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The Fantasticks (1995)

PG  |   |  Musical, Romance  |  1995 (USA)
5.8
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Ratings: 5.8/10 from 949 users   Metascore: 48/100
Reviews: 70 user | 23 critic | 15 from Metacritic.com

A mysterious fair come to a small community in the countryside, which could make real the illusions of two kids.

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Cast

Cast overview, first billed only:
...
...
...
...
Matt Hucklebee (as Joe McIntyre)
Jonathon Morris ...
Brad Sullivan ...
...
...
The Bavarian Baby
...
His Assistant (as Joe Anthony Cox)
Victoria Stevens ...
Jo Jo, The Chicken Lady
Trayne Thomas ...
Tattooed Man
Shaunery Stevens ...
Dyrk Ashton ...
Gregory Amato ...
Smuin Ballet / SF Dancer
Lee Bell ...
Smuin Ballet / SF Dancer
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Storyline

Two teenagers on neighboring farms steal glances and hide their romance from their feuding fathers. Little do these love-birds know, however, that their fathers are actually good friends who've hatched a plan - with the help of a mystical roving side-show and its equally mysterious ring master - to get these two lovers down the aisle! But be careful what you wish for. Because to bring these families together... they must first be torn apart! Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

One Of Broadway's Legendary Musicals Comes To The Big Screen. See more »

Genres:

Musical | Romance

Motion Picture Rating (MPAA)

Rated PG for some bawdy carnival humor | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

1995 (USA)  »

Also Known As:

Fantasticks  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$24,176 (USA) (22 September 2000)

Gross:

$44,757 (USA) (6 October 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Paramount Pictures owned the rights to this property in the late 1960s. Originally Gower Champion was set to direct with Howard W. Koch producing. During the summer of 1972 Paramount paid for a trip to Italy by Champion and songwriters Schmidt & Jones to scout locations. By January 1973 the film had been called off. See more »

Quotes

Luisa Bellamy: Papa I got to take wing.
Amos Babcock Bellamy: Well be careful, it's duck season.
See more »

Connections

Version of The Fantasticks (1964) See more »

Soundtracks

Metaphor
Music by Harvey Schmidt
Lyrics by Tom Jones
Sung by Joey McIntyre and Jean Louisa Kelly
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Disappointing
12 September 2002 | by (Minnesota) – See all my reviews

Given the resources and talent involved, one would have hoped for much more, but the movie lacks the sparkle of even a mediocre stage production.

Joel Grey as Bellamy phoned in his performance. Even making allowances for the fact that he was 63 when he made the movie, his performance was remarkably lifeless and his singing was unremarkable, even strained at times. Brad Sullivan as Hucklebee was even worse, flat performing and flat singing. Joseph McIntyre as The Boy turned in a passable performance, though he didn't really do the role justice. Jean Louisa Kelley as The Girl was perhaps the brightest spot in the lineup, delivering an adequate if not inspired performance.

Jonathon Morris was sadly miscast as El Gallo. He had the agility and strength needed for such a physical role, but lacked the proper menacing look needed. His acting was, if not totally flat, at least rather plastic. And the one song he needed to really carry -- "Try to Remember" -- he didn't have the voice for.

The staging was the most inspired part of the movie. Simply filming the minimalistic stage production wouldn't have worked, but the movie's set -- two homes and a carnival set in the prairie -- was sufficiently minimalistic to honor the play's concept while still bending to the requirements of the big screen. This facilitated devices that helped to flesh out some of the more ambiguous scenes in the play.

The script was unfortunately a Bowdlerized version. The song substituted for "The Rape Ballet" was incredibly uninspired and inconsistent. It was almost as if the writer wanted the substitute to be bad, in retaliation for pulling the original piece. In addition to "The Rape Ballet" substitution, several other songs were changed from the original, generally not for the better, and the delightful "Plant a Radish" was omitted entirely.

Perhaps the saddest change of all from the stage play was that the role of The Narrator was essentially omitted, and with it some of the most enchanting poetry in the script.


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