R. Michael Stringer | .... | best boy grip | |
| Jon R. Tower | .... | chief lighting technician | |
| Paul Varrieur | .... | director of photography: second unit | |
| Kevin Wadowski | .... | key grip | |
| Randell L. Rowlett | .... | electrician (uncredited) | |
Casting Department | |||
| Thea McLean | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Teresa Binder | .... | costumer | |
| Blanca Garcia | .... | key set costumer | |
| Wingate Jones | .... | costume supervisor | |
| Birgitte Mann | .... | assistant costume designer | |
| Abram Waterhouse | .... | assistant costume designer | |
Editorial Department | |||
| Andi Kasen Bergman | .... | assistant editor (as Andi Kasen Bergman) | |
| Phil Hetos | .... | color timer | |
| Melissa Kent | .... | additional editor | |
| Liza McDonald | .... | assistant editor | |
| Sharon McGeeney | .... | negative cutter | |
| Philip Pucci | .... | first assistant editor | |
| Eric Rigney | .... | avid technician | |
| Tara Timpone | .... | first assistant editor | |
| Dale Jones | .... | avid technician (uncredited) | |
Music Department | |||
| Nick Archer | .... | assistant conductor | |
| Tim Boot | .... | music recordist | |
| Sabrina Buchanek | .... | assistant music editor | |
| Robert Hathaway | .... | music editor | |
| Joseph Magee | .... | production music mixer | |
| Seymour Red Press | .... | music contractor (as Red Press) | |
| Alan Silverman | .... | music engineer | |
| Jonathan Tunick | .... | conductor | |
| Jonathan Tunick | .... | music adaptor | |
| Jonathan Tunick | .... | music arranger | |
| John Moses | .... | musician: clarinet (uncredited) | |
Transportation Department | |||
| Fritz Braden | .... | transportation consultant | |
| Martin Coblenz | .... | transportation captain | |
Other crew | |||
| Paula Barrett-Barbier | .... | script supervisor (as Paula Barrett) | |
| Sidney Brammer | .... | post production assistant | |
| Shane Clark | .... | assistant to director | |
| Chip Fowler | .... | production coordinator | |
| Celeste Gose | .... | production assistant | |
| Larry Hand | .... | accountant (as Laurence L. Hand) | |
| Michael G. Kehoe | .... | craft service company: Arizona/Los Angeles (as Michael Kehoe) | |
| Gary Moglovkin | .... | assistant accountant | |
| Lore Noto | .... | produced on the stage in New York by | |
| Michael Smuin | .... | choreographer | |
| Jamy Ian Swiss | .... | magic designer | |
| James Velasquez | .... | production assistant | |
| Shalini Waran | .... | production coordinator | |
| Jimmy Zelinger | .... | title designer (as Jimmy Zellinger) | |
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| The Notebook | Gun Crazy | Meet Me in St. Louis | The Virgin Suicides | Sunshine State |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb USA section |
People who experienced this intimate musical off-Broadway, and in local community theater productions around the country, will rightly be disappointed and even horrified by this film effort.
Gone is the magic, the delight, and the imagination of a creation designed for small spaces, interaction with audiences, scant scenery and loads of beautiful melodies and poetic charm.
They've taken a concept geared for a cabaret and ballooned into a huge overblown, literate production that comes off as strange and even weird. They've juxtaposed and cut great songs, and tried to make a small ensemble effort into a large Hollywood extravaganza.
I agree this is one misfire that simply should have stayed on the shelf and not released--just written off as a tax loss.