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Dracula: Dead and Loving It (1995)

Mel Brooks' parody of the classic vampire story and its famous film adaptations.

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Writers:

(screenplay), (screenplay) | 4 more credits »
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Cast

Cast overview, first billed only:
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Peasant on Coach
Cherie Franklin ...
Peasant on Coach
Ezio Greggio ...
Coach Driver
Leslie S. Sachs ...
Usherette (as Leslie Sachs)
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Storyline

Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy | Fantasy | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for comedic sensuality and gore | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

22 December 1995 (USA)  »

Also Known As:

Drácula: Muerto pero feliz  »

Box Office

Budget:

$30,000,000 (estimated)

Gross:

$10,693,649 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (8 channels)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The bat transformations of Dracula were inspired by the cartoonish transformations of Bela Lugosi into a bat in Abbott and Costello Meet Frankenstein (1948). See more »

Goofs

During the opening sequence with Renfield in the coach, we see a shot of the setting sun against a darkening sky, but when the camera cuts back to the coach, the sky is still bright blue and clearly daytime. See more »

Quotes

[Dracula is hypnotizing a valet at the theatre where Doctor Seward is enjoying an opera]
Dracula: You vill tell Doctor Seward there is a message for him in the lobby... and you will remember nothing of what I tell you.
[the valet goes to open Seward's chambers and nods her head. She opens the curtain to Seward's chambers and stands there with her mouth open for a few moments, then closes the curtain]
Usherette: [noticing Dracula standing there] Hello, can I help you sir?
Dracula: [mimicking her] Can I help you sir?
[normally]
Dracula: ...
[...]
See more »

Crazy Credits

After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »

Connections

Referenced in The Finder: The Last Meal (2012) See more »

Soundtracks

Roses From the South
Waltz by Johann Strauss (as Johann Strauss II)
See more »

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User Reviews

 
Brooks at his best
27 October 2001 | by (Kansas City) – See all my reviews

The one key element to UNDERSTAND and to enjoy a send-up like this is having the knowledge of its background. If you are not familiar with the original story of Dracula, as well as seeing both the Bela Lugosi and Gary Oldman movies, with others in between, then the gags will be lost on you.

People have rated that Brooks is losing his touch. Not so. His audience is losing touch with his level of intellect. A send-up's gags are only funny to those who recognize the source, and realize the play of the situation taking place. In Spaceballs, for instance, the final conflict between Helmet and Lonestarr, Helmet makes a play on the "Luke I am your Father" scene from Empire Strikes Back. But if you have never seen that film, you won't know that, and so the line "I am your father's brother's nephew's cousin's former roommate" would be lost on you totally.

The acting is great in the movie. Those attacking the "bad" British accents should refer to other Dracula films to understand the joke. In oother Dracula films, accents come off as so fake, it's painful to watch, and that's the joke. The style of the film itself takes heavily from the Bela Lugosi version, in its design and arrangement of characters, though references to the Oldman film are used as well. Leslie Neilson did a great job in the role of Dracula, and his Renfield, Peter MacNichol, was a superb performance.

This movie deserves full credit for its level of parodistic comedy, even if it is lost on viewers. If you can't stand this movie, or find it unentertaining, then maybe you don't understand its roots well enough to appreciate it.


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