Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all ... See full summary »
Courtney B. Vance
When police officer Xavier Quinn's childhood friend, Maubee, becomes associated with murder and a briefcase full of ten thousand dollar bills, The Mighty Quinn must clear his name. Or try to catch him, which could be even trickier.
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It is 1948 in LA and Ezikeal "Easy" Rawlins, an African-American World War II veteran, is looking for work. At his friend's bar, he is introduced to a white man, DeWitt Albright, who is looking for someone to help him find a missing white woman assumed to be hiding somewhere in LA's Black community. This woman, Daphane Monet, happens to be the fiancée of a wealthy "blue blood," Todd Carter, who is currently the favorite in the city's mayoralty race. Daphane Monet is known to frequent the Black jazz clubs in LA. Easy, innocently, accepts Albright's offer; however, he quickly finds himself amidst murder, crooked cops, ruthless politicians, and brutalizing hoodlums. This is a Chandler-esque "who-done-it" with an African-American theme. Written by
Joel Schesser <email@example.com>
ABC in 1998 was planning a pilot based on the film. See more »
After Easy gets into the car when walking home, the car starts heading in the opposite direction of which Easy was walking. After Easy gets out of the car, he continues walking the same way the car was heading, rather than back to where he came from. See more »
It was summer 1948, and I needed money. After goin' door-to-door all day long, I was back again at Joppy's bar trying to figure out where I was gonna go looking for work the next day. The newspapers was goin' on and on about the city elections - like they was really gonna change somebody's life. But my life had already changed when I lost my job three weeks before.
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This is the kind of film that can stay with you for awhile after you watch it: a haunting kind of film that isn't always pleasant or easy to understand but you remember it. It also helps to have a fondness for the 1940 film noir movies.
It doesn't help that it appears racist in nature with people of one color all being the bad guys while people with another color all the good guys. I won't say which is which, but if the colors were reversed, there would have been an outcry about the obvious bias here by screenwriter-director Carl Franklin. Despite this, it's still a fascinating movie that just oozes with the 1940s atmosphere. Great narration in there, a la film noir, great automobiles and great sets. It puts you right into the late 40s in Los Angeles, a little bit like the film Chinatown.
Denzel Washington does a nice job with the narration and the lead role, the character of "Easy Rawlins," off the book by Walter Moseley (which I read and recommend). Tom Sizemore and Don Cheadle play very intense characters in supporting roles, particularly Cheadle as the trigger-happy "Mouse." Jennifer Beals is alluring as the mysterious "Daphne Monet."
The film is a bit confusing in parts and was especially so for me since the book was not exactly the same and had a totally different ending. Nonetheless, the film has always fascinated me and drawn me back for multiple viewings. It's good storytelling and it would be fun to see more of Moseley's books translated to the big screen.
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