| Alexandra Pic | ... | Louise | |
| Isabelle Teboul | ... | Henriette | |
| Bernard Charnacé | ... | Dr. Dennary | |
| Natalie Perrey | ... | School Teacher | |
| Anne Duguël | |||
| Nathalie Karsenty | |||
| Anissa Berkani-Rohmer | ... | Nicole | |
| rest of cast listed alphabetically: | |||
| Raymond Audemard | |||
| Tina Aumont | ... | Ghoul | |
| Catherine Day | |||
| Camille Delamarre | |||
| Véronique Djaouti | ... | Venus | |
| Michel Franck | |||
| Frederique Haymann | |||
| Paulette Jauffre | |||
| Melanie Karalli | |||
| Brigitte Lahaie | |||
| Marie-Laurence | |||
| Martin Snaric | |||
| Sandrine Thoquet | |||
| Karoline Wolfzram | |||
Directed by | |||
| Jean Rollin | |||
Writing credits(in alphabetical order) | ||
| Jean Rollin | novel "Les Deux Orphelines Vampires" | |
| Jean Rollin | screenplay | |
Cinematography by | |||
| Norbert Marfaing-Sintes | |||
Film Editing by | |||
| Natalie Perrey | |||
Other crew | |||
| Carl Morano | .... | location services | |
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| Betty Blue | The Living Dead Girl | The Horseman on the Roof | Sade | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb France section |
Now *this* is the film that separates the men from the boys. If it's in-yer-face sex and horror you want; then I suggest you bugger off now, because Jean Rollin has concocted something very very different... And are you man enough to take it?
Rollin's filmic obsession with vampires- and let's face it, with erotic young women- has never looked this beautiful. Like many films to come out of Europe, this eschews huge action and movement in favour of stillness and thought. It's beautiful to look at, and within the frame Rollin has trapped a whole other world- a vivid, colourful world of rich tones and contrasts, waif-like vampires and deep brown earth. Like some kind of comfortable dream on a hot Summer's evening, 'Two Orphan Vampires' slides from plot point to plot point at its own leisure. At times there's not a lot going on; but there's always something to look at.
Perhaps the most astonishing thing about the film, is the way in which Rollin makes the tiny budget work to his advantage. We meet a vampire queen, a ghoul and a werewolf. But we are only *told* this is what they are- they appear outwardly 'normal'... and although it's a cliche to say 'our imaginations do the rest', here it is so true. Late in the film there is a scene in which one of the characters explains some of her past; stuff that Hollywood would salivate over. Rollin has her hunched over a table and s-l-o-w-l-y tracks the camera towards her. No fuss, no noise, no elaborately staged flash-backs and set-pieces. Stillness. Quiet. And an otherworldliness that will leave you changed. It's like looking at a painting that illustrates a poem you strongly admire, and finding the artist has got it just 'right'. 'Two Orphan Vampires' is a tribute to the enduring presence of Jean Rollin- a writer/director of integrity, vision and wit.
Steev