Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
MPAA originally gave the movie an NC 17 rating. Many deaths and action scenes had to be heavily cut down for R rating. These include death scenes of Pick Up guy and his friend at the bar and death of Danny Trejo's character. By far the most major excision came at the end of the film, which originally contained a large-scale shootout between El Mariachi, Carolina, Bucho and his thugs at Bucho's mansion. However, owing to the amount of footage the MPAA demanded be removed from the scene, Rodriguez elected to remove the sequence in its entirety, giving the film its final fade-out ending. Two additional scenes were also deleted featuring the "crotch-gun" (seen in the guitar case). Originally, the gun was used by El Mariachi during the second bar shootout when he uses it to shoot the pony tailed thug in balls before whipping out his pistols from his sleeves and finishing him off. In a second deleted scene, the crotch gun gone off accidentally while Banderas is in bed with Hayek, blowing a hole through the guitar that they were playing. See more »
When the rocket that Campa fires at the bullet proof car reaches the vehicle, if played in slow motion, the rocket can fairly clearly be seen to hit ground just under the front bumper, spin slightly to one side and then continue to burn, while the car explodes, marking the "rocket" as nothing more than a simple firework rocket of some kind. See more »
Now, I wasn't interested in his drink. No, I was more interested in what he was carrying when he walked in. Some sort of a suitcase, kind of heavy. And he sat that thing on a stool beside him as if it were his girl.
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A true 90's cowboy movie, everyone who saw El Mariachi could foresee that this picture would take the concept to the top. Fast-paced, greatly shot, incredibly edited, this movie refuses to take itself seriously and is well-succeeded in so. Antonio Banderas is the perfect Mariachi, adding a new depth to the first movie's main character. He seeks revenge. Revenge for all the things they did to him. And he will get it, the easy way or the hard way. Fellow portuguese Joaquim de Almeida is Bucho, the villain, whose relationship with El Mariachi turns out quite surprising near the end. Until they both meet, there will be much gun-slinging action to fill the screen with anthological scenes, like the bar fight, the "Quedate Aqui" song and the final showdown. The movie is a comedy, even in the action scenes. I guarantee it, it's two hours of fun and a visible influence of the Westerns and B-Movies in someone's talent. Cracking good fun, which becomes addictive. Memorable movie.
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