Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
During the street firefight near the end of the film, When Campa drops down, and flips his guitar case onto his shoulder in preparation to fire a rocket from it, there is no opening or hole at all in the end of the case. The hole the rocket fires from does not appear until 2 shots later, after another shot of the approaching vehicle, then back to Campa. It is in this second shot of Campa that the hole appears and the rocket fires from it. See more »
[talking to his henchmen]
It's one thing if you can't find someone running around the city hiding any place he chooses. I can understand that. What I can't understand is how you let him get away when you knew where he was! Now you drive around town. You see someone you don't know, you shoot them. How hard is that, huh?
[takes gun from Right Arm]
Look over there.
[the henchmen look in different directions, unsure of where "over there" is]
I don't know him. Never seen him before.
[...] See more »
A true 90's cowboy movie, everyone who saw El Mariachi could foresee that this picture would take the concept to the top. Fast-paced, greatly shot, incredibly edited, this movie refuses to take itself seriously and is well-succeeded in so. Antonio Banderas is the perfect Mariachi, adding a new depth to the first movie's main character. He seeks revenge. Revenge for all the things they did to him. And he will get it, the easy way or the hard way. Fellow portuguese Joaquim de Almeida is Bucho, the villain, whose relationship with El Mariachi turns out quite surprising near the end. Until they both meet, there will be much gun-slinging action to fill the screen with anthological scenes, like the bar fight, the "Quedate Aqui" song and the final showdown. The movie is a comedy, even in the action scenes. I guarantee it, it's two hours of fun and a visible influence of the Westerns and B-Movies in someone's talent. Cracking good fun, which becomes addictive. Memorable movie.
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