Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The bar in the beginning of the film where Steve Buscemi and Cheech Marin talk is an actual bar in Acuna, Mexico called the Corona Club. The bar is a lot cleaner and bigger in reality, but it's like walking right into the movie. They also have quite a few pictures of the stars and crew of the movie on the walls. See more »
When Right Hand is shown crouched over the body of the knife thrower, he has a unlit cigarette in his mouth. When Bucho concludes his phone call, Right Hand stands up and the cigarette is lit. See more »
It's easier to pull the trigger than play guitar. Easier to destroy than create.
See more »
Give me the strength to be what I was, and forgive me for what I am.
Sinking us back into the gritty life of a tormented guitar player, Rodriguez sets the stage for an amazing film. This time, Antonio Banderas steps into the role of the troubled Mariachi as he continues his quest to rid Mexico of the corrupted drug lord that destroyed his life. Using friends like Steve Buscemi, he finds the town that is harboring his villain named Bucho. The Mariachi's form of questioning normally leads to several dead, a cinematic gun fight, and some classic Sergio Leone verbiage. Unfortunately, our hero does not escape unscathed and finds himself being healed by the likes of Carolina, a bookstore beauty played by Selma Hayek. Together they build a steamy relationship that will help our Mariachi reach his final destination.
As more gunfights, explosions, and blood rock this independent blockbuster, we soon discover a hidden secret about our hero, one that could change the course of his destination.
This was an impressive second outing by director Robert Rodriguez. While I was worried that Hollywood would have drained too much of his imagination, it was instead the direct opposite. Hollywood gave him the tools to build an amazing 'sequel'. While different, yet the similar to his independent feature 'El Mariachi', Rodriguez sets the stage for a roller coaster film that makes you hold your breath and pray for more. He has taken elements from his first film and expanded them to new levels. Banderas is perfect as our 'new' Mariachi and the chemistry between him and Selma Hayek cannot be contested. Banderas' ability to control this enraged man was spectacular. They worked as our two main focuses of this film. Coupled with some humorous moments with Steve Buscemi and Quentin Tarantino, this film successfully stood on its own two feet thanks not just to the action, but the actors in their respective roles.
Finally, Rodriguez is a genius behind the camera. He is able to give us exactly the right amount of action, drama, and comedy for our liking. He is the proverbial salad bar of cinema. While giving us this deeply rooted character hell-bent on destroying this drug lord, he also lets our imaginations wander with his comical and cartoonish action sequences. The scenes of men flying through the air after being shot are somewhat comical, yet completely Rodriguez. He has successfully created this world that is all uniquely his own. Rodriguez has done this by giving the world depth and outside characters. He builds suspense and also suspicion all at the same time.
Overall, an amazing film (in case you haven't noticed) that should be found in nearly everyone's film collection.
Grade: ***** out of *****
43 of 53 people found this review helpful.
Was this review helpful to you?