General Rancor is threatening to destroy the world with a missile he is hiding at his secret base. But to complete his goal, he needs a special computer chip, invented by the scientist Prof... See full summary »
Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day. Written by
Jason Ihle <firstname.lastname@example.org>
When Mel Brooks and the rest of the filmmakers gathered together for the first time to discuss the making of the movie, one of the early questions was should the picture be made in black-and-white, mainly because Brooks' earlier film Young Frankenstein (1974) was made in black and white in order to give the movie the feeling of the old Universal Frankenstein films. This idea was dropped, mainly because, as Steve Haberman said in the audio commentary of the film in DVD, a lot of the great Dracula movies were in color, specifically the Hammer pictures starring Christopher Lee and Francis Ford Coppola's Dracula (1992). See more »
During the dance scene with the big mirror, we see Dracula spinning Mina around. The camera then pans slowly towards the mirror, and we see Mina spinning around midair. She spins at the same speed as in the part of the shot that includes Dracula. However, we can see in the background the white-gloved hands of the conductor, moving up and down at a very slow rate. This suggests that the midair-Mina was actually spinning a lot faster and the scene was slowed down. See more »
Why don't we have a look at the brain?
First we crack open the skull, like so.
[bashes the corpse's head with a big hammer]
Behold the naked human brain... Examine it!
[throws the brain to Woodbridge]
[screams and faints]
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After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »
"Dracula: Dead and Loving It" is a masterful spoof, though the intricacies would never be recognized by someone unfamiliar with Bram Stoker's novel. The attention to detail, and Brooksian destruction of it is superb.
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