John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
John McClane is now almost a full-blown alcoholic and is suspended from the NYPD. But when a bomb goes off in the Bonwit Teller Department Store the police go insane trying to figure out what's going on. Soon, a man named Simon calls and asks for McClane. Simon tells Inspector Walter Cobb that McClane is going to play a game called "Simon Says". He says that McClane is going to do the tasks he assigns him. If not, he'll blow off another bomb. With the help of a Harlem electrician, John McClane must race all over New York trying to figure out the frustrating puzzles that the crafty terrorist gives him. But when a bomb goes off in a subway station right by the Federal Reserve (the biggest gold storage in the world) things start to get heated up. Written by
Originally titled "Simon Says" (where Zeus was scripted as a woman) and was considered by Joel Silver as the fourth sequel to _Lethal Weapon (1987)_. FOX, however, did not agree to sell the script to Joel Silver. See more »
When McClane shoots the guys in the dump truck in the aqueduct, bullet holes on the side of the door are shown. Yet when we see the guys get shot, they are clearly shot from behind, not from the side. See more »
Yes, I was saying that we're dealing with a megalomaniacal personality with possible paranoid schizo...
Hey, hey! How 'bout we just skip down to the part where you tell me what the fuck this has to do with me, huh?
See more »
Written by Thelonious Monk
Performed by Thelonious Monk
Embassy Music Corp. / Music Sales Corp. (BMI)
CD Title: "Thelonious Monk / Joe Turner in Paris"
Courtesy of RCA Victor/Disques VOGUE See more »
When one thinks of buddy action pictures, Lethal Weapon is immediately the first film to pop into your mind, since it virtually birthed the genre. Another choice would probably be Midnight Run or Rush Hour, the latter of which somehow took pop culture by storm (I recall my friends going around, shouting "My daddy once caught a bullet..."). So often left in the dust, probably because it was the third film of a trilogy and strayed quite a bit from its predecessors, is none other than Die Hard: With a Vengeance which, off the top of my head, is the best buddy action film I've ever seen.
How can this be? Better than Lethal Weapon 1 and 2? Better than Rush Hour? Hell, I'll even say it's better than Die Hard and Die Harder. Here is a film that wisely knows, as a second sequel, not to simply repeat the same material over again. This has partially to do with the numerous Die Hard rip-offs (namely Under Siege and Speed), so those hooks were gone, and I absolutely thank God John Mctiernan and company didn't suddenly decide "we'll do Die Hard on a plane!," which would eventually be done three times (Executive Decision, Air Force One, and Con Air). But what the filmmakers have done here is ingenious, they've widened the setting to include all of New York City.
They do this and still manage to retain the intense claustrophobia that permeated the previous entries, doing so by displaying just how frantic morning traffic is and just how BIG New York is. As nonsensical as that last statement may sound, imagine trying to get from point A to point B in the middle of a traffic jam. Mctiernan really knows how to let the tension ratchet up from just the sound of honking horns.
Then there's the case of John McClane himself. This time around, he's at the whim of a madman named Simon who requires him to perform certain tasks or New York buildings will be demolished by explosives. In the first two films, McClane was an everyman, which added much appeal, but he also acted a bit too much like a superhero to work consistently as an everyman, so what the filmmakers have done here is turn him into a jaded cop. He's seen this stuff before, so he's not as scared as he was before. Willis is great at this role, too, seeing as he's done it before in The Last Boy Scout, but takes it to perfection here.
Rather, who we now have as the everyman is Samuel L. Jackson as Zeus, and he's a brilliant addition. Not only is Jackson simply awesome in his role, he's likeable, tough, and hilarious, but he's also easy to sympathize with because he's not an action hero. He doesn't know how to use a gun, he has no combat training, and he's never had to take on terrorists before. What makes him so effective is his street-wise nature, and this quality of his works perfectly with McClane's own street smarts AND action heroics, which they combine in their day-long adventure. These two have a chemistry that at least equals Riggs and Murtaugh and if there's a Die Hard sequel, Jackson needs to come back.
Too many action movies give us poor villains who aren't menacing, vile, or charismatic enough to make for effective antagonists. Jeremy Irons' Simon Gruber is an exception. He is the best Die Hard villain, oozing charm and snaky intelligence. This was one of the last few roles of Irons' career I could take seriously. He's done what since then, Dungeons and Dragons? Pity how his career has taken such a downward spiral.
And last, there's the story and action. The plot's a lot of fun, with McClane and Zeus having to use both their brains and brawn to save the day. The contrivances in the finale (the scene with the handcuffs, the aspirin bottle) aren't enough to bring the climax down, though it's true the conclusion isn't as exciting as the rest of the film. That's understandable though, since the rest of the action is magnificent, particularly a car "chase" through the streets of New York which is as unstaged as a car chase can possibly look. The film moves at a lightning pace that grips you from the opening scene to the very last. Die Hard: With a Vengeance is an action flick that has it all.
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