Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Robert Rodriguez had originally written a rock version of the song "Malagueña Salerosa" into the screenplay. It would later be performed by his band "Chingon" during the end credits of Kill Bill: Vol. 2 (2004). See more »
On the rooftop of the bookstore as El Mariachi is reloading, Carolina can be seen holding her red shoe. In the next shot she takes the red shoe off again. See more »
What happens when he's dead?
When Bucho's dead... it's over. He is the last one.
End of payback? An eye for an eye and all that crap? You finally gonna be satisfied?
I think so.
I hope so. 'Cause, I don't have the stomach for this anymore.
You never did.
Neither did you.
See more »
A true 90's cowboy movie, everyone who saw El Mariachi could foresee that this picture would take the concept to the top. Fast-paced, greatly shot, incredibly edited, this movie refuses to take itself seriously and is well-succeeded in so. Antonio Banderas is the perfect Mariachi, adding a new depth to the first movie's main character. He seeks revenge. Revenge for all the things they did to him. And he will get it, the easy way or the hard way. Fellow portuguese Joaquim de Almeida is Bucho, the villain, whose relationship with El Mariachi turns out quite surprising near the end. Until they both meet, there will be much gun-slinging action to fill the screen with anthological scenes, like the bar fight, the "Quedate Aqui" song and the final showdown. The movie is a comedy, even in the action scenes. I guarantee it, it's two hours of fun and a visible influence of the Westerns and B-Movies in someone's talent. Cracking good fun, which becomes addictive. Memorable movie.
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