With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown.
Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The huge black handgun that is seen throughout the movie (used by the bad guys) is a Desert Eagle .50AE pistol.
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Goofs
Continuity:
Bottles on the bar are broken twice during the gunfight.
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Quotes
Buscemi:
Suddenly they got very interested in who you were. So, I laid the story down nice and thick. El Mariachi:
How thick? Buscemi:
Well, pretty thick, I told 'em you were the biggest Mexican I've ever seen... See more »
"Pass The Hatchet"
Written by Ray Theriot, Roger Leon, Jr. & Earl Stanley Oropeza Performed by Roger & The Gypsies Courtesy of Charly International ApS/Charly Holdings Inc.
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