Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big... See full summary »
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Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. ... See full summary »
Ryan Harrison is framed for murder and must prove himself innocent by finding a mysterious one-eyed, one-armed, one-legged man after escaping from a bus accident on the way to jail.
Director:
Pat Proft
Stars:
Leslie Nielsen,
Richard Crenna,
Kelly LeBrock
Jimmy the Tulip's (Willis) quiet new life is shaken up by his old pal Oz (Perry), whose wife (Henstridge) has been kidnapped by a Hungarian mob. The Tulip and his wife Jill (Peet) spring into action.
An overstressed suburbanite and his paramilitaric neighbor struggle to prove their paranoid theory that the new family in town is a front for a cannibalistic cult.
Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But ... See full summary »
Director:
Adrian Edmondson
Stars:
Rik Mayall,
Adrian Edmondson,
Vincent Cassel
Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day. Written by
Jason Ihle <jrihl@conncoll.edu>
As Renfield arrives at the hospital at the end of the film, he turns, holds up his hands and laughs exactly as Herman Munster does in the credits for the original TV show starring Fred Gwynne. See more »
Goofs
In the end credits, the ship's captain is listed, yet the character does not appear on-screen, presumably was cut from the final edit. See more »
Quotes
[Johnathon drives a stake into Lucy's heart and is subsequently hit by many gallons of blood]
Jonathan Harker:
Oh... my... GOD! There's so much blood!
Van Helsing:
She just ate! Hit her again!
Jonathan Harker:
Oh no... i can't...
Van Helsing:
How much blood can she have left?
Van Helsing:
[Jonathan hits the stake again and is hit with even more blood than last time]
Van Helsing:
She's almost dead!
Jonathan Harker:
She's dead enough.
See more »
Crazy Credits
After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »
The one key element to UNDERSTAND and to enjoy a send-up like this is having the knowledge of its background. If you are not familiar with the original story of Dracula, as well as seeing both the Bela Lugosi and Gary Oldman movies, with others in between, then the gags will be lost on you.
People have rated that Brooks is losing his touch. Not so. His audience is losing touch with his level of intellect. A send-up's gags are only funny to those who recognize the source, and realize the play of the situation taking place. In Spaceballs, for instance, the final conflict between Helmet and Lonestarr, Helmet makes a play on the "Luke I am your Father" scene from Empire Strikes Back. But if you have never seen that film, you won't know that, and so the line "I am your father's brother's nephew's cousin's former roommate" would be lost on you totally.
The acting is great in the movie. Those attacking the "bad" British accents should refer to other Dracula films to understand the joke. In oother Dracula films, accents come off as so fake, it's painful to watch, and that's the joke. The style of the film itself takes heavily from the Bela Lugosi version, in its design and arrangement of characters, though references to the Oldman film are used as well. Leslie Neilson did a great job in the role of Dracula, and his Renfield, Peter MacNichol, was a superb performance.
This movie deserves full credit for its level of parodistic comedy, even if it is lost on viewers. If you can't stand this movie, or find it unentertaining, then maybe you don't understand its roots well enough to appreciate it.
55 of 74 people found this review helpful.
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The one key element to UNDERSTAND and to enjoy a send-up like this is having the knowledge of its background. If you are not familiar with the original story of Dracula, as well as seeing both the Bela Lugosi and Gary Oldman movies, with others in between, then the gags will be lost on you.
People have rated that Brooks is losing his touch. Not so. His audience is losing touch with his level of intellect. A send-up's gags are only funny to those who recognize the source, and realize the play of the situation taking place. In Spaceballs, for instance, the final conflict between Helmet and Lonestarr, Helmet makes a play on the "Luke I am your Father" scene from Empire Strikes Back. But if you have never seen that film, you won't know that, and so the line "I am your father's brother's nephew's cousin's former roommate" would be lost on you totally.
The acting is great in the movie. Those attacking the "bad" British accents should refer to other Dracula films to understand the joke. In oother Dracula films, accents come off as so fake, it's painful to watch, and that's the joke. The style of the film itself takes heavily from the Bela Lugosi version, in its design and arrangement of characters, though references to the Oldman film are used as well. Leslie Neilson did a great job in the role of Dracula, and his Renfield, Peter MacNichol, was a superb performance.
This movie deserves full credit for its level of parodistic comedy, even if it is lost on viewers. If you can't stand this movie, or find it unentertaining, then maybe you don't understand its roots well enough to appreciate it.