Dick Steele, Agent WD-40 is assigned by his Director, to stop the evil General Rancor from destroying the world. WD-40 believed Rancor was dead and he teams up with the hot K.G.B. Agent Veronique Ukrinsky to find Rancor and save the world.
Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day. Written by
Jason Ihle <email@example.com>
When Mel Brooks and the rest of the filmmakers gathered together for the first time to discuss the making of the movie, one of the early questions was should the picture be made in black-and-white, mainly because Brooks' earlier film Young Frankenstein (1974) was made in black and white in order to give the movie the feeling of the old Universal Frankenstein films. This idea was dropped, mainly because, as Steve Haberman said in the audio commentary of the film in DVD, a lot of the great Dracula movies were in color, specifically the Hammer pictures starring Christopher Lee and Francis Ford Coppola's Dracula (1992). See more »
During the dance scene with the big mirror, we see Dracula spinning Mina around. The camera then pans slowly towards the mirror, and we see Mina spinning around midair. She spins at the same speed as in the part of the shot that includes Dracula. However, we can see in the background the white-gloved hands of the conductor, moving up and down at a very slow rate. This suggests that the midair-Mina was actually spinning a lot faster and the scene was slowed down. See more »
[waking up from a bad dream]
Oh, it's night-time. I was having a daymare.
See more »
After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »
The film is not vintage Mel Brooks and it has some obvious flaws, but it is nonetheless a true joy to watch and is sure to make you smile. My main problem was that it did not meet my initial expectations. Young Frankenstein is CLASSIC Mel Brooks. It is a flawless film parody of the Frankenstein myth. I went into seeing Dracula: Dead and Loving It with extremely high expectations and was a bit disappointed. The film, however, is a good film and a good parody of the Bram Stoker classic It is not as good as Love at First Bite, but has many excellent moments. Some of the highlights are Leslie Nielson, with whom the torch of modern comedy rests safely for being absurd yet sublime in his characterization, his superb imitation of Bela Lugosi's mannerisms and speech enhance his comedy. The film also is surprisingly faithful; to the novel and has many inside jokes. Harvey Korman, Peter MacNicol, and Mel Brooks all lend a hand in the lunacy. The setting is surreal and gives the picture a Hammeresgue quality. A must see for horror fans who like a good belly laugh!
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