A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own... See full summary »
K. Jhunjhunwala would like to locate his missing/runaway daughter, Seema Malhotra, so that he can get her married to Nitin Dharampal; Prominent businessman, Mahindra, would like to ... See full summary »
Abbas Alibhai Burmawalla,
Mastan Alibhai Burmawalla
Shah Rukh Khan,
After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
Sanjay Leela Bhansali
Shah Rukh Khan,
Aishwarya Rai Bachchan
There are lots of poor people in India who want to get rich soon. A woman named Seema is one of them. She is very beautiful and has an admirer by the name of Sidharth. This man is very rich... See full summary »
Shah Rukh Khan,
Raj Mathur alias Raju lives in picturesque Darjeeling, is a devout Hindu, likes praying to Bhagwan Shri Shiv, studies Engineering, and wants to become rich - at warp speed. He does well in ... See full summary »
During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Kajal is a beautiful and talented young woman who loves songs and dances and attends various shows. At one of the shows she attended she gets to meet Ravi, a popular singer and both are ... See full summary »
Ramprasad is a recent college graduate who finds a job with a finicky man, Bhavani Shankar, who believes that a man without a mustache is a man without a character. Bhavani Shankar is also ... See full summary »
Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. The two meet on a month long Eurotrip, and what began as pranks and fun and games, ends in love. But by the time they realize it, it is already too late, as Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga. Written by
International Techno song "Doop" (Sidney Berlin Ragtime Band Extended Version) by the European band Doop is played in the movie. It appears when Kajol is dancing with her sister while their dad Amrish Puri is away from home. See more »
In the scene where Shah Rukh Khan and Kajol are stuck in the train compartment, Kajol's suitcase bursts open and she hurriedly stuffs her clothes back into it.
When Shah Rukh sits on the compartment floor, there is clearly nothing behind or underneath him. But in the very next scene, he pulls out Kajol's bra from under him. See more »
This was the top Bollywood film of the 90s and after seeing it I really can't think of one that was better. There are some that are just as good but I can't recall seeing one that's better. The story's pretty routine: boy meets girl in Europe, they fall in love, girl is engaged to some other idiot, and the rest writes itself... Sound familiar? Well it wasn't back in '95 (or even if it was it wasn't done as well) and Aditya Chopra's treatment of the story was a big reason for it's success. In every other movie the couple first wants to kill each other before falling in love. But in this movie it's slightly different and more plausible. Shahrukh doesn't want to kill Kahol - I mean Kajol - and she doesn't really hate him either, she just (like the rest of us) is annoyed by the guy. Their situations aren't that far-fetched and their Europe storyline is played out quite realistically (of course the piano scene is an exception). This was the beginning of the "Shahrukh plays Shahrukh era" and, for what it's worth, he hasn't made a better movie or given a better performance since. Sure there are places where he overacts but there are just as many places where he's able to hit all his cues. His comic timing was never better and there was still some sincerity in his eyes, a reminder of the fact that he was still an actor, which has since been replaced by the cockiness of a megastar. This is the movie that shot him to superstardom and put him alongside Aamir and Salman. Kajol is just as good (if not better), and I think after their next movie they'll win the Nobel Prize for Chemistry. The supporting cast is fine although no one really stands out. There are many moments in the film, most notably in the script, where you might feel a sense of deja vu. But keep in mind that this was the original, it's everything else that's a rehash. Bollywood headed straight for the sewer after this movie with almost all films, many of them starring Shahrukh, copying the same formula. Even at its 3 hour length the movie never drags till after the two-hour mark. I also want to comment on the film's Art Direction because it warrants a mention. Whether it's in Europe, England, or India, the movie has a very natural look to it. Unlike today's big films like Dil To Pagal Hai, or K3G, this movie looks good without trying to look good and I think that's a quality that's been lost on today's films. Too much attention is spent on the look at the expense of the story (if there is one!). The soundtrack of course is a classic, truly one of the all-time bests, with almost every song being a hit. The film won an unprecedented number of awards while breaking many records. There was a feeling that Aditya would follow in his father Yash's footsteps but regrettably the pressure got to him. He followed this up with the dreadful Mohabbatein which was slammed by audiences and critics alike. But so what. His first film was good, and with the current state of Bollywood movies - Devdas anyone? - you really can't get better than this.
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