Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
During the bar scene during the opening credits, the composers can be seen in the audience. See more »
When Carolina jumps from a roof to another one, when filmed from underneath her, she seems to have light-color (e.g., skin-like or beige) panties. When she lands on the second roof, it is clear that she wears black ones. See more »
What do you want?
All I got is piss-warm Chango.
That's my brand. Oh, this is damn good! Say, this is the best beer I've ever had. Actually...
You need anything over there?
I'm just glad to be alive right now. I was up a few towns away- you know Saragosa? I was visiting a bar there, not unlike this one. They serve beer, not quite as good as this, but close. And I saw something you wouldn't believe. I'm sitting there, see, small table all by myself. Now this bar, it's full of...
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After watching El Mariachi, it was easy to see the improvement in production values between the two. Not surprising, considering the difference in the price tag of the two films. But, as I pointed out in my El Mariachi review, money isn't everything.
Although better visually, Desperado benefits from better actors who bring more life to the characters. The overall effect, given another reasonable plot, is to make a much more polished looking film that deservedly did as well as it did at the box office.
The aforementioned plot is, essentially, the same as the first film when you boil it down - the Mariachi ends up killing a lot of no-good drug-dealers and warlords etc. - and there's the obligatory love interest. But although very similar, this movie was more enjoyable due to it's overall finish and style.
I originally watched this movie some years ago, long before I got to see the original El Mariachi, so I suppose I am a little biased in preferring this one to the the first in that Banderas IS the Mariachi as far as I was concerned. But not to knock the first movie, which tells us the early history of the Mariachi, and is a worthy film in its own right.
Desperado is good, if sometimes a little gory, fun. Nothing to analyse too much, just enjoy. If you have the opportunity, watch the original, then this one and things will make a lot more sense. Desperado has enough back history woven into it to make it a standalone film, but the overall experience is better watching the two back to back.
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