IMDb > Dead Weekend (1995) (TV)

Dead Weekend (1995) (TV) More at IMDbPro »


Overview

User Rating:
3.0/10   182 votes
MOVIEmeter: ?
Down 35% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Amos Poe (story)
Joel Rose (screenplay)
Contact:
View company contact information for Dead Weekend on IMDbPro.
Release Date:
8 October 1995 (USA) more
Genre:
Plot Keywords:
Awards:
1 nomination more
User Comments:
remember that this more (9 total)

Cast

  (Cast overview, first billed only)

Stephen Baldwin ... Weed

David Rasche ... Payne
Tom Kenny ... Joe Blow

Alexis Arquette ... McHacker

Ling Bai ... Amelia A
Afifi Alaouie ... Amelia B
Blair Valk ... Amelia C
Jennifer MacDonald ... Amelia D
Barbara Alyn Woods ... Amelia E
Sam Scarber ... General Mills

Marcos A. Ferraez ... Gonzolo

Clint Culp ... Overweight Soldier

Greg Wrangler ... TWF #1

Greg Collins ... TWF #2

David Millbern ... Medic #1
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Additional Details

MPAA:
Rated R for strong sexuality, violence and language.
Runtime:
82 min
Country:
Language:
Color:
Certification:
Canada:16+ (Quebec) | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | USA:R
Company:

Fun Stuff

Soundtrack:
Velvet Dreams more

FAQ

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5 out of 7 people found the following comment useful.
remember that this, 8 December 1998
9/10
Author: "Manos" from Virginia, USA

The people responsible for this masterpiece knew EXACTLY what they were doing! I can almost picture it: "What? No budget? Oh, well, let's have fun anyway!" It's as if the director used this flick as an opportunity to compile a resume' of styles (hence the random Homicide: Life on the Street camerawork in one scene), and the actors were just there for a good time. It's great.

Set in the "not-too distant future", martial law has been declared in The City in leu of a looming earthquake. However, the earthquake is merely a ruse, a story fed to the public so the TWF (True World Forces) can capture an alien spotted over the city some few days earlier. A TWF agent runs into the alien (a *hottie* who can change her apperance, while always remaining - of course - a hottie), and the two go off and, um, compare their respective physiologies (yeah, that's it). Other things happen, too, but who pays attention to plot nowadays?

The effects are poor, but it's the *little* things that really made this film. The chalk outlines. The phone book. The beautiful rooftop view of The City. The officer's club/strip joint/medicenter. These minute details were handled (fondled, even) with the utmost care, thus making this film the cinematic treasure it is. Don't be confused: this flick is BAD. But that's okay. It's as if the director & stars agreed to make as entertaining a film as they could with the $5.63 budget they had. I loved every minute of it!

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