| Carol Alt | ... | Saundra | |
| Dedee Pfeiffer | ... | Kirsten | |
| Ron Marquette | ... | Luke | |
| Vinnie Curto | ... | Nick | |
| Mark Dacascos | ... | Leo | |
| Jeff Haber | ... | Good Looking Man | |
| Brian David Zola | ... | Tough | |
| Sevasti Zographos | ... | Waitress | |
| Trent Dolan | ... | Matt | |
| Leon Simmons Jr. | ... | Motorcycle Cop | |
| Joey Haim | ... | Bar Patron | |
| Cole S. McKay | ... | Security Guard | |
| rest of cast listed alphabetically: | |||
| Catherine McGoohan | ... | (uncredited) | |
| Pamela Roth | ... | Club Goer (uncredited) | |
Directed by | |||
| Tibor Takács | |||
Writing credits(in alphabetical order) | ||
| Brian Irving | uncredited | |
| Steven Iyama | ||
Original Music by | |||
| Alex Wilkinson | |||
Cinematography by | |||
| Bernard Salzmann | |||
Film Editing by | |||
| Erik C. Andersen | |||
Casting by | |||
| Michelle Guillermin | |||
Production Design by | |||
| Gustav Alsina | |||
Art Direction by | |||
| Wayne Beswick | |||
| Benjamin Minot | (co-art director) | ||
Set Decoration by | |||
| Dawn R. Ferry | |||
Costume Design by | |||
| Pat Tonnema | |||
Makeup Department | |||
| Pamela Roth | .... | hair department head | |
| Pamela Roth | .... | makeup department head | |
Production Management | |||
| Erik C. Andersen | .... | post-production supervisor | |
| Sharre Jacoby | .... | post-production supervisor | |
| Roger La Page | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| S. Brett Cody | .... | second second assistant director | |
| Leonard Haggarty | .... | second assistant director | |
| Roger La Page | .... | first assistant director | |
Art Department | |||
| James Blevins | .... | property master | |
| Chris Hilsabeck | .... | art department coordinator | |
Sound Department | |||
| Kevin Hamilton | .... | adr editor | |
| Kevin Hamilton | .... | adr recordist | |
| Kevin Hamilton | .... | dialogue editor | |
| Scott C. Kolden | .... | sound effects editor | |
| Scott C. Kolden | .... | sound re-recording mixer | |
| Bill Seery | .... | additional adr recordist | |
| Joel E. Smith | .... | sound re-recording mixer | |
| Joel E. Smith | .... | supervising sound editor | |
| David Waelder | .... | sound mixer | |
Special Effects by | |||
| Frank L. Pope | .... | special effects | |
Stunts | |||
| Cole S. McKay | .... | stunt coordinator | |
| Patrick J. Statham | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Joseph D. Beam | .... | best boy electric | |
| Jim Brown | .... | additional assistant camera | |
| Dan Elsasser | .... | first assistant camera | |
| Kenn Ferro | .... | Steadicam operator | |
| Michael Britt Hamby | .... | still photographer (as Michael Hamby) | |
| Jay Herron | .... | second assistant camera | |
| Marc Meisenheimer | .... | gaffer | |
| Domenic Sfreddo | .... | third electrician | |
| Ron N. Sill | .... | gaffer | |
Editorial Department | |||
| Lisa Cossettini | .... | assistant editor | |
Music Department | |||
| Harley Hatcher | .... | music supervisor | |
Other crew | |||
| Jack Blessing | .... | voice double | |
| Leigh French | .... | voice double | |
| Gigi V. Leon | .... | body double | |
| Marilyn Penn | .... | production accountant | |
| Kim Percival | .... | production coordinator | |
| Anne Verrier Scatolini | .... | stand-in | |
| Jacqueline Taylor | .... | script supervisor | |
| Joanne Vancio | .... | stand-in | |
| Juan C. Vazquez | .... | body double | |
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| The Grifters | Point of Impact | The Man in Blue | Deadly Weapons | The Hard Truth |
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IMDb User Rating: |
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| Full cast and crew | Company credits | IMDb Action section |
| IMDb USA section |
A reformed convict (Ron Marquette), is now on parole, working at a local bar, and living happily with his girlfriend (Dedee Pfeiffer), until classy ex-girlfriend (Carol Alt) reappears on the scene and manipulates him into becoming involved with a murder, as she, in turn, is being black-mailed over a previous killing.
It's hard to really find much to say about this movie. There's nothing outstandingly good, but there's nothing outstandingly bad either. The leads are reasonable in their roles, and the plot is watchable, but has a very routine, "done before" feel to it.
It's all very 1990s - beautiful looking people, with lots of art deco and sun-touched soft shots. I found the compulsory sex scenes to be dragged out and actually rather slow the story up. The three leads are fair in their parts (with Michelle Pfeiffer's sister Dedee coming off best, being actually rather lovely in her part!), but it's possible to feel that more could have been done with the characters and more depth given to them, particularly with Marquette's reformed criminal being framed from murder.
It's the sort of film that is very average, but after you've watched the first half an hour or so, you find yourself having to watch the rest of it just for the sake of it.
Bottom line: a fair TV movie in it's own way, but similar plots have been done, much better, by numerous other TV movies both before and since.