Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When El Mariachi is on the bar, one of his band members flips is guitar over and drums on the back of it, in the next shot when El Mariachi is back on the stage, his band member is just flipping his guitar over. See more »
This reminds me of a joke. This guy comes into a bar, walks up to the bartender. Says, "Bartender, I got me a bet for you. I'm gonna bet you $300 that I can piss into that glass over there and not spill a single, solitary drop." The bartender looks. I mean, we're talking, like, this glass is like a good ten feet away. He says, "Now wait, let me get this strait. You're tryin' to tell me you'll bet me $300 that you can piss, standing over here, way over there into that glass, and not spill a ...
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A true 90's cowboy movie, everyone who saw El Mariachi could foresee that this picture would take the concept to the top. Fast-paced, greatly shot, incredibly edited, this movie refuses to take itself seriously and is well-succeeded in so. Antonio Banderas is the perfect Mariachi, adding a new depth to the first movie's main character. He seeks revenge. Revenge for all the things they did to him. And he will get it, the easy way or the hard way. Fellow portuguese Joaquim de Almeida is Bucho, the villain, whose relationship with El Mariachi turns out quite surprising near the end. Until they both meet, there will be much gun-slinging action to fill the screen with anthological scenes, like the bar fight, the "Quedate Aqui" song and the final showdown. The movie is a comedy, even in the action scenes. I guarantee it, it's two hours of fun and a visible influence of the Westerns and B-Movies in someone's talent. Cracking good fun, which becomes addictive. Memorable movie.
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