5.8/10
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132 user 48 critic

Dracula: Dead and Loving It (1995)

Mel Brooks' parody of the classic vampire story and its famous film adaptations.

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Writers:

(screenplay), (screenplay) | 4 more credits »
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Cast

Cast overview, first billed only:
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Sykes
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Innkeeper
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Peasant on Coach
Cherie Franklin ...
Peasant on Coach
Ezio Greggio ...
Coach Driver
Leslie S. Sachs ...
Usherette (as Leslie Sachs)
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Storyline

Another spoof from the mind of Mel Brooks. This time he's out to poke fun at the Dracula myth. Basically, he took "Bram Stoker's Dracula," gave it a new cast and a new script and made a big joke out of it. The usual, rich English are attacked by Dracula and Dr. Van Helsing is brought in to save the day. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy | Fantasy | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for comedic sensuality and gore | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

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Release Date:

22 December 1995 (USA)  »

Also Known As:

Drácula: Muerto pero feliz  »

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Box Office

Budget:

$30,000,000 (estimated)

Gross USA:

$10,693,649
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| (8 channels)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Final theatrical feature film [to date, October 2016] directed by Mel Brooks. See more »

Goofs

During the climax when Dracula throws a wooden beam towards Harker and Seward, a crew members hand can be briefly seen on the right hand chucking the beam towards Seward. See more »

Quotes

Dr. Steward: Would an enema help?
See more »

Crazy Credits

After the end credits have rolled, you can hear Dracula get the very last "last" word in -- "Chervania!". See more »

Connections

Spoofs Horror of Dracula (1958) See more »

Soundtracks

Hungarian Dance No. 5
Written by Johannes Brahms
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User Reviews

 
Stake on target
5 April 2009 | by See all my reviews

Mel Brooks's scattergun approach to comedy has a number of misses. Spaceballs was OK at parodying its genre. This film is far more sophisticated and well played.

The successful jokes are on the culture of Victorain times with references to an engaged couple who after 10 years have suddenly held hands being condemned as immoral, prostitutes, lechers and the like.

Into these cultural and successful observations Brook's introduces Leslie Nielson doing a great impression of Bela Lugosi's Dracula with the difference that his powers are incompetent.

Seeing the Lugosi movie will give you the basis to appreciate the sophistication of this film.


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